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![]() Sappho, by Gustav Klimt |
In regards as to how he reconstituted Sappho's Odes, Richard Vallance writes … "Working from Loeb Classical Library's, "Greek Lyric I: Sappho and Alcaeus", I have done my level best to reconstitute some 110 of these fragments into my own unified conception of 5 Odes, all from my pen, illustrative of her greatness. While some past poets, such as Swinburne, have attempted to "translate" some of Sappho's poetry, no other poet in history, so far as I can tell, has so painstakingly laboured as have I to bring them back to life in metre similar to that of her ancient Aeolic Greek. Still, some 70% of the verse you see here is my own original poetry imagined into being from the crucible of Sappho's fragments. " Index
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Ode 1The Night *1 I've heard her messenger, our newborn spring's, the nightingale, whose fine full-throated voice, has fluttered from her heavens on her wings in a vermilion mantle. I rejoice! 2 Look! See, with thousands of garlands our world's so star wreathed for a while before they hide themselves around our moon, whose light enfolds us all in sleep, with nightingales outside. 3 Night's silent sleep has closed the shepherd's eyes, and bids the longing nightingales to sleep; and night has closed my absent lover's eyes, and begs my long aching heart, "Will you sleep?" 4 As the moon's light from the Pleiades sets, stark midnight comes and falls around my bed: the last night watch has passed, and quite forgets my home where I dream all alone in dread. 5 Although my dreams were dark, I'm charged with mirth as the full Moon hoves roundly into sight, and virgins kiss the altar of their Earth, while Hesperus heralds Dawn's earliest light. ![]() © by Richard Vallance 2004 December 6 2004; revised January 18 2005 * previously published in: Poetry Canada (Canadian Federation of Poets) Mar-Apr-May 2005, pg. 14 and featured on the cover. The Ode as published is available at this link: http://poesieslaissezfaire.homestead.com/sapphosodes.html |
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Part 2Love1 My loveliest girl, my gracious one, I loved you, Atthis, long ago. Your delicacy in our sun seemed beauty's borrowed afterglow. 2 Perhaps you were graceless, my small tomboy, you who dashed all round sunflowers, you, who were my consummating joy, you, lovelier than Lydia's bowers. 3 You came. How I'd longed so for you. You came! You quenched my burning fires, and quelled my breast with love as true as passions kindling all my desires. 4 Dear Mother, Aphrodite, I cannot weave again the web curious Fate has woven for me as I cry for my slender girl I so consecrate. 5 Love, I, your servant, serve Eros too: why do you both still haunt me so? What prophecies must I construe wherever with you my thoughts go? 6 No! Love has shaken hard my heart. Am I unlike that shattered oak fierce winds assail and break apart our mountains' storms felled in a stroke? 7 I thought I was so constant. No. Is inconstancy the bane we've shared? Am I become the driven snow, though love for you I've never spared? 8 Are you as beautiful today (as far as our appearances go) as beauty borrowed from the play of sun on wildly driven snow? 9 Are you? Can I ever really know? I'm of two minds, oh so aflame! Love, with what sallow eyes you throw me onto throes of deepened shame. 10 You still keep to yourself. Gods, why? Why have you sailed so far away? Virginity, why, I've seen you die. Why must I long for you so today? 11 Here was I, your tender child who gathered anemones here, here where never again my wild virginity will play for you, I fear. 12 Ah Love, my compelling nymph, there you see me trembling all over for you, as bitter-sweet, as fair as wind running through rainy clover. 13 As wind runs in the rainy clover it loosens my arms as dark clouds go sweeping along all over you beyond our sky's vaulted shrouds. 14 I see you've gone and forsaken me. Atthis, have you thoughts no more for me, why so? Why must I roam the sea coast howling so, our now lonely shore? 15 Do you fly to Andromeda? Why have you fled me, your alter soul? I, your nymph, now cast off as Leda, from whom her lover, wild Zeus, stole. 16 Am I spiteful? No. Forsaken one, I grieve as winds sweep off his feet the fool who's dared rebuke our sun, Grand Helios, who detests deceit. 17 Atthis, Andromeda has her prize, her grand reward is you, as fine as any girl is in anyone's eyes, you whom I see alone with her recline. 18 Atthis, I long to have just a word with you, though shame reclouds my sight: if honour or good past's occurred to you, your claims could banish night. 19 Atthis, will someone someday say, Remember her? Will you? Who guards against the idle tongue, I pray, when anger's shattered love in shards? ![]() © by Richard Vallance 2004 December 9 2004; revised January 18 2005 & March 1 2005 |
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Part 3Symposium The Feast1 Ah! Golden-sandaled Lady Dawn is gone and noon's alighted! Gone, her sun has cast its footfall rays, and shone on Lesbos. Now, Dusk, we embrace you, dun. 2 We've seen wild hyacinths vermilion all our island's hills since you've alighted, Our Lady Dusk! Your clouds will pavilion our valleys, where their full Moon's sighted. 3 While shepherds tread hyacinths under heel, Dusk, you'll outstrip them as they drive their herds down to valleys in their light so surreal it's hushed our island's trilling warbler birds. 4 If reddened apples ripened on their topmost boughs grow more russet as you die away, Dusk, their gatherers will leave you for our coast where their farm hearths glow smokier with musk. 5 So, Cyrpis, come, come, offer us your grace, yes, share with us nectar your right hand pours in kratera, and mix its mirrored trace with equal grace, for these my friends and yours. 6 Cyrpis, you seem as fortunate to me as are gods, though I sit still before you, listening to you sing, as you see, and to your welling laughter I adore. 7 You've gone and set my heart all trembling in my breast as fondly I gaze on you too. Why, my tongue's snapped. I pray, is this a sin? Fire steals over my flesh. I'm flushed through and through! 8 I see nothing with my eyes, my ears merely hum, I sweat profusely, I'm seized from head to toe with wild convulsions, and I fall so numb, look! -- I'm stifling in your lamp's low glow. 9 Am I greener than grass that shivers just as the barest breeze tells us night's falling all around us? This I won't endure! "You must." You must find resolve where love comes calling. 10 Now as love summons me to you tonight, our messenger of spring, sweet nightingale, whose lovely voice sings to us in the moonlight, reveals her throated songs, and to great avail! 11 Our ambrosia's bowl is mixed so well as Hermes pours his Lesbian wine, our best! And all the gods revel in its spinning spell, pouring libations on bride and bridegroom blessed. 12 By the Pleiades, all our love's wealth rings true. Shunning love's honours, what can wealth spare? My valour and love are neighbours to you, and our honour's true happiness we share. 13 The earth is so garlanded with stars we are their embroidery. Pray, love, believe me. © by Richard Vallance 2004 & 2005 December 30 2004; revised March 16 2005 |
MANAGING EDITOR'S COMMENT: "In my capacity as the
Managing Editor of TEM, in my capacity, also, as the fine Artist who
made the Papacy a work of art in my book, This Eternal Hubbub, I am
calling with the united voice of all the Artists of all Time upon the
Roman Catholic Christian Church A] to fish Sappho out of her hiding
place in the Tora Bora of God's Heaven for us all to gaze on her, applaud
her, congratulate her and tell her just how well we admire such a great
Pagan … B] to pay Sappho money for damages in an international Court
of Human Rights for the unspeakable crime, the irreparable harm that
some fundamentalist factions among the first Christians, the direct
ancestors of the modern Roman Catholic Christians, committed against
this poor Lady by burning her oeuvre and by virtually, and so self-
righteously, committing what may well be termed her soul to the flames.
Just imagine: such an intelligent Primitive Artist who had none of our
modern comforts, no cookers, .no washing machines, no toilet and
sewage systems, no telephones, no radios, no modern Courts of Law nor
Copyright Law whereby to defend herself … her gorgeous poetry was
positively the proudest thing in her life as much as in the Life of her
primitive audience and the first Christians burnt it causing irreparable
harm to what may well be termed her Soul. What do the Christians take
us for? Do they think that God Himself does not care about the
beautiful Souls of such intelligent Primitive People who suffered things
which none of us are called upon to suffer in our modern sty of
Comfort? People who were positively blameless in not knowing God or
Jesus Christ? – and who, to become achievers such as Sappho was, did
not have the example of great ancestors to help them, unlike ourselves
who, to become achievers in our chosen field, have their example to
encourage and cheer us on? I am positively calling upon all modern
Roman Catholic Christians to compensate Sappho for the unbelievable
crime of their ancestors by paying her money for damages in an
International Court of Human Rights … poor great Lady!"
Joe M. Ruggier, Managing Editor of TEM, 6th October
2005
Managing Editor of TEM, in my capacity, also, as the fine Artist who
made the Papacy a work of art in my book, This Eternal Hubbub, I am
calling with the united voice of all the Artists of all Time upon the
Roman Catholic Christian Church A] to fish Sappho out of her hiding
place in the Tora Bora of God's Heaven for us all to gaze on her, applaud
her, congratulate her and tell her just how well we admire such a great
Pagan … B] to pay Sappho money for damages in an international Court
of Human Rights for the unspeakable crime, the irreparable harm that
some fundamentalist factions among the first Christians, the direct
ancestors of the modern Roman Catholic Christians, committed against
this poor Lady by burning her oeuvre and by virtually, and so self-
righteously, committing what may well be termed her soul to the flames.
Just imagine: such an intelligent Primitive Artist who had none of our
modern comforts, no cookers, .no washing machines, no toilet and
sewage systems, no telephones, no radios, no modern Courts of Law nor
Copyright Law whereby to defend herself … her gorgeous poetry was
positively the proudest thing in her life as much as in the Life of her
primitive audience and the first Christians burnt it causing irreparable
harm to what may well be termed her Soul. What do the Christians take
us for? Do they think that God Himself does not care about the
beautiful Souls of such intelligent Primitive People who suffered things
which none of us are called upon to suffer in our modern sty of
Comfort? People who were positively blameless in not knowing God or
Jesus Christ? – and who, to become achievers such as Sappho was, did
not have the example of great ancestors to help them, unlike ourselves
who, to become achievers in our chosen field, have their example to
encourage and cheer us on? I am positively calling upon all modern
Roman Catholic Christians to compensate Sappho for the unbelievable
crime of their ancestors by paying her money for damages in an
International Court of Human Rights … poor great Lady!"
Joe M. Ruggier, Managing Editor of TEM, 6th October
2005



