Robin Ouzman, Sara L Russell, Helga Ross, Michael Burch




And...


THE PERILS OF NORRIS CARTOON


Norris is saved from a nightmare by the Absinth fairy, and gets another surprise...








The Perils of Norris started in August 2000. To catch up on past episodes, click the links below.

The Perils of Norris Page 6 (Current adventure)

The Perils of Norris (earlier adventures)









Robin Ouzman Hislop (Editor)


Suibhne and the Siren.

i.

In the forest heartbeats
turn to footsteps on the wind,
darkness rises from the ground.

ii.

Vertigo shadows mast,
a chill bolting the diaphragm,
as animals hide with eyes to see.

iii.

But they have long forgotten
& ground has resigned the quest,
leaves lose their spaces.

iv.

There is nowhere to stay,
neither wisdom nor profanity,
only the silence & the siren.

v.

The maniac barbaric, the bestial snarl,
the heroic beserk, the frenzy of carnage,
the attack of the pack, the hawk of flock.

vi.

Aviary in Avernus,
desolate  lake, where ancestors
sleep in the lair of the beast.

vii.

Who has also forgotten
in its long song in erosion,
its first born freedom.

viii.

At meer* it darkens more,
another turn , her gasp, high sigh,
so close, twice, a breath in the ear.

ix.

He stumbles in the dyke braye,
mud clay across water, to the steep
horizon on the footsteps of the wind.

x.

To no way out, exit barred,
shackles on the bridge of no return,
the song of the ground gone.

xi.

Only the song of the siren,
her laughter and her tears,
through the long lonely years.

* Meer an early Anglo Saxon word for a brook which determined borders to the Shires.



Suibhne’s Song to the Shadows.

We have lived in dreams
That could not be broken,
But years as time have stolen.

& struck by a blow unseen,
I see a vision fading.
Fading as grail in grain,

In the corridors of time,
Floored with their pain:
The loneliness of the unknown

In the illusion of return,
A roaming creature on the plain
Following the beckoning horizon.
 

Suibhne amongst Chimneys.

Quarried rock from the hill,
mason hewn, smooth, rough,
round or hand dyke laid.

A town’s tier walls stained
in clouds of moss, fungi, lichen,
only grime belies their fragrance.

Drain pipe in September rain,
wild weed corner, dandelion,
leaf red bramble in black warts.

Rain runs as blood into shadows,
its speechless phantoms amazed,
after so long, still misunderstood.

Suibhne in Love.

Talking with you my dear
is like standing on a trap door
at the gallows.
Perhaps we don’t love each other
so much after all
& this is the worst moment for the fall,
unredeemed failure.



© All poems by Robin Ouzman Hislop 2006




ROBIN OUZMAN HISLOP: Born UK. Childhood in Lyme Regis & Poole Dorset. Lived Scotland & Scandinavia, The East & Spain. He now lives in Sheffield, South Yorkshire, UK.  Appeared in Dawn Millenium Anthology & Crystal Dawn Anthology published by Kedco Studios. When he first joined the world wide net he abandoned his previous poet performance career, mostly had in Spain and often as bilingual joint translation recitals. His first anthology After the Cave the Comet appeared two years ago & is available here, another anthology is shortly planned. He started as resident poet with Poetry Life & Times in January 2005 & took over its editorship together with Spanish poetess  Amparo Arrospide from Sara Russell in May 2006 .







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Sara Russell (Our Former Editor)


You can read Sara's last poems on PLT's current issue, section of Featured Poets


Children of Shadows 3


(The Press)



Now do we run with that or run with this
big murder story?
Get me the mother on the phone
so was the daughter all alone?
Did they neglect the daughter,
is it worth Front Page?
Or go with Jordon leaving Harrods in a rage?


If we can prove the parents were remiss
it's something, surely,
Get me that shot of Sharon Stone
papers don't sell by death alone
Look at the way we caught her -
makes her look her age!
Whether it's dead or fading, we get centre stage.


Where were you cretins with your zoom lenses
when she was crying?
Where were you when the hearse went by -
were you just gazing at the sky?
What is the matter with you,
why were you so slow?
Time to wake up, we're not a charity you know!


Another Z-lister? Come to your senses
you weren't trying!
You're a wet dream, you never try!
Oh you'll try harder? Pigs might fly!
Well I have had it with you,
I'm running this show!
It's time to get your coat, collect your things and go!


* * * * * * *

Children of Shadows 4


(The Church)



Athough it may seem slender consolation
And easier to say, for you and me,
Today I'd like to ask the congregation
To pray now, for the victim's family.


Give thanks for all their treasured recollections,
Let peace, not retribution, dry their eyes;
Let Heaven heal their bitter introspections
And welcome Laura into Paradise.


We go our ways in hope of safe arrival;
May God protect us from undue alarm.
May Jesus make life more than mere survival,
And shelter all our little ones from harm.


Amen.


* * * * * * *


Children of Shadows 5


(The Childrens' Last Word)



Between all death and birth
We walk the cloudways of the endless sky;
We never asked to find this way to fly.


Between Heaven and Earth
And all levels of Hell, we watch and wait,
For justice done, before it is too late.


For every murdered child
We fly with all prevailing winds of change,
For any quirk of fate we may arrange.


We are not "meek" or "mild";
Don't turn your back when twilight dims the sky -
We'll haunt the perpetrators till they die!


* * * * * * *

© All poems by Sara Russell, 2006



SARA RUSSELL Poet, cartoonist and short story writer. Founder of Poetry Life & Times.
Newsgroup signature was originally 'Pinky Andrexa, Last Of The Cyber Vixen Poets From Outer Space'. Won Internet Arts Award from Kedco Studios Artist Profile Press. Runner-up in Capricorn International Love Poetry competition 1998. Her website Poetry Life & Times recently won the Alpha Poets' Poetic Eyes web award. Won Poet of the Week in the Poetry For Thought group (The Globe groups) for the week April 28-May 4th, 2001, with the poem "If You Were Mine". Inducted into The Poets' Hall of Fame, 2001, and included in its anthology for that year.
5 illustrated e-books published by Kedco Studios Artist Profile Press (most recent first): Worlds Inside The Head, Quickies, Spiders And Gliders, A Way With Words (in collaboration with four other poets) and Pinky's Little Book of Shadows.Also published in several Kedco e-book anthologies and Forward Press bound book anthologies.







Michael R. Burch

Warming Her Pearls

Warming her pearls, her breasts
gleam like anachronisms.
Her belly is a bit rotund . . .
she might have stepped out of a Rubens.

[Published by Erosha]

 

and then i was made whole

 

. . . and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire:

 

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and found in Love’s song my desire.

[Published by The Neovictorian/Cochlea]

 

The Composition of Shadows (I)

“I made it out of a mouthful of air.” – W. B. Yeats

 
We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.
 

And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape–
curved like the heart. Here, resonant, . . .

sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face–
long-frozen words trapped in a glaze

that insulates our hearts. Nowhere
can love be found. Just shrieking air.
 

[Published by The Lyric]

 

Mending

I am besieged with kindnesses;
sometimes I laugh,
delighted for a moment,
then resume
the more seemly occupation of my craft.

I do not taste the candies;
the perfume
of roses is uplifted
in a draft
that vanishes into the ceiling’s fans

that spin like old propellers
till the room
is full of ghostly bits of yarn . . .

My task
is not to knit,
but not to end too soon.




© All poems by Michael R. Burch 2006


MICHAEL R. BURCH is the editor of The HyperTexts where he has published the work of three Pulitzer Prize nominees and recent winners of the T. S. Eliot, Richard Wilbur and Howard Nemerov awards. He has been twice nominated for the Pushcart Prize, and his work has appeared over 450 times in literary journals and sundry publications in the USA, England, Scotland, Canada, Australia, South Africa and India, including The Chariton Review, Poetry Magazine, Verse, Poet Lore, Unlikely Stories, Light Quarterly, Writer’s Digest – The Year’s Best Writing 2003, The Best of the Eclectic Muse 1989-2003, The Lyric, ByLine, Icon and Nebo.

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HELGA ROSS

You and I


I do not know whether I was then a man dreaming I was a butterfly,
or whether I am now a butterfly dreaming I am a man.
You’re high on driving the red Ferrari
when my trip is the Monarch Butterfly,
so we weekended their fall safari,
and bonded, on Point Pelee,* years gone by

I marvel you still love me; how you try;
polarity’s the pull without the oath.
How does the Viceroy not identify?
The very mimicry benefits both.

Everything au contraire, la guerre to Goethe,
yet every quarrel ends corralled in care,
sustains us yet supports our separate growth,
symbiosis patterned pied-a-terre.

Imprint more potent than the need to cling,
one loves stronger, the grace a precious thing.


© Helga Ross 2006

*Point Pelee National Park Leamington, Ontario:
Most southerly point in Canada, on Lake Erie’s North shore. A major migratory stopover point in North America.




Myopia

Gnomic Verses ~ William Blake

To God

ii
If you have form'd a circle to go into,
Go into it yourself, and see how you would do.

iii
They said this mystery never shall cease:
The priest promotes war, and the soldier peace.

Dying leaves drift yet melancholy lifts
with the sun’s warming of the morning chill;
to perceive evil where it exists gifts
me with optimism* while grieving still:
Recognizing wrongs in no limits rules,
no less grotesque than the foes’ heinous way;
there’s art of war games; there’s the war crime school’s,
whose masks are mirrors of the hates they slay.
The life we love, the death wish ever thus
stalks us for another day – the wiser,
(some of us), such righteous paths disgusts;
trusts Goodness trumps the same old divisors.
Moral myopia karma’s war's tears:
Shredding His children, all summons God's prayers.

© Helga Ross 2004, 2006.

* Roberto Rossellini



Africa: Bilad as Sudan

“Bilad as Sudan” Arabic for “Land of the Blacks”

Africa cradled civilization,
yet uncivilized of understanding
cries, bleeds, dies, dehumanized, worth nothing.
Blood floods Black Sudan; so drowned the nation,
Nubia’s past, Aswan Dam’s foundation.
An Islamic wave few care withstanding.
Rape and carnage twist Allah’s commanding.
Genocide, a tribe’s annihilation?
Bony beings, bloated bellies – Babies –
old-age tiny size, your huge tear-dried eyes
plead your plight while we scarce can bear the sights
we see and see in tides of refugees
we’d stem if we’d stop resting on our sighs,
brought all our weight to bear on Human Rights.

copyright © Helga Ross 2004, 2006.



First published for Jim Dunlap’s “Voices for Africa” Challenge: Situation still as relevant, and more desperate...




A Red Carpet Treatment

Alice's Adventures in Wonderland by Lewis Carroll

The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had very long claws and a great many teeth so she felt that it ought to be treated with respect…
“Do you play croquet with the Queen to-day?”

The cat sprawls itself a welcome mat
from tail to nose and ears to paws
and sheathes its claws, a Cheshire pose,
a scrap of carpet calico, a puss Picasso
might have splashed on sisal,
or a Rorschach red-patch rug—
too plush to please the feet,
too fine the coat for boots—
a muffler meant for hugs—It greets
no matter that the mistress is a mess
made amiss by the whirl beyond windows’ untidy world.
It could have told her that!
Ah well, body language says: “Glad to have you back!”
Beasty’s love’s as binding as a bog,
and sees madam at her worst as beauteous to behold,
whether mane of a mop or mane in a bun.
Knowing wind and rain do horrid things to hair,
is it telling what’s so compelling
she underdressed and left without her hat?
The only fate worse is wet fur, where It’s at—
Must have been a rodent on the run!
It’s almost dinner time…substitute a place mat.
Thanks to huntress of thine,
soon to dine on the diced-and-dried bits.

© Helga Ross 2006





Canadian poet, HELGA ROSS loves the well-written word and loves to write her own; derives great pleasure from great literature, art and life, and the great outdoors. Everything old is new again in 2006 – She’s moved back to her old home town, Burlington, Ontario, after half a lifetime--for a new start. "You can't go home again" so they say -- She shall see. Helga expresses herself through an eclectic writing repertoire of material, style and form. 2004, however, was her literary turning point: She 'discovered' poetry in a big way. Now, poetry is her passion and focus, particularly Sonnet forms, though not exclusively. For Helga, the theme is 'Passion' in the broadest sense. She believes and illustrates in her writing: "The creative mind plays with the objects it loves". - Carl Jung Her poetic voice is playful, provocative, uplifting. Her serious pieces conclude on a positive note; reflect her approach to life: "Love. Fall in love and stay in love. Write only what you love, and love what you write. The key word is love. You have to get up in the morning and write something you love, something to live for." — Ray Bradbury On the key to success Recent Accomplishments: Prix Poesie's laissez-faire Faire Award, April 2004. Poetry selections published in Sonnetto Poesia Vol.3 no.2 Spring 2004; Vol.4 no.4 Autumn 2005; Vol. 5 no.2 Spring 2006.

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