Richard Vallance

Vallance Review August 2003 Selective Historical Bibliography on the Sonnet Bibliographie sélective de l'histoire du sonnet INTRODUCTORY NOTES This bibliography is based on the Selective Bibliography on HTML page 3 = pg. rv12-6c.htm of Section 6, Chapter 12, “The Historical Evolution of the Sonnet” (approx. 100 pp.), in Vallance, Richard.  Canadian Spirit Voices, Kedco Studios Press, Las Vegas, NV, © 2003. ISBN 1-878431-44-7 [CD-ROM multimedia book]. While several items not directly pertinent to the sonnet as such have been eliminated from this updated bibliography, scores of new entries relevant to the sonnet have been added. The bibliography is divided by language of publication into three major sections, one dedicated to the Father of sonnet, Francesco Petrarch (1304-1374), and one each for English and French plus French-Canadian poets and sonneteers. Unfortunately, I have been compelled, for reasons of space, to omit countless other great sonneteers of other languages. While I am first and foremost a poet and poetry critic, as a University librarian, I have made it my responsibility to be as scrupulous and as meticulous as possible in providing relatively complete bibliographic information for each item. As an aside, I should warn readers that there are a number of companies and clearinghouses on the Internet which charge you for ordering articles by (so-called) experts online. Beware of such come-ons. While a few may be reputable, I harbour grave doubts about the majority of them. Although abstracts are generally provided, how on earth can you tell whether the article, review or essay you end up ordering is really up to scratch? This is all the more serious in light of the fact that, since the advent of the Internet, bibliogaphic practices themselves have been gradually becoming more and more shoddy. KEY: Entries marked with an asterisk (*) I highly recommend. [Antiquarian] = very valuable antiquarian primary or secondary source [W] = webography item REMARQUES PRÉLIMINAIRES: Alors que cette bibliographie est dérivée de la bibliographie sélective à la page 3 HTML de la section 6 du chapitre 12, « l’Évolution historique du sonnet » du livre susmentionné Canadian Spirit Voices = les Voix éthérées canadiennes, plusieurs citations qui y figuraient ont été éliminées pour faire place à de nouvelles encore plus pertinentes à notre étude. La présente bibliographie est subdivisée en trois sections majeures, soit : 1 = Francesco Pétrarque (1304-1374), le père du sonnet; 2 = les écrivains anglais de sonnets et 3 = les poètes français et canadiens-français. Dommage qu’en raison des limites documentaires imposées, je n'ai pu inclure bon nombre de grands poètes de langues étrangères. Bien que je sois avant tout poète et critique, amateur de poésie, en tant que bibliothécaire universitaire, j'ai la responsabilité d’être à la fois scrupuleux et méticuleux en établissant des critères bibliographiques informatifs et détaillés. En passant, je dois aviser le lecteur qu’il existe sur l’Internet plusieurs sociétés et fournisseurs d’articles qui vous font payer comptant les documents qu’ils vous proposent. Gare à ces arnaques! Alors que quelques-uns de ces sites sont peut-être de bonne réputation, il faut se méfier de la plupart d’entre eux. Admettons qu’ils affichent des résumés analytiques des articles ou de la « recherche » : comment peut-on en évaluer si la qualité est bonne, ordinaire ou mauvaise, quand on vous propose de commander en ligne? Mais ce n’est pas tout! Il s’en faut de beaucoup. Malheureusement, à cause des influences de l’Internet depuis son début, les méthodes bibliographiques semblent s’effriter au fur à mesure. CLEF: Les citations accompagnées de l’astérisque (*) sont à recommander. [Ancien] = il s’agit d’une source primaire ou secondaire de valeur inestimable. [W] = citation webographique English: Anthologies and General Works: [1] * Bernbaum, Ernest, ed. Anthology of Romanticism. (Third edition, revised and enlarged). New York: The Ronald Press Company, © 1929, 1948. xxviii, 1238 pp. [2] * Bermann, Sandra L. The Sonnet Over Time: a Study in the Sonnets of Petrarch, Shakespeare and Baudelaire.. Chapel Hill, N.C.: The University of North Carolina Press, ©1988. 174 pp. ISBN 0807870633 [3] * Bloom, Harold and Trilling, Lionel. Romantic Poetry and Prose. New York: Oxford University Press, © 1990. 830 pp. ISBN 195016157 [4] Bullett, Gerald, ed. Silver Poets of the Sixteenth Century. London: J.M. Dent & Sons, Ltd., © 1947. xviii, 428 pp. [5] * Fuller, John. The Oxford Book of Sonnets. London: Oxford University Press, © 2000. xxxiv, 362 pp. ISBN 0-19-214267-4 [6] [W] * Goldenberg, Russell H. The Evolution of the Renaissance Sonnet: A Lesson Cycle Surveying the Changing Styles of the Sonnet Tradition From Petrarch to Shakespeare to Wordsworth [7] * Hollander, John, Ed. Sonnets from Dante to the Present. New York: Alfred A. Knopf, © 2001. 256 pp. ISBN 0-375-4177-1 [Everyman’s Library Pocket Poets] [8] * Lever, J.W. The Elizabethan Love Sonnet. (2nd. ed.) London: Methuen, © 1966. 282 pp. [9] * Robinson, Daniel. "Reviving the Sonnet: Women Romantic Poets and the Sonnet Claim," in European Romantic Review. Vol. 6, 1995, pp. 98-123 [10] * Robinson, Jeremy. Poetic Forms: a Handbook of Stanza-forms from the History of Poetry. Maidstone, Kent: Crescent Moon Publishers, © 1990. 30 pp. ISBN 1-871846-75-7 [11] [W] Romantic Links, Electronic Texts and Home Pages [includes archives and collections from Project Bartelby’s John Keats Page (with complete works) Romanticism on the Net, the University of Virginia, the William Wordsworth Page (includes hypertextual bibliography)] [12] Silkin, Jon. The Penguin Book of First World War Poetry, 2nd. ed. Harmondsworth, Middlesex: Penguin Classic, © 1997. 320 pp. ISBN 0141180099 [features such poets as Rupert Brooke, Alan Seeger, Siegfried Sasoon and Wilfred Owen, all W.W. I sonneteers] [13] * Spiller, Michael R.G. The Development of the Sonnet: An Introduction. New York : Routledge, © 1992. 241 pp. ISBN 0415087414 [14] Vinson, James, ed. & Muir, Kenneth, introduction. The Romantic Period Excluding the Novel. London & Basingstoke: MacMillan Press Ltd., © 1980. 131 pp. ISBN 0333-28338-4 [Great Writers Student Library] [15] * Washington, Peter. Love Songs and Sonnets. New York: Alfred A. Knopf, © 1997. 253 pp. ISBN 0-679-45465-9 [Everyman’s Library Pocket Poets] [16] * White, Gertrude M., and Rosen, Joan G.. A Moment's Monument: The Development of the Sonnet. New York: Charles Scribner's Sons, © 1972. 234 pp. ISBN 684-13151-X Individual Sonneteers (Historic [H] and Contemporary [C]): Bowles, William Lisle [H 1762-1850]: [17.1] *Bowles, William Lisle. Sonnets, written chiefly on picturesque spots during a tour, 2nd ed. Bath: R. Cruttwell, 1789 [Antiquarian] [17.2] [W] This text is also available online at: Fourteen Sonnets, Elegiac and Descriptive. Written During a Tour. Bath and London, 1789. Electronic text transcribed and prepared by Michael Gamer, University of Pennsylvania. [18] Gilfillin, George, ed. The Poetical Works of William Lisle Bowles. New York, D. Appleton and Company, 1855 [Antiquarian] [19] Hunt, Leigh, 1784 -- 1859 [1821], "Sketches of the Living Poets. No. 1. -- The Rev. William Lisle Bowles", in The Examiner. No. 706, Sunday, July 15, 1821 [Antiquarian] [20] [W] Vallance, Richard. When is a Sonnet a Song? Part 2 “Brighter Orbs on High” New Music Set to William Lisle Bowle’s Sonnet, “On Hearing Handel’s ‘Messiah’...” by the new Canadian composer, Peter Zanette, in Vallance Review: Poetry Life and Times , December, 2002 Brooke, Rupert [H 1887-1915]: [21] * Brooke, Rupert. The Collected Poems of Rupert Brooke [with an introduction by George Edward Woodberry (pp. v-xiv) and a biographical note by Margaret Lavington (pp. 161-168). New York: Dodd, Mead and Company, © 1915 (1924). xvii. 168 pp. [22] ______________. The Collected Poems, ed. George E. Woodbury. New York: John Lane Co., © 1919. 168 pp. [23] *_____________. Rupert Brooke: The Complete Poems. (first Canadian edition) Toronto: McClelland & Stewart, © 1932. viii, 167 pp. [24] Delaney, Paul. The Neo-pagans: Rupert Brooke and the Ordeal of Youth. New York: Free Press, 1987. 270 pp. ISBN 0029082803 [25] Lehmann, John. The Strange Destiny of Rupert Brooke. New York: Holt, Rinehart and Winston, © 1980. 178 pp. ISBN 003057479-X [26] * Reilly, Catherine. English Poetry of the First World War: A Bibliography. New York: St. Martin's Press, © 1978. xxxi, 402 pp. ISBN 0312255179 [27] [W] * Vallance, Richard.  In Commemoration of REMEMBRANCE DAY, 2002: Rupert Brooke’s, "The Dead" (1915), in Poetry Life and Times: Vallance Review, November, 2002 Browning, Elizabeth Barrett [H 1806-1861]: [28] Browning, Elizabeth Barrett. Elizabeth Barrett Browning. Poems. 4th. ed. 3 Vols. London: Chapman and Hall, 1856 [Antiquarian] [29] * _____________________. Sonnets from the Portuguese, and Other Love Poems. New York: Doubleday, © 1990. 103 pp. ISBN 0-385-41618-0 [30] * Donaldson, Sondra. Elizabeth Barrett Browning: An Annotated Bibliography of the Commentary and Criticism, 1826-1990, © 1993 [not in Books-in-Print or BookFinder.com - may be hard to find] [31] [W] "Elizabeth Barrett Browning". The Critical Poet. Online. 2001 [32] [W] * Lady Geraldine’s Courtship: the Style and Work of Elizabeth Barrett Browning [33] [W] * Leach, Gillian. The Poetry of Elizabeth Barrett: a Select Bibliography (Compiled by Gillian Leach, August 2001) [34] Stone, Marjorie. Elizabeth Barrett Browning. London: MacMillan, © 1995. 254 pp. ISBN 0312122101 [Women Writers Series] Coleridge, Hartley [H 1796-1849]: [35] * Gee, Lisa, ed. Bricks without mortar: selected poems of Hartley Coleridge. London: Picador, © 2000. 80 pp. ISBN 0330480448 [36] * Griggs, Earl Leslie. Hartley Coleridge; his life and work London: University of London, © 1929. 266 pp. ISBN 0883052423 [Reprint] [37] * Hartmann, Herbert Weidler. Hartley Coleridge, Poet’s Son and Poet. London, Oxford University Press, © 1931. 205 pp. [38] [W] Manton, Robert (1895-1967) Papers 1914-1968 [includes this musical ms. of a sonnet by Hartley Coleridge: e.2 MAY MORNING. For SSAA and pianoforte. Photocopies of an original manuscript not in the collection. 4p. (42 measures). 38 copies. Text: by Hartley Coleridge. "A lovely morn, - so still, so very still/ It hardly seems a growing day of Spring… passim… her evening trill."] Coleridge, Samuel Taylor [H 1772-1834]: [39] * Coleridge, Samuel Taylor. Selected Poetry and Prose (edited with an introduction and notes by Elizabeth Schneider). New York: Rinehart & Co., Inc., © 1951. xxviii, 543 pp. [40] * ____________________. Samuel Taylor Coleridge (Selected and edited by John Beer, University of Cambridge). London: J.M. Dent, Everyman’s Poetry, © 1996. xx, 105 pp. ISBN 0–460-87826-3 [41] Halmi, Nicholas, ed. Coleridge’s Poetry and Prose. New York: W.W. Norton & Company, © 2003. 704 pp. ISBN 0-393-97904-0. [For more detailed information on this brand new book, please go here: W.W. Norton College Books (this title)] [42] [W] Samuel Taylor Coleridge, online bibliography. Daniel, Samuel [H 1562-1619]: [43] Daniel, Samuel. Delia. Contayning certayne sonnets; with the complaint of Rosamond. [London:] J. C. for S. Waterson, 1592 [Antiquarian Facsimile reprint] Menston, England: Scholar Press, © 1969. 91 pp. [44] Davison, Francis. A poetical rapsody containing diverse sonnets, odes, [etc.]. London: V. S. for J. Baily, 1602 [Antiquarian] [45] * Godshalk, W.L. “Recent Studies in Samuel Daniel”. In English Literary Renaissance. Vol. 24, no. 2, Spring, 1994, pp. 489-502 [46] * Sprague, A.C. The Defense of Ryme, and a selection of the poems. Boston, Mass.: Harvard University Press, © 1930 [no pagination available] De la Mare, Walter [H 1873–1956] [47] De la Mare, Walter. The Complete Poems of Walter de La Mare. London: Faber and Faber, © 1969 (1st. ed.) & 1975. xvi, 948 pp. ISBN 0571080995 [48] Reeves, James, ed. Georgian Poetry. Harmondsworth, Middlesex, Penguin Books, 3rd. ed. © 1968. 173 pp. [a selection of 1910-1930 work from the likes of A.E. Housman, Walter de la Mare, John Masefield, James Stephens, Sigfried Sassoon, Rupert Brooke, Andrew Young, et al.] [49] [W] * Vallance, Richard. The Sonnet as the Landscape of Mystery — Walter de la Mare’s "Silver", in Poetry Life and Times: Vallance Review, August, 2002 Donne, John [H ca. 1572-1631]: [50] Carey, John, ed. Selected Poetry by John Donne. Northants, U.K. & New York: Oxford University Press, © 2001 (2nd. ed.). 304 pp. ISBN 0192834908 [Oxford World's Classics] [51] * Clements, Arthur L., ed. John Donne’s Poetry: Authoritative Texts, Criticism. New York: W W Norton & Co, © 1992. 396 pp. ISBN 0393960625 [52] Donne, John. Poems (edited by Sir Herbert Grierson) Franklin Center, Pennsylvania: The Franklin Library, © 1978. 401 pp. [limited edition, bound in leather, gold and moiré silk – no ISBN] [53] [W] * Luminarium Book Store [This is the best site for ordering different editions of John Donne’s poetry, including his sonnets] [54] Shawcross, John T. The Complete Poetry of John Donne. New York: Anchor Press/ Doubleday & Company, Inc., © 1967. 521 pp. ISBN 0385052561 Dunlap, Jim [C 1945 — ]: [55] Dunlap, Jim. Entwined In Wonder (second edition) Cedar Bay Press, LLC., Beaverton, Washington, © 2002 [56] [W] * ______________. “Featured Sonneteer”, in INDEX to SONNETTO POESIA. Vol. 2, no. 3, Summer = l’été 2003, pp. 2-4 ISSN 1705-4524 [57] ___________________. “Fiery Maid of Orleans”, in Candelabrum Poetry Magazine. Volume IX, Number 4. October, 1998, , pg. 19, and in SONNETTO POESIA. Vol. 2, no. 3, Summer, 2003, pg. 4 ISSN 1705-4524 [58] [W] * ______________. "Inciting Expiration", in SONNETTO POESIA. Vol. 2, no. 3, Summer, pg. 3 ISSN 1705-4524 [59] *__________________. "L'Essentiel est invisible aux yeux", in Stand Alone. August, 1977. ISSN 1092-2210 [60] * _________________. “Lonely Reflections by Your Bedroom Door”, in Oatmeal & Poetry. Vol. 3, No. 3, Winter, 1997, pg. 15 ISSN 1082-5576 and in Stand Alone. August, 1977. ISSN 1092-2210 [61] ___________________. “Symbols in Flight”, in Mobius. Fall, 1995, Volume 9, Number 2, pg. 60. ISSN 1071-9865 Frost, Robert [H 1874-1963]: [62] Hollander, John, ed. Frost: Poems. New York: Alfred A. Knopf (Everyman’s Library Pocket Poets), © 1997. 256 pp. ISBN 0-679-45514-0 Gray, Thomas [H 1716-1771]: [63] * Mannings, Peter J.: "Wordsworth and Gray's Sonnet on the Death of West", in, SEL: Studies in English Literature, 1500-1900. Vol. 22, no. 3, Summer,1982, pp. 505-518 [64] Mell, Donald C.: "Form as Meaning in Augustan Elegy: A Reading of Thomas Gray's `Sonnet on the Death of Richard West' ", in Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature. Vol. 4, 1968, pp. 131-143 [65] * Moore, Judith K.: "Thomas Gray's `Sonnet on the Death of Richard West': The Circumstances and the Diction", in Tennessee Studies in Literature, Vol. 19, 1974, pp. 107-113 [66] [W] * Also consult this excellent resource page on the Net, The Thomas Gray Archive Hopkins, Gerard Manley [H 1844-1889]: [67] * Abad, Pilar. "Hopkins and the Modern Sonnet Tradition: Dylan Thomas, W.H. Auden and Seamus Heaney", in Bottalla, Marra P., Marra P. G. & Marucci, F., ed. Gerard Manley Hopkins: Tradition and Innovation. Ravenna: Longo Editore, ©1991. pp. 223-34 [68] [W] * Ballinger, Phillip. Gerard Manley Hopkins: a Bibliography [NOTE: this is a splendid resource bibliography on the poetical works and the life of Gerard Manley Hopkins] [69] * Bouchard, Gary M. "What Gets Said in a Narrow (ten-by-fourteen) Room: a reconsideration of Hopkins's Later Sonnets", pp. 180-192 in Fennell, Francis L., ed. Rereading Hopkins: Selected New Essays Victoria: University of Victoria, © 1996. 194 pp. ISBN 0920604900 [70] Martin, Robert Bernard. Gerard Manley Hopkins: a Very Private Life. Hammersmith & London: Harper Collins, © 1991. xv, 448 pp. ISBN 0002176629 [Includes bibliography] [71] * Murphy, Russell E. "Nature and Nature’s God in Hopkins’ St. Beuno Sonnets", in Studies. Vol. 87, 1998 pp. 171-77 Keats, John [H 1795-1821]: NOTES: 1. you should also consult the indexes to all issues of the Keats-Shelley Journal at this URL The Keats-Shelley Journal 2. See also bibliographic citation [174] below [72] * Baumgartner, Paul R. “Keats: Theme and Image in a Sonnet”, in Keats-Shelley Journal. Vol. 8, no. 1, 1959 [73] * Cook, Thomas. “Keats's Sonnet ‘To Homer’ ”, in News and Notes, Keats-Shelley Journal. Vol. 11, 1962, pp. 1-16 [74] Ford, Newell H. “Holy Living and Holy Dying in Keats's Poetry”, in Keats-Shelley Journal. Vol. 20, 1971, pp. 37-61 [75] Haworth, Helen E. "Ode to the West Wind" and the Sonnet Form”, in Keats-Shelley Journal. Vol. 20, 1971, pp. 71-77 [76] * Jones, Frederick L. “Keats's Sonnet on Chapman's Homer”, in Keats-Shelley Journal. Volume 1, 1952, pp. 71-72 [77] * Keats, John. The Complete Poems. (Edited by John Barnard; introduction by Andrew Motion) London: The Folio Society, © 2001. xix, 472 pp. [splendid edition, quarter bound in leather & at a very reasonable price from the Folio Society, here The Folio Society] [78] “Keats's Sonnet on the Tomb of Burns”, in Keats-Shelley Journal. Vol. 4, 1955, pp. 77-80 [79] * Levine, Peter. “Keats Against Dante: The Sonnet on Paolo and Francesca”, in Keats-Shelley Journal, Vol. 51, 2002 (pagination currently unavailable) [80] * Murray, E. B. “Ambivalent Morality in the Elgin Marbles Sonnet”, in Keats-Shelley Journal. Vol. 20, 1971, pp. 22-36 [81] Tsur, Reuven. "Douglas Hodge Reading Keats's Elgin Marbles Sonnet", in Style. Vol. 31, 1997, pp. 34-57, from: Anthologies and General Works [1] above [82] * Vallance, Richard. John Keats, “Blue! ‘Tis the life of heaven, — ” and its Imagery, in Poetry Life and Times: Vallance Review, July, 2003 Lampman, Archibald [H 1861-1899]: [83]* Djwa, Sondra. “Lampman’s Fleeting Vision”, in Canadian Literature. Vol. 56, 1973. pp. 22-39 [84] [W] * Fox, Justin W. An Annotated Bibliography of Work on and by Archibald Lampman Published Between 1979 and 1990. London, Ontario: University of Western Ontario [no pagination available] [85] * Lampman, Archibald. The Poems of Archibald Lampman (including “At the Long Sault”), introduction by Margaret Coulby Whitridge. Toronto: University of Toronto Press, © 1974. xxxviii, 473 + 43 pp. ISBN 0-08020-6204-0 (pbk.) [Literature of Canada Series 12] [86] * MacKendrick, Louis K. “Sweet Patience and Her Guest, Reality: the Sonnets of Archibald Lampman”, in, McMullen, Lorraine, ed. & intro. The Lampman Symposium. Ottawa: University of Ottawa Press, © 1976. pp. 49-62 [87] Steele, Charles R. “The Isolate I (Eye): Lampman’s Persona”, in Essays on Canadian Writing. Vol. 16, 1979-1980. pp. 62-69 [88] [W] * Vallance, Richard. Archibald Lampman. Winter Uplands [Canadian], in Poetry Life and Times: Vallance Review, February, 2002 Lofft, Capel [H 1771-1824] [89] [W] *Vallance, Richard. Capel Lofft's “The Sports of the Field” and its implications, in Poetry Life and Times: Vallance Review, March, 2002 Members of the Eighth Army, British Expeditionary Force, World War II: [90] Verses by Members of the Eighth Army. Poems from the Desert (with a forward by General Sir Bernard Montgomery) Toronto: Oxford University Press, © 1944. 45 (46) pp. [This book contains some sonnets] Millay, Edna Saint Vincent [H 1892-1950]: [91] Gassman, Janet. "Edna St. Vincent Millay: 'Nobody's Own'", in Colby Library Quarterly. Vol. 9, 1971, pp. 297-310 [92] * Hillyer, Robert. "Of Her Essential Voice and Spirit", in NY Times Book Review. April 15, 1954: 5. [NOTE: Robert Hillyer was himself a highly respected American sonneteer and a contemporary of Millay’s] [93] * Jones, Phyllis M. "Amatory Sonnet Sequences and the Female Perspective of Elinor Wyle and Edna St. Vincent Millay", in Women's Studies. Vol 10, no. 1, 1983, pp. 41-61 [94] *Milford, Nancy, ed. Collected Sonnets of Edna St. Vincent Millay. New York, Harper Collins, © 2001 xvii, 167 pp. ISBN 0679642374 [95] Milford, Nancy. Savage Beauty: The Life Of Edna St. Vincent Millay. New York, Random House, © 2001. xviii, 550 pp. ISBN 039457589X [96] * Millay, Edna Saint Vincent. Collected Sonnets of Edna St. Vincent Millay. New York: Harper and Bros., 5th. edition © 1941. This beautifully bound book is for sale at $85 at this URL: Collected Sonnets of Edna St. Vincent Millay [97] Millay, Edna Saint Vincent. A Few Figs from Thistles. New York & London: Harper & Brothers, Publishers, © 1922. 32 pp. [original edition, still available second hand] [98] *_____________________. Fatal Interview: Sonnets by Edna St. Vincent Millay. New York & London: Harper & Brothers, Publishers, © 1931. 52 pp. [original edition, still available second hand] [99] ______________________. Huntsman, What Quarry? New York & London: Harper & Brothers, Publishers, © 1933. ix, 94 pp. [original edition, still available second hand] [100] _____________________. The Buck in the Snow & Other Poems by Edna St. Vincent Millay. New York & London: Harper & Brothers, Publishers, © 1929. vi, 69 pp. [original edition, still available second hand] [101] [W] * The Edna Saint Vincent Millay Collection [Skidmore College, Lucy Scribner Library, Department of Special Collections. This link contains a list of all of Millay’s major publications from 1917-1956 and is an invaluable primary & secondary research resource] [102] * Millay, Norma. Collected Poems by Edna St. Vincent Millay. New York: Harper Collins, © 1956. 738 pp. [103] * Nierman, Judith. Edna St. Vincent Millay : a reference guide. Boston: G. K. Hall, © 1977. Xiii, 191 pp. ISBN 0816179506 [104] [W] geometry the online learning center: Millay, Edna St Vincent [105] *Yost, Karl. A bibliography of the works of Edna St. Vincent Millay. New York: Harper Collins, © 1937. 248 pp. Milton, John [H 1608-1674]: [106] *Coldiron, A. E. B. "Milton in Parvo: Mortalism and Genre Transformation in 'Sonnet 14' ", in Midwest Quarterly: A Journal of Contemporary Thought. Vol. 28, 1994, pp. 2-9 [107] * Cook, Patricia J. "Resembling Unlikeness: A Reading of Milton's Tetrachordon Sonnet", in Milton Quarterly. Vol. 26, 1992, pp. 121-129 [108] * Hazlitt, William, 1778 -- 1830 [1821], “On Milton's Sonnets” in, Table-Talk, (2nd. Edition,Volume II, 1821) London: Printed for Henry Colburn, 1824. [Antiquarian] [109] Milton, John. Complete Poetry and Selected Prose of John Milton. New York: Random House, Inc. (The Modern Library), © 1950. xxi, 756 pp. [110] * Ruud, Jay. "Milton's Sonnet 18 and Psalm 137", in Milton Quarterly. Vol. 26, 1992, pp. 80-81 [111] * Schlueter, Kurt. "Milton's Heroical Sonnets", in SEL: Studies in English Literature, 1500-1900. Vol. 35,1995, pp. 123-136 [112] * Sokol, B. J. "Euripides' Alcestis and the 'Saint' of Milton's Reparative Twenty-Third Sonnet", in SEL: Studies in English Literature, 1500-1900. Vol. 33, 1993, pp. 131-147 Ouzman Hislop, Robin [C 19nn — ] [113] * Ousman Hislop, Robin Robin Ouzman Hislop on AUTHORSDEN [114] Vallance, Richard. “Karma”, by Robin Ouzman Hislop — After Edgar Allan Poe’s, “A Dream within a Dream”, in Poetry Life and Times: Vallance Review, June, 2003 Piozzi, Hesther Lynch (Mrs. Thrale) [H]: [115] [W = rare antiquarian sonnets online] at The Florence Miscellany (Florence, 1785). HLP contributed the "Preface" and "Conclusion," "Translation" [of Ippolito Pindemonte, "Hymn of Calliope"], "To Wm. Parsons Esq.," "Imitation of the foregoing Sonnet [by Guiseppe Parini] on an Air Balloon," "[Enigma] Imitated," "[Arietta] Imitated," "Translation of an Italian Sonnet upon an English Watch," "Song," and "La Partenza." from: Selected Bibliography: Hester Lynch Piozzi (Mrs. Thrale) (1741-1821), by Berglund, Lisa. Connecticut College, Rutgers University, November, 2000 Rossetti, Christina [H 1830-1894]: [116] Arseneau M., Harrison, A.H. and Kooistra, L.J., eds. The Culture of Christina Rossetti: Female Poetics and Victorian Contexts. Athens, OH: Ohio University Press, Swallow Press, © 1999 xxii, 351 pp., illus., notes, bibliography, index. ISBN 0-8214-1243-4 [This book is reviewed here = The Culture of Christina Rossetti] [117] Bowra, C.M. “Christina Rossetti”, Chapter XI, pp. 245-270, in Bowra, C.M. The Romantic Imagination. New York: Galaxy Book/ Oxford University Press, © 1961, 1966. 306 pp. [118] * Lysack, Krista. "The Economics of Ecstasy in Christina Rossetti's Monna Innominata" , in Victorian Poetry. Vol. 36, no. 4, Winter 1998 [119] [W] * Pre-Raphaelite Women: Part C: Christina Rossetti [This is a highly informative poetry page with scores and scores of links.] [120] [W] * Rossetti, Christina Georgina. Monna Innominata: a Sonnet of Sonnets. RPO (Representative Poetry Online), University of Toronto [replete with copious textual annotations] [121] [W] * Triggs, Jeffery Alan. Christina Rossetti's Sonnet of Sonnets: Monna Innominata Rossetti, Dante Gabriel [H 1828-1882]: [122] * Bowra, C.M. “The House of Life”, Chapter IX, pp. 197-220, in Bowra, C.M. The Romantic Imagination. New York: Galaxy Book/ Oxford University Press, © 1961, 1966. 306 pp. [123] Rees, Joan. The Poetry of Dante Gabriel Rossetti: Modes of Modes of Self-_Expression. New York: Cambridge University Press, © 1981. vii, 204 pp. ISBN 0521235375 [124] [W] * Welcome to the Pre-Raphaelite Brotherhood Annotated Catalogue: R r Dante Gabriel Rossetti at Arizona State University, Special Collections [This is a superb online bibliography of Dante Gabriel Rossetti’s lifework, his poetry, his sonnets, and “The House of Life”] Russell, Sara [C 1958 — ] [125] Russell, Sara (a.k.a. Pinky Andrexa). Pinky's Little Book of Shadows. Las Vegas, NV.: Kedco Studios Press, ©1998 ISBN 1-87-878431-21-8 [CD-ROM book] [126] [W] * Russell, Sara. “Fat to the Max (Xonnet)”, in SONNETTO POESIA. Vol. 2, no. 1, Winter = l’hiver 2003 ISSN 1705-4524 [127] [W] * _____________. “Nemesis of Sanity”, in SONNETTO POESIA. Vol. 1, no. 2, Summer = l’été 2002 ISSN 1705-4524 [128] [W] * _____________. “Ophelia”, in SONNETTO POESIA. Vol. 1, no. 2, Summer = l’été 2002 ISSN 1705-4524 [129] [W] * _____________. “Song of the Willow Warbler”, in SONNETTO POESIA. Vol. 2, no. 3, Summer, 2003, pg. 5 ISSN 1705-4524 [130] * ________________. Worlds Inside The Head. Las Vegas, NV.: Kedco Studios Press, © 2003 ISBN 1-878431-47-1 [CD-ROM book] [131] [W] *Vallance, Richard. When is a Sonnet a Song? Part 1 Sara Russell: "Pianissimo", or The Musicality of the Sonnet”, in Poetry Life and Times: Vallance Review, July, 2002 Scott, George Frederick [H 1861-1944] [132] Vallance, Richard. Frederick George Scott — Another Rugged Canadian Sonnet: The Laurentians, in Poetry Life and Times, Vallance Review, May, 2002 Seeger, Alan [H 1888-1916] [133] [W] * The Project Gutenberg Etext of Poems, by Alan Seeger [134] * Seeger, Alan. Poems, with an introduction by William Archer. London: Constable, © 1919. 173 pp. [135] Werstein, Irving. Sound No Trumpet: the Life and Death of Alan Seeger. New York, Crowell, © 1967. xii, 137 pp. Shakespeare, William [H 1564-1616]: [136] * Beaugrande, Robert de. "Toward a General Theory of Creativity", in Poetics. Vol. 8, 1979, pp. 269-306 [on Shakespeare’s Sonnet 33] [137] * Benzon, William L. "Lust in Action: An Abstraction", in Language and Style. Vol. 14, 1981, pp. 251-270 [on Shakespeare’s Sonnet 129] [138] * Bloom, Harold, ed. Shakespeare’s Sonnets: Modern Critical Interpretations. New York: Chelsea House, © 1987 147 pp. ISBN 0877549389 [139] * Booth, Stephen. Shakespeare’s Sonnets. New Haven: Yale University Press, © 1977 & 2000. xx, 583 pp. ISBN 0300085060 [Text of the 1609 quarto with an edited modern English text in parallel] [140] * Butler, Samuel, ed. Shakespeare's Sonnets: Reconsidered, and in Part Rearranged with Introductory Chapters Notes, and a Reprint of the Original 1609 Edition. London: A.C. Fifield © 1899. 328 pp. [141] Campbell, Oscar James, ed. The Sonnets, Songs and Poems of William Shakespeare. New York: Schocken Books © 1965. 378 pp. [142] * Cheney, P. “O, let my books be…dumb presagers’: poetry and theatre in Shakespeare’s sonnets”, in Shakespeare Quarterly. Vol.52, no.2, 2001, pp. 222-254 [143] * Crockett, Bryan. “Word Boundary and Syntactic Line Segmentation in Shakespeare’s Sonnets”, in Style. Vol. 24, no. 4, Winter, 1990, pp. 600-611 [144] Cureton, Richard D. "Rhythm and Verse Study", in Language and Literature. Vol. 3, 1994, pp. 105-24 [partial analysis of the rhythmic structure of Shakespeare's Sonnet 29] [145] * De Grazia, Margeta. “The Scandal of Shakespeare’s Sonnets”, in Shakespeare Survey. Vol. 14, 1994, pp. 35-50 [an excellent analysis] [146] * Duane, O.B. Shakespeare & Love Sonnets. London: Brockhampton Press, © 1996. 96 pp. ISBN 1-86019-296-3 [beautifully illustrated] [147] * Dubrow, Heather. “‘Incertainties now crown themselves assur’d’: the politics of plotting Shakespeare’s sonnets”, in Shakespeare Quarterly. Vol. 47, no. 3, 1996, pp. 291-305 [148] * Duncan-Jones, Katherine. “‘Syren teares’: enchantment or infection in Shakespeare’s sonnet 119”, in Review of English Studies. Vol. 48, no. 189, Feb. 1997, pp. 56-60 [149] Empson, William. Seven Types of Ambiguity. London: Chatto & Windus, © 1963. xv, 258 pp. [150] * Green, Martin. The Labyrinth of Shakespeare’s Sonnets: an Examination of Sexual Elements in Shakespeare’s Language. London: C. Skilton, © 1974. 193 pp. ISBN 0284985333 [151] * Hieatt, A. Kent, Hieatt, Charles W & Prescott, Anne. “When did Shakespeare write Sonnets — 1609?”, in Studies in Philology. Vol. 88, no.1, Winter 1991, pp. 69-110 [152] Jakobson, Roman. Shakespeare's Verbal Art in ‘Th' Expence of Spirit’. The Hague: Mouton, © 1970. 32 + [1] pp. [Bibliography pg. 33] [153] * Kiernan, Pauline. “Death by rhetorical trope: poetry metamorphosed in Venus and Adonis and the sonnets”, in Review of English Studies. Vol. 46, no.184, Nov. 1995, pp. 475-501 [154] * Leishman, J.B. Themes and Variations in Shakespeare’s Sonnets. New York: Harper & Row, © 1961, 1963. 254 pp. [155] * Pequigney, Joseph. Such is My Love: a Study of Shakespeare’s Sonnets. Chicago: University of Chicago Press, © 1985. ix, 249 pp. ISBN 0226655636 [Bibliography pp. 225-241] [156] * Ramsey, Paul. The Fickle Glass: a Study of Shakespeare’s Sonnets. New York: AMS Press, © 1979. xii, 242 pp. ISBN 0404160328 [Bibliography pp. 215-234] [157] * Rollins, Hyder, ed. A New Variorum Edition of Shakespeare: The Sonnets. 2 vols. Philadelphia: J. B. Lippincott Company: Philadelphia, © 1944 [158] * Sagaser, Elizabeth. “Shakespeare’s sweet leaves: mourning, pleasure, and the triumph of thought…”, in ELH = English Literary History. Vol. 61, no.1, Spring 1994, pp 1-26 [159] * Schiffer, James. Shakespeare’s Sonnets: Critical Essays. New York and London: Garland Publishing, Inc., a Member of the Taylor & Francis Group, © 2000. xvi, 474 pp. ISBN 0-8153-2365-4 [This is a splendid research work, with chapter-based works cited, bibliographies, and abundant notes.] [160] * Shakespeare, William. The Complete Sonnets. New York: Dover Publications, Inc., © 1991. 66 pp. ISBN 0-486-26686-9 (pbk.) [Dover Thrift Editions] [161] * __________________. Poems. Franklin Center, Pennsylvania: The Franklin Library, © 1980. 237 pp. no ISBN [exquisite limited edition, bound in burgundy and gold leather, gold leaf endings and moiré silk] [162] * __________________. The Sonnets (edited by G. Blakemore Evans) Cambridge: Cambridge University Press, © 1996. viii, 297 pp. ISBN 0-521-29403-7 [163] * Shapiro, Michael. “Sound and meaning in Shakespeare’s sonnets”, in Language. Vol. 74, no.1, Mar. 1998, pp. 81-103 [164] * Smith, Hallett. The Tension of the Lyre: Poetry in Shakespeare’s Sonnets. San Marino, Ca.: Huntington Library, © 1981. xii, 172 pp. ISBN 0873281144 [Bibliography pp. 163-166] [165] Stanbrough, Harvey. “Shakespeare’s sonnet 144”, in Explicator. Vol. 55, no. 1, Fall, 1996, pp. 10-13 [166] * Stapleton, M.L. “‘My false eyes’: the dark lady and self knowledge”, in Studies in Philology. Vol. 90, no.2, Spring 1993, pp. 213-40 [167] * Stockard. Emily E. “Patterns of Consolation in Shakespeare’s Sonnets 1-126”, in Studies in Philology. Vol. 94, no. 4, Fall, 1997, pp. 465-493 [168] Tuley, Mark. William Shakespeare: Selected Sonnets & Verse. Maidstone, Kent: Crescent Moon Publishers, © [n.d.] 64 pp. ISBN 1-898283-10- 9 [British Poets Series Bibliography] [169] * Tuley, Mark. William Shakespeare: the Sonnets. Maidstone, Kent: Crescent Moon Publishers, © [n.d.] 82 pp. ISBN 1-898283-33-8 [British Poets Series Bibliography] [170] [W] *Vallance, Richard. “ 'Describe Adonis, and...’ Shakespeare's Sonnet 53”, in Poetry Life and Times: the Vallance Review, February, 2003 [171] * Vendler, Helen. The Art of Shakespeare’s Sonnets. Cambridge, Mass.: Belknap Press of Harvard University Press, © 1997. xviii, 672 pp. ISBN 0-674-63711-9 [includes a CD-ROM of Helen Vendler reciting many of Shakespeare’s sonnets] [172] * Wilson, Katherine M. Shakespeare’s Sugared Sonnets. London: Allen and Unwin, © 1974 Shelley, Percy Bysshe [H 1792-1822]: [173] * Bequette, M.K. “Shelley and Smith: Two Sonnets on Ozymandias” in, Keats-Shelley Journal. Vol 26, 1977, pp. 29-31 [174] * Cerf, Bennett A., Klopfer, Donald S. & Haas, Robert K. eds. John Keats and Percy Bysshe Shelley: Complete Poetic Works. New York: Modern Library, © n.d. viii, 398 pp. (Keats) + xix, 914 pp. (Shelley) Sidney, Sir Philip [H 1554-1587]: [175] * Brenna, Michael G. “Philip Sidney’s Astrophel and Stella 75 and King Edwad IV”, in Review of English Studies. Vol, 40, August, 1989, pp. 386-392 [176] Craik, T.W. Sir Philip Sidney: Selected Poetry and Prose. London: Methuen, © 1965. xii, 249 pp. [University Paperbacks] [177] * Duncan-Jones, Katherine. Sir Philip Sidney: Selected Poems. Oxford: Clarendon Press, © 1973. xvi, 228 pp. ISBN 0-19-871053-4 [178] * Lamb, Charles, 1775 -- 1834 [1821], “Defence of the Sonnets of Sir Philip Sydney”, in, The London Magazine (Printed for Taylor and Hessey, London, 1823) [Antiquarian] [179] * Rees, Joan. “Sidney and a Lover’s Complaint”, in Review of English Studies. Vol. 42, May, 1991, pp. 157-167 Spenser, Edmund [H ca. 1552-1599]: [180] * Alpers, Paul J., ed. Edmund Spenser: a Critical Anthology. Harmondsworth, Middlesex: Penguin Books, © 1969. 399 pp. [Penguin Critical Anthologies/ bibliography, pp. 373-376] [181] * Kilgour, Maggie. “Writing on Water”, in English Literary Renaissance. Vol. 29, no. 2, Spring, 1999, pp. 282-306 [182] Page, Teresa. Edmund Spenser: Poems, selected and introduced by Teresa Page. Maidstone, Kent: Crescent Moon Publishers, © 1994. 68 pp. ISBN 1-898283-19-2 [British Poets Series] [183] Smith, James Cruickshanks & de Selincourt, E. , eds. The Poetical Works of Edmund Spenser (and a glossary). London: Oxford University Press, © 1912. Lxvii, 736 pp. [184] * Spenser, Edmund. Books I and II of The Faerie Queene, the Mutability Cantos, and selections from the Minor Poetry. New York: The Odyssey Press, Inc., © 1965. xiii, 542 pp. [Contains the complete Amoretti Sonnets on pp. 451-466] [185] ________________. The Shorter Poems. London: Penguin Books, © 1999. xxi, 780 pp. ISBN 0140434453 [Penguin Classics] Vallance, Richard [C 1945 — ]: [186] [W] * Russell, Sara. “Describe Adonis”, © by Richard Vallance, 2003 in, Poetry Life and Times: the Vallance Review, March, 2003 [187] [W] * Vallance, Richard. “A Willo-o’-the-Wisp”, in SONNETTO POESIA. Vol. 2, no. 2, Spring = le printemps, 2003, pg. 6 ISSN 1705-4524 [188] * __________________. Canadian Spirit Voices. Las Vegas, Nevada: Kedco Studios Press, © 2003 ISBN 1-878431–44-7 [lavishly illustrated multi-media CD-ROM book the approximate equivalent of a 500 pp. hardcover book: includes around 125 of Richard Vallance’s poems (mostly sonnets), almost 300 haiku, a short story, 32 translations of poems (many sonnets) from ancient Greek, Latin, Italian, German & French, and the historical review essay, “The Historical Evolution of the Sonnet” (approximately 100 pp. long)] [189] [W] _________________. “Carfax [Xonnet]”, in SONNETTO POESIA. Vol. 2, no. 1, Winter = l’hiver 2002 ISSN 1705-4524 [190] [W] * _______________, trans. “The Cat = le chat de Charles Baudelaire (1821-1867)”, in SONNETTO POESIA. Vol. 2, no. 3, Summer = l’été, 2003, pg. 6 ISSN 1705-4524 [Also published separately as Poem 23 = rv11-23.htm in Chapter 11 “Translations” of Canadian Spirit Voices] [191] [W] _________________. “Manx adoré”, in SONNETTO POESIA. Vol. 2, no. 3, Summer = l’été, 2003, pg. 7 ISSN 1705-4524 [192] ________________ (contributor). Millennium Dawn Anthology. Las Vegas, Nevada: Kedco Studios Press, © 2002 ISBN 1-8784310-38-2 [CD-ROM multimedia book. Information on this book is available here Millennium Dawn Anthology] [193] [W] * _______________. “Renascence”, in SONNETTO POESIA. Vol. 2, no. 1, Winter = l’hiver 2002 ISSN 1705-4524 Weber, Augusta [H 1837-1894] [194] * Vallance, Richard. Our Mother and Child Reunion — The unfinished Sonnet Sequence by Augusta Weber (1837-1894), in Poetry Life and Times, Vallance Review, May, 2003 Wordsworth, William [H 1770-1850]: [195] * Baker, Carlos. William Wordsworth's the Prelude with a Selection from the Shorter Poems, the Sonnets, the Recluse, and the Excursion and Three Essays on the Art of Poetry. New York: Holt, Rinehart and Winston, Inc., © 1954, 1957 [no pagination found] ISBN 0-03-007800-8 [196] Danby, John F. The Simple Wordsworth: Studies in the Poems 1797-1807. London: Routledge & Kegan Paul, © 1960. lii, 152 pp. [197] Gill, Stephen, ed. William Wordsworth. New York: Oxford University Press, © 1984. xxxii, 752 pp. ISBN 0192813331 [198] Hutchinson, Thomas, ed. The Poetical Works of William Wordsworth. London: Henry Frowde, © 1908. 8 vols. xxxii, 976 pp. total [199] * Sullivan, K.E., ed, comp. Wordsworth the Eternal Romantic. London: Brockhampton Press, © 1996. 96 pp. ISBN 1-86019-281-5 [lavishly illustrated] [200] Wise, Thomas J. A Bibliography of the Writings in Prose and Verse of William Wordsworth. Folkestone & London: Dawsons of Pall Mall, © 1971. 268 pp. [Reprint: originally published in 1916] [201] * Wordsworth, William. William Wordsworth; Selected Poems (edited and introduced by Nicholas Roe). London: The Folio Society, © 2002. xix, 494 pp. [Quarter bound in leather] [202] * Wordsworth, William. Poems. Lyrics. Sonnets Mount Vernon, N.D.: VG Peter Pauper Press, © [n.d.] 93 pp. [hardcover Limited edition of 1950 copies; may be ordered online at BIBLIOFIND here, Wordsworth, William. Poems, Lyrics & Sonnets] Wroth, Lady Mary [H 1587?-1651?]: [203] * Hanson, Elizabeth. “Boredom and whoredom: Reading Renaissance Women’s Sonnet Sequences”, in Yale Journal of Criticism. Vol. 10, no. 1, Spring, 1997, pp. 165-192 [204] * Kuin, Roger. “More I Still Undoe: Louise Labé, Mary Wroth, and the Petrarchan Discourse”, in Comparative Literature Studies. Vol. 36, no. 2, 1999. pp. 146-162 Wyatt, Sir Thomas (1503-1544): [205] * Cooper, Louise. Sir Thomas Wyatt: Poems, selected and introduced by Louise Cooper. Maidstone, Kent: Crescent Moon Publishers, © 1994. 68 pp. ISBN 1-898283-18-4 [British Poets Series Bibliography] [206] Derek, Pearsall. “Sir Thomas Wyatt (1503-1542)”, pp. 607-631 in: Pearsall, Derek ed. Chaucer to Spenser: an Anthology. Oxford, England: Blackwell Publishers, © 1999. xviii, 686 pp. ISBN 0-631-19839-3 [207] Friedman. I. “Wyatt’s Amoris Personae”, in Modern Language Quarterly. Vol. 29, 1966. pp. 136-146 ISSN 0026-7929 [208] [W] * Griffiths, Matthew. English Court Poets and Petrarchism: Wyatt, Sidney and Spenser [209] Martindale, Charles & Hopkins, David, eds. “Horace at Home and Abroad: Wyatt and Sixteenth Century Horatianism”, pp. 27-49 in Horace Made New: Horatian Influences on British Writng from the Renaissance to the Twentieth Century. Cambridge: Cambridge University Press, © 1993. xviii, 330 pp. ISBN 0521380197 [Bibliographical references, pp. 313-316] [210] * Guss, O.L. “Wyatt’s Petrarchism: an Instance of Creative Imitation in the Renaissance”, in Huntington Library Quarterly. Vol. 29, 1965-1966, pp. 1-15 [211] * Howarth, B. “Wyatt, Spenser, and the Canzone”, in Italica. Vol. 41, 1964, pp. 79-90 [212] * Rebholz, Ronald A. Sir Thomas Wyatt: the Complete Poems. New Haven: Yale University Press, © 1981 558 pp. ISBN 0300026811 [213] * Thomson, Patricia, ed. Thomas Wyatt: the Critical Heritage etc. © 1995. Ix, 186 pp. ISBN 0415134110 [The Critical Heritage Series] [214] [W] * Vallance, Richard. The Legacy of Francesco Petrarch and Sir Thomas Wyatt: an Historical Perspective The Advent of the Petrarchan or "terza rima" Sonnet in English, ca. 1525, in Poetry Life and Times: Vallance Review, December, 2001 [215] [W] * Wyatt, Sir Thomas. The Long Love that in my Thought doth Harbour [Representative Poetry Online: University of Toronto] [This particular sonnet is well annotated at this site, with reference to it antecent, Francesco Petrarch’s 140th. Sonnet, “Amor, che nel penser mio vive e regna,…”] Français : Anthologies : [216] Baldensperger, Fernand. Les sonnets de William Shakespeare : traduits en vers français et accompagnés d’un commentaire continu. Berkeley: University of California Press, © 1943 370 pp. [217] * Bellenger, Yvonne, dir. Le Sonnet à la Renaissance (des origines au XVIIe siècle). Paris: Aux Amateurs de Livres, ©1988, 338 pp. ISBN 2905053659 [218] Bourin, Jean (préface). Les plus belles pages de la Poésie française. Paris: Sélection du Reader’s Digest, © 1982, 1985 847 pp. ISBN 2-7098-0248-1 [219] Gide, André. Anthologie de la poésie française. Paris : Éditions Gallimard ( NRF Bibliothèque de la Pléiade ), © 1949. 846 pp. ISBN 2-07-010010-3 [220] * Graham, Victor E., ed. Sixteenth-Century French Poetry. Toronto: University of Toronto Press, © 1964. x, 136 pp. [221] * Jasinski, Max. Histoire du sonnet en France. Genève: Slatkine reprints, 1970. 255 pp. [réimpression de l'édition de Douai, 1903] [222] Le Maître, Henri. La Poésie depuis Baudelaire. New York : McGraw-Hill — Librarie Armand Colin, © 1963. 366 pp. [Collection U. Lettres Françaises] [223] * Roubaud, Jacques. Soleil du soleil (le sonnet français de Marot à Malherbe), anthologie avec introduction. Paris : P.O.L, 1990, 430 pp. [224] * Schmidt, Albert-Marie, éd. Poètes du XVIe siècle. Paris : Éditions Gallimard, © 1953. xiv, 1102 pp. [NRF Bibliothèque de la Pléiade] [225] * Scott, David H.T. Sonnet Theory and Practice in Nineteenth-century France: Sonnets on the sonnet. Hull, England: University of Hull, © 1977, 97 pp. ISBN 0859584089 [Bibliography pp. 95-97] Poètes : Baudelaire, Charles [H 1821-1867]: [226] * Amiot, Anne-Marie. Les Fleurs du Mal : un romantisme fondateur de la modernité poétique. Paris : Ellipses, © 2002. 255 pp. ISBN 2729812199 [227] * Baudelaire, Charles. Les Fleurs du Mal (Édition de 1861). Paris : Gallimard, © 1999. 320 pp. ISBN 2070409392 [Folio classique : texte & dossier, no. 38] [228] [W] * ________________. Charles Baudelaire (“1821-1867) [texte intégral ; choix de poèmes] [229] [W] * ________________. Lyres : la bibliothèque numérique du poète : Charles Baudelaire (1821-1867) : les Fleurs du Mal [230] * Cherix, Robert-Benoit. Commentaire des Fleurs du mal (de Charles Baudelaire) : essai d'une critique intégrale, avec introduction, notes et index. Genève : E. Droz, © 1962. 500 pp. [231] * Cobast, Eric. Premières leçons sur Les Fleurs du mal de Charles Baudelaire. Paris : Presses universitaires de France (PUF), © 2000. 103 pp. ISBN 2130510949 [232] * Emanuel J., and Mickel, Jr. The Artificial Paradises in French Literature: the Influence of opium and hashish on the literature of French Romanticism and “les fleurs du mal”. Chapel Hill, North Carolina: The University of North Carolina Press, © 1969 [no pagination available] [233] * Pichois, C, ed. Baudelaire : essai sur l'inspiration et la création poétiques . Cadeilhan : Zulma, © 1997. 386 pp. ISBN 2909031780 [a été publié antérieurement en 1953] De la Boétie, Étienne [H 1530-1563]: [234] [W] * Lyres : la bibliothèque numérique du poète : Étienne de la Boétie : 29 sonnets Du Bellay, Joachim [H 1522-1560]: [235] * Bellenger, Y, éd. « Du Bellay devant la critique 1550 à nos jours », dans Oeuvres & Critiques. Tome XX, no. 1, 1995, pp. 3-231 ISSN 0338-1900 [236] * Bellenger, Y, éd. Du Bellay et ses sonnets romains : Études sur les Regrets et les Antiquitez de Rome, réunies par Y.B. Paris : Champion, © 1994, 332 pp. ISBN 2-85203-712-2 [Collection Unichamp no. 42] [237] * Cruickshank, John. “The Uses of the Sonnet: Louise Labé et Joachim du Bellay”, pp. 98-116 in French Literature and its Background. Vol. 1. The Sixteenth Century. London: Oxford University Press, © 1968 [no pagination available] [238] * De Lajarte, Philippe. Joachim Du Bellay: études publiées sous la direction de Philippe De Lajarte. Caen : Presses Universitaires, © 1998 [no pagination available] [239] [W] * Lyres : la bibliothèque numérique du poète : Joachim du Bellay : Les Antiquités de Rome (1558) [texte intégral] [240] [W] * Du Bellay, Joachim. Les Regrets : Table des Sonnets [Cette page renvoie aux textes intégraux de tous les 191 sonnets dans le recueil « Les Regrets »] [241] * ______________. Les Regrets, suivis des Antiquités de Rome ( texte établi, annoté et précédé d’une introduction par Pierre Grimal ). Paris : Éditions du Cluny, © 1948. 291 pp. [242] * Hartley, David. A Critical Edition of the Circumstantial Verse of Joachim du Bellay. Lewiston, N.Y.: Edwin Mellwn Press, © 2000. 232 pp. ISBN 0-773-4771-44 [243] Hirsch, Bette et Chantal Thompson. « Louise Labé, Joachim du Bellay » , pp. 43-49, dans Moments littéraires. D.C. Heath & Co., © 1992. 235 pp. ISBN 066921521X [244] * Roudaut, Fr. Joachim du Bellay, les Regrets. Paris : PUF, © 1995. 128 pp. ISBN 2-13-46876-4 [245] Smith, Malcolm. Ronsard & du Bellay versus Bèze; allusiveness in Renaissance literary texts. Genève : Droz, © 1995. 142 pp. ISBN 2600000992 [246] * Vallance, Richard. « Joachim du Bellay : « XVII L’Olive, sonnet LXXXIII = The Olive, Sonnet LXXXIII » in (Chapter 11: Poem 17 =rv11-17htm) in Canadian Spirit Voices. Las Vegas, NV: Kedco Studios Press, © 2003. ISBN 1-878431-44-7 [CD-ROM multimedia book] De la Ceppède, Jean de [1548–1623] [247] * Rousset, Jean, « Jean de La Ceppède et la chaîne des sonnets » , dans L'Intérieur et l'Extérieur. Paris : José Corti, © 1968, pp. 13-43 Labé, Louise [1524-1566]: [248] * Baker, M. J. “The Sonnets of Louise Labé: a Reappraisal”, dans Neophilologus. Vol. LX, no. 1, 1970, pp. 20-30 [249] [W] * Bibliographie de Louise Labé : Principales éditions des Oeuvres : Biographie et Bibliographique critique etc. + Autres ouvrages sur la Renaissance à Lyron et en France [Cette bibliographie est très complète] [250] * Bundi, Paolo. « Le Sonnet italien de Louise Labé » , dans Francofonia. Studi e ricerche sulle litterature di lingua francese. Vol. 20, printemps, 1990, pp. 47-59 [251] voir = see [243] ci-dessus = above [252] * Harvey, Lawrence E. The Aesthetics of the Renaissance Love Sonnet: an Essay on the Art of the Sonnet in the Poetry of Louise Labé. Genève : Droz, © 1962. 84 pp. [collecton « Travaux d’Humanisme et Renaissance » no. 50] [253] * Kuin, Roger. “More I Still Undoe: Louise Labé, Mary Wroth, and the Petrarchan Discourse”, in Comparative Literature Studies. Vol. 36, no. 2, 1999. pp. 146-162 [254] * Labé, Louise. Oeuvres complètes (édition critique et commenté par Enzo Guidici). Genève : Droz, © 1981 [Textes littéraires français no. 292] [255] * Merrill, Robert Valentine. “Three Sonnets of the Sun”, in Modern Philology. Vol. XXXVI, no. 3, Feb. 1939, pp. 247-253 [256] * Richard, Laurent. « Représentation de l’amante et de l’amant dans les sonnets de Louise Labé », dans Revue Frontenac. Vol. 2, 1984, pp. 9-17 Nelligan, Émile [H 1879-1941]: NOTE : Émile Nelligan est certes un des plus grands poètes français. La plupart de ses poèmes sont des sonnets. Nelligan est pareil à Arthur Rimbaud dans son style poétique = Émile Nelligan is ranked amongst the greatest French poets. Most of his poems are sonnets. He is similar in his poetic style to Arthur Rimbaud. [257] * Beaudoin, Réjean. Une étude des Poésies d’Émile Nelligan. Montréal : Boréal, © 1997. 109 pp. ISBN 2890528375 [Les classiques québécois expliqués] [258] * Beaudoin, Réjean. Poésies : Émile Nelligan, préface de Louis Dantin ; texte conforme à l'édition originale de 1904, avec une postface, une chronologie et une bibliographie de Réjean Beaudoin. [Montréal] : Boréal, © 1996. ISBN : 2-89052-736-0 [259] [W] * Beausoleil, Claude. Nuit blanche : Émile Nelligan et son temps [260] * Bouvier, Luc. Le Vaisseau d’Or et autres Poèmes : Émile Nelligan, textes explicatifs et appareil pédagogique établis par Luc Bouvier. Anjou : Éditions CEC, ©1997. 224 pp. ISBN : 2-7617-1302-8 [261] Leyrac, Monique. Monique Leyrac chante Nelligan. Les disques Barclay Ltée no. 9001 [Discographie = 2 disques ; enregistrement du spectacle présenté au cinéma Outremont à Montréal, le 22 novembre 1975/ Recording = 2 live records of her show at the Cinema Outrement in Montreal on Nov. 22nd., 1975] [262] * Nelligan, Émile. Poèmes autographes (Présentation, classement et commentaires de Paul Wyczynski). Montréal: Fides, © 1991. 331 pp. ISBN 0775501875 [263] * _______________. Poésies complètes, 1896-1899, notes et variantes de Luc Lacourcière. Montréal: Fides, ©1970. 331 pp. ISBN 0775501875 [Collection du Nénuphar, no. 13] [264] ___________________. 31 poèmes autographes : 2 carnets d'hôpital 1938. Trois-Rivières : Ecrits des Forges, © 1982. ISBN 2-89046-043-6 [265] * Vallance, Richard, trans. « Émile Nelligan : XXIV le vieux Piano = The Old Piano » , (Chapter 11: Poem 24 =rv11-24.htm) in Canadian Spirit Voices. Las Vegas, NV: Kedco Studios Press, © 2003. ISBN 1-878431-44-7 [CD-ROM multimedia book] [266] Widdows, P.F., trans. Selected Poems by Émile Nelligan, translated into English by P.F. Widdows. Toronto: Ryerson Press, ©1960 [267] * Wyczynski, Paul. Bibliographie descriptive et critique d'Emile Nelligan. Ottawa : Editions de l'Université d'Ottawa, © 1973. 319 pp. : illustré [Bibliographies du Canada français 1] Nerval, Gérard de [H 1808-1855]: [268] * Bayle, Corinne. Gérard de Nerval : la marche à l’étoile. Seyssel : Éditions Champs Vallon, © 2001 ISBN 2-87673-330-7 [Collection Champ Poétique] [269] [W] El Deschidado : Exercices de style basés sur la réécriture du célèbre sonnet de Gérard de Nerval [Ce site affiche plusieurs adaptations récentes de ce fameux sonnet. Here you will find several recent adaptations of this famous sonnet.] [270] * Epstein, Mark. “Chimeras = Les Chimerès (sic), translated by Mark Epstein”, in The New Criterion. Vol. 19, No. 3, November 2000 [271] * Le Breton, Georges. Nerval, poète alchimique : la clef des Chimères et des Mémorables d'Aurélia : le Dictionnaire mytho-hermétique de dom Pernety / Georges Le Breton ; précédé d'une lettre-préface de Max-Pol Fouchet & suivi d'extraits du dictionnaire mytho-hermétique se rapportant aux Chimères et des cinq sonnets des Chimères [La Begude-de-Mazenc] : éditions Curandera, 1982. 161 pp. ISBN 2866770048 [272] Marie, Aristide. Gérard de Nerval : le poète, l'homme, d'après des manuscrits et documents inédits : suivi d'une bibliographie et de notes. Paris : Hachette © 1955. xiv, 436 pp. [273] [W] * Nerval, Gérard de. Gérard de Nerval (1808-1855) : les Chimères [Poèmes publiés en 1854 à la suite des Filles du Feu, éd. Giraud] [274] *_______________. Sylvie ; suivi de Les chimères ; et Odelettes. Paris : EJL, © 2001. 93 p. ISBN 2-290-30873-0 [275] Raymond, Jean. La Poétique du désir, Nerval, Lautréamont, Apollinaire, Eluard. Paris ; Seuil ; © 1974 ; 432 pp. ISBN 2-02-004718-7 [bibliographie aux pp. 411 à 420] [276] * Vallance, Richard. “Gérard de Nerval : XXI Je suis le ténébreux, le Veuf, l’Inconsolé (el Deschidado) = A Man of Shadows”, in (Chapter 11: Poem 21 =rv11-21.htm) in Canadian Spirit Voices. Las Vegas, NV: Kedco Studios Press, © 2003. ISBN 1-878431-44-7 [CD-ROM multimedia book] [277] * Vallance, Richard. “Gérard de Nerval : XXII Homme! Libre Penseur = Man, Whose Thought is Freedom”, in (Chapter 11: Poem 21 =rv11-22htm) in Canadian Spirit Voices. Las Vegas, NV: Kedco Studios Press, © 2003. ISBN 1-878431-44-7 [CD-ROM multimedia book] Rimbaud, Arthur [H 1854-1891]: [278] * Bernard, Oliver, ed. Rimbaud: Collected Poems (with plain prose translations of each poem). Harmondsworth, Middlesex: Penguin Books, © 1962. xxxi, 351 pp. [279] Bienvenu, Jacques. « Maupassant commente le sonnet des voyelles de Rimbaud », dans L'Angélus, Bulletin de l'Association des Amis de Guy de Maupassant. no. 7, juillet 1996, pp.15-17 [280] * Eigeldinger, Frédéric et Gendre, André. Delahaye témoin de Rimbaud: textes réunis et commentés avec des inédits. Neuchâtel : Editions de la Baconnière, © 1974. 382 pp. [281] Larose, Jean, Marcotte, Gilles et Noguez, Dominique. Rimbaud. Québec : Éditions Hurtubise HMH Ltée, © 1993. 144 pp. ISBN 2-890428-010-6 [282] Rickwood, Edgell. Rimbaud, the Boy and the Poet. New York: M.S.G. Haskell House Publishing Ltd., © 1971. 234 pp. ISBN 0838313094 [Studies in French Literature # 45] [283] * Rimbaud, Arthur. Collected Poems (in French, with English translations). London: Penguin Books, © 1962. xxxi, 351 pp. [284] Robinson, Jeremy. Rimbaud Arthur Rimbaud and the Magic of Poetry. Maidstone, Kent: Crescent Moon Publishing, © 1992. 115 pp. ISBN 1-871846-56-0 Ronsard, Pierre de [H 1524-1585]: [285] Bossuyt, Ignace. « Jean de Castro : chansons, odes et sonets de Pierre de Ronsard (1576) », dans Revue de Musicologie. Tome 74, no. 2, 1988. pp. 173-187 [Colloque de Tours, 1985] [286] Cave, T. « La contamination des intertextes : le sonnet Or que Juppin », dans Ronsard. Colloque de Neuchâtel. Genève : Droz, © 1987. pp. 65-73 [287] * De Castro, Jean (compositeur). Chansons, odes, et sonetz de Pierre Ronsard: 1576, (edited by Jeanice Brooks). Madison, Wisconsin: A-R Editions, Inc. Madison, © 1994. ISBN 0-89579-289-3 [Si vous cliquez sur ce lien = by clicking on this link = Jean de Castro (c1540-c1600), vous pouvez y visualiser une liste complète des chansons que de Castro a composées sur les poèmes et les sonnets de Pierre de Ronsard = you will find a complete listing of the de Castro’s song cycle of Ronsard’s poems and sonnets] [288] Dukas, Paul Abraham. « Sonnet, sur un poème de Ronsard pour chant et piano » (édité dans « Tombeau de Ronsard »), dans Revue Musicale, mai 1924 [289] * Fontaine, Marie-Madeleine et Lecercle, François, éd. Commentaire du deuxième livre des Amours de Ronsard. Genève : Libraorie Droz, © 1986. xxxviii, [191] 100 pp. [290] Ford, P.J. “Voice and Vision in Ronsard's ‘Les Sonnets pour Helene’ ”, in French Studies (review). Vol. 49, no. 2, pg. 189 ISSN 1468-2931 [Oxford University Press: Oxford Journals] [291] * Forster, David. “Marie-Claire Thomine: Pierre de Ronsard: ‘Les Amours’ ”, in French Studies (review). Vol. 56, no. 4, pp. 514-515 ISSN 1468-2931 [Oxford University Press: Oxford Journals] [292] * Lavaud, Jacques. Pierre de Ronsard : Sonnets pour Hélène. Éd. critique. Genève : Droz, © 1947, xxiv, 140 pp. [293] * Lognon, Henri. La Fleur des poésies de P. de Ronsard, gentilhomme Vendomois. Paris : à l’enseigne de la Cité des Livres, © 1923. 4 vols. [294] * Moisan, Jean-Claude, « L'organisation des Amours de Cassandre », dans Études littéraires. vol. 4, n° 2, août 1971, p. 175-186 [295] * Nagel, A. “Literary and historical Context in Ronsard's ‘Sonnets pour Hélène’ ", in Publications of the Modern language Association of America. Vol. 94, 1979, pp. 406-419 [296] * Ouvrard, Jean-Pierre. « Le sonnet ronsardien en musique : du Supplément de 1552 à 1580 », dans Revue de Musicologie. Tome 74, no. 2, 1988. pp. 149-164 [Colloque de Tours, 1985] [297] * Raymond, Marcel. Bibliographie critique de Ronsard en France (1550-1585). Genève : Droz, © 1927, 150 pp. [298] Raymond, Marcel, L'Influence de Ronsard sur la poésie française (1550-1585). Genève : Droz, © 1927 2 vol., 398 pp. et 376 pp. respectivement [299] * Ronsard, Pierre de. Amours de Marie. Sonnets pour Hélène ( textes préséntés et commentés par Robert Aulotte ). Paris : Lettres françaises : collection de l’imprimerie nationale, © 1985. 365 pp. ISBN 2-11-080828-4 ISSN 0222-6502 [300] * _______________. La Continuation des amours, 1555 (avec La Nouvelle Continuation des amours, 1556). Paris : Classiques Garnier, © 1963 & 1978 [Éditions: Les Amours, éd. H. et C. Weber (Paris: Classiques Garnier, 1963 (1978)] [301] * _______________. Oeuvres complètes. Tome I. Paris : Éditions Gallimard, © 1950. xxxiii, 1142 pp. [ NRF Bibliothèque de la Pléiade] [302] * Tetel, Marcel, éd. Sur des vers de Ronsard (1585-1985) : actes du colloque international (Duke University) 11-13 avril 1985. Paris : Aux amateurs des Livres, © 1990. 186 pp. ISBN 287841036X [303] * Vallance, Richard. “Pierre de Ronsard : « XIX Tiré de l’Amour de Cassandre / Comme un chevreuil = From: Cassandra’s Love / You list? », in (Chapter 11: Poem 21 =rv11-19htm) in Canadian Spirit Voices. Las Vegas, NV: Kedco Studios Press, © 2003. ISBN 1-878431-44-7 [CD-ROM multimedia book] [304] * Vallance, Richard. “Pierre de Ronsard : « XX du Recueil, Sonnets pour Hélène / Laisse de Pharaon la terre égyptienne = Hommage à Ronsard/ Leave to Nefertiti Egyptian Fiefs », in (Chapter 11: Poem 21 =rv11-20htm) in Canadian Spirit Voices. Las Vegas, NV: Kedco Studios Press, © 2003. ISBN 1-878431-44-7 [CD-ROM multimedia book] [305] Vinestock, Sara-Sturm, “Ronsard, Petrarch and the ‘Amours’ ”, in French Studies (review). Vol. 56, no. 4, pp. 515-516 ISSN 1468-2931 [Oxford University Press: Oxford Journals] [306] * Vitz, E.B. “Ronsard's Sonnets pour Hélène: Narrative Structures and Poetic Language”, in: Romanic Review. Vol. 4, 1976., pp. 249-276 [307] * Yeats, William Butler. “Ronsard translated by William Butler Yeats: A Sonnet to Helen ”, in RALPH, The Review of Arts, Literature, Philosophy and Humanities, volume XIIII, n. 3, Fall 1997 Valéry, Paul [H 1871-1945]: [308] Bémol, Maurice. Paul Valéry Paris : Les belles lettres, © 1949. 454 pp. [309] Patterson, Annabel. Pastoral and Ideology : Virgil to Valery. Berkeley: University of California Press, © 1988. xiv, 343 pp. ISBN 0520058623 [310] * Valéry, Paul. Poésies ( texte présenté par Michel Décaudin ). Paris : Imprimerie nationale, © 1991. 426 pp. ISBN 2-11-081098-X ( grand luxe ) ISSN 022-6502 [311] * __________. Poésies : Album de vers anciens — la Jeune Parque — Charmes — Pièces diverses — Cantate de Narcisse — Amphion — Sémiramis. Paris: NRF Gallimard, © 1942. 261 pp. ITALIAN = ITALIEN = ITALIANO: Petrarch, Francesco [H 1304-1374] [312] * Armi, Anna Maria, trans. Petrarch: Songs & Sonnets. New York, Pantheon Books, Inc., © 1946. xlii, 521 pp. [313] * Barbarisi, G. e Berra, Claudia, a cura di. Il Canzoniere di Francesco Petrarca: la critica contemporanea. Milano: Led, © 1992. 283 pp. ISBN 8879160052 [314] * Barber, Joseph A. "Petrarch's Use of the Metric Figures in the Canzoniere", in MLN Vol. XCV, no. 1, January, 1980, pp. 1-38 [315] * Bergin, Thomas G. Selected Sonnets, Odes, and Letters. Harlan Davidson, © 1985. 137 pp. ISBN 0882950665 [316] Bergin, Thomas Goddard, ed. The Sonnets of Petrarch, in the original Italian, together with English translations selected and edited by Thomas G. Bergin. New York: Heritage Press © 1966. xviii, 396 pp. [317] * Bernardo, A.S., ed. “An Introductory Petrarch Bibliography”, in Philological Quarterly (Iowa City). Vol. 27, no. 1, January, 1948, pp. 27-36. Reprinted in Studies on Petrarch and Boccaccio by A. S. Bernardo, ed. Padua: Antenore, 1978, pp. 27-36 [318] * Braden, Gordon. Petrarchan Love and the Continental Renaissance. New Haven and London: Yale University Press, © 1999. xv, 198 pp. ISBN 0300076215 [319] Durling, Robert M., ed. Petrarch's Lyric Poems: the Rime sparse and Other Lyrics. Cambridge: Harvard University Press, © 1976 xii, 657 pp. ISBN 0674663454 [320] * Hughes, Cassidy. Petrarch, Dante and the Troubadours: the Religion of Love and Poetry. Maidstone, Kent: Crescent Moon Publishing, © 1992. 122 pp. ISBN 1-871846-71-4 [European Writers Series Bibliography] [321] * Mortimer, Anthony. Petrarch's Canzoniere in the English Renaissance. Milan and Bergamo: Minerva, © 1975. 157 pp. ISBN L4500 [322] * Mortimer, Anthony. Petrarch: Selected Poems (verse translation with notes and introduction). Tuscaloosa: Alabama University Press, © 1977. 137 pp. ISBN 0817385266 [323] * Musa, Mark, ed. Selections from the Canzoniere and Other Works. Oxford & New York: Oxford University Press, © 1999 xxviii, 85 pp. ISBN 0192839519 [contains select bibiography]. [324] * Nichols, J.G., trans. Canzoniere by Francesco Petrarca. Manchester: Carcanet Press, © 2000. xvi, 309 pp. ISBN 185754451X [325] * Petrie, Jennifer. Petrarch: the Augustan Poets,the Italian Tradition and the ‘Canzoniere’. Dublin: Irish Academic Press, © 1983. xiv, 249 pp. ISBN 0-7165-0307-7 [326] [W] * Quintero, Maria Cristina. Book Review of bibliographic item [318] above, by Gordon Braden [327] Roche, Thomas P. Petrarch and the English Sonnet Sequences. New York: AMS Press, ©1989. xviii, 604 pp. ISBN 0404622887 [AMS Studies in the Renaissance, no. 18] [328] * Roche, Thomas P, Jr. Petrarch and the English Sonnet Sequences. New York: AMS Press, © 1989 [329] Vallance, Richard. The Legacy of Francesco Petrarch and Sir Thomas Wyatt: an Historical Perspective The Advent of the Petrarchan or "terza rima" Sonnet in English, ca. 1525, in Poetry Life and Times: Vallance Review, December, 2001 [330] Walter, Marguerite R. Petrarch's Poetics and Literary History. Amherst, Massachusetts: The University of Massachusetts Press, © 1980 xii, 163 pp. Criticism & Books = Les Livres et les Revues analytiques [331] * Baldrick, Chris. The Concise Oxford Dictionary of Literary Terms. Oxford: The Oxford University Press, © 2002 x, 280 pp. ISBN 019280118X [332] Burton, S.H. The Criticism of Poetry. London: Longmans, Green & Co., Ltd., © 1950. viii, 173 pp. [333] * Bush, Douglas. Mythology and the Renaissance Tradition in English Poetry. New York: W.W. Norton & Company, Inc., © 1960, 1963 (new revised edition). xiii, 372 pp. [334] * Deutsch, Babette. Poetry Handbook: a Dictionary of Terms. 4th. Edition. New York: Harper & Row, © 1974. ISBN 0-06-463548-1 xix, 203 pp. [335] Hoffman, Daniel G. & Hunes, Samuel. English Literary Criticism: Romantic and Victorian. New York: Appleton-Century-Crofts, © 1963. viii, 322 pp. [336] * Louis, Armel. Dictionnaire des Rimes et Assonances, illustré par 3.000 citations de poèmes et chansons. Paris : Dictionnaires le Robert, les Usuels, © 1997. 696 (697) pp. ISBN 2-850-36-300-6 [337] Pinsky, Robert. The Sounds of Poetry: a Brief Guide. New York: Farrar, Straus and Giroux, © 1998. 129 pp. ISBN 0-374-26695-6 [338] * Raffel, Burton. The Art of Translating Poetry. University Park, Pennsylvania: Pennsylvania State University Press, © 1988. xiv, 206 pp. ISBN 0-271-00626-9 [339] Roberts, Edgar V. Writing Themes About Literature. Englewood Cliffs, N.J.: Prentice-Hall, Inc., © 1964. xxiiv, 165 pp. [340] * Todorov, Tzvetan. Introduction to Poetics. Minneapolis, Minn.: University of Minnesota Press, © 1981. xxxii, 83 pp. ISBN 0-8166-1011-8 (pbk.) [Theory and History of Literature, Volume 1] Translated from the French: Docrot, Oswald. Qu’est-ce que le structuralisme : Poétique. Paris, Éditions du Seuil, © 1968, 1973. 446 pp. [341] Toye, William, ed. The Oxford Companion to Canadian Literature. Toronto: Oxford University Press, © 1983. xviii, 843 pp. ISBN 0-19-540283-9 [342] [W] * Vallance, Richard. “The Sonnet in the Twenty-First Century” in, SONNETTO POESIA. Vol. 1, no. 3, Fall, 2001, pg. 4 ISSN 1705-4524 The author gratefully acknowledges the meticulous editorial and proof-reading work provided by Jim Dunlap of Des Moines, Iowa, U.S.A. and Louis-Dominique Genest of Ottawa, Ontario, Canada. L’auteur est reconnaissant à Messieurs Jim Dunlap, qui demeure à Des Moines, Iowa, aux États-Unis et Louis-Dominique, à Ottawa en Ontario, au Canada, d’avoir travaillé avec tant de soins méticuleux à éditer et corriger le text intégral de cette bibliographie. © by/ par Richard Vallance, July 25 = le 25 juilllet 2003

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