Poetry Life & Times May 2006 Continued:



Index of poets:


Robin Ouzman Hislop
Sara L. Russell
Michael R. Burch
Helga Ross




fotosrobin

Robin Ouzman Hislop (Editor)




Ashes in the Congo



Close your eyes on your borders
for now it’s safe to dream
a creator without a name
as neutral as the human
gorilla ape monism
& awake from a parallel dream
to a new age dawn
of unknown separation
& the lost question
in whence began the bifurcation
where you reach out for before.



A Worker's Poem


I must go the places,
I’m not permitted to speak.
Daily my work takes
me there, week by week.

I hear high orders spoken,
words everywhere on record,
then I’m released but broken
to voices remaining unheard.

As rain that patters on the roof,
we will listen to only the wind.
Anonymous & lowly aloof,
worn out from relentless grind.




After the Bath


You were gone so long.
The pain of our separation
became such intense longing
that when together again,
I thought to be filled in.

I never conceived you’d start again,
as though beyond recognition,
our tale eventually forgotten,
the memory, where we were begotton.

Became impossible & you driven
not to die meant only creation,
whatever the destruction
of meaning meant, once upon
a time, could ever now mean.



© All poems by Robin Ouzman Hislop 2006


ROBIN OUZMAN HISLOP: Born UK. Childhood in Lyme Regis & Poole Dorset. Lived Scotland & Scandinavia, The East & Spain. Appeared in Dawn Millenium Anthology published by Kedco Studios & this year appeared in their Crystal Dawn Anthology. Frequently featured in the E zines Poetry Life and Times, Autumn Leaves, Sonnetto Poesia, Canadian Zen Haiku, appeared on Artvilla, Poetry Repairs, the Celtic Pagan Poetry Pages Journal, as featured poet in the Beltane edition & Ancient Dawn E zines amongst others. This year will publish own anthology Blue Corn which will incorporate performance, on web cam and voice recital with Kedco Studios. His book After the Cave the Comet was published by Mystic East. Became a Resident Poet of Poetry Life & Times in January 2005.



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fotosara

Sara L. Russell


The English At Play 1: Social Club Nights

Old ladies do a stately sideways shamble,
Toddlers dance like penguins in a ring;
Fathers do a rolling, bear-like amble,
Which teenage daughters find embarrassing.

Young men watch the scene with some derision,
While older men fill up the fruit machines;
To dance, or not to dance, is some decision
With music that was from your parents' teens.

Women dance a winding, tipsy conga,
With handbags pushed discreetly under chairs.
Over at the bar, the queues are longer,
While girls visit the Ladies' Room in pairs.

The music ends, the D.J. packs his cables,
Cardigans and coats are gathered in
And small children dragged out from under tables,
As we dream of next week's wild social spin.



© Sara L. Russell 2003





The English At Play 2: The Great English Seaside


Unwrap the sandwiches that got crushed in the car,
Put on your cardigans with three-quarter sleeves,
Wearing sports logos that tell the world who you are,
The last family to arrive and the first that leaves.

Put up the deckchairs, hammer the windbreak in
As old ladies watch and laugh, from the promenade,
Rub sunblock on already-blistered skin,
Wearing a beanie hat, trying to look hard.

Kiss me quick, my darlings, and squeeze me slow,
For even though the night is still yet young,
After eleven-ten there is nowhere to go,
Though we have rugby songs as yet unsung.

Almost time to return to the hotel,
Exhume Dad from his prison in the sand,
No, don't bring the captured crab as well,
Or that other nasty object in your hand...

Another week and you'll be back at school,
Tomorrow we'll be home in time for tea,
No, it's too late for the hotel pool,
But we'll have fun at Christmas, wait and see!



© Sara L. Russell, 5th August 2004



SARA RUSSELL
Poet, cartoonist and short story writer. Founder of Poetry Life & Times. Newsgroup signature was originally 'Pinky Andrexa, Last Of The Cyber Vixen Poets From Outer Space'.

Won Internet Arts Award from Kedco Studios Artist Profile Press. Runner-up in Capricorn International Love Poetry competition 1998. Her website Poetry Life & Times recently won the Alpha Poets' Poetic Eyes web award. Won Poet of the Week in the Poetry For Thought group (The Globe groups) for the week April 28-May 4th, 2001, with the poem "If You Were Mine". Inducted into The Poets' Hall of Fame, 2001, and included in its anthology for that year. Recently broke several bones after falling from a train; now fully recovered after almost a year, and walking without a limp following a recent successful hip operation.


Published Works:

5 illustrated e-books published by Kedco Studios Artist Profile Press (most recent first): Worlds Inside The Head, Quickies, Spiders And Gliders, A Way With Words (in collaboration with four other poets) and Pinky's Little Book of Shadows.

Also published in several Kedco e-book anthologies and Forward Press bound book anthologies.


NEW: The Poetry Life & Times Store

EXCLUSIVE NEWS UPDATE: Some of Robin's poems have been published in the anthology "Blue Corn", published by Kedco in 2005.

robincoverphoto

Also Robin's exciting epic "After the Cave, the Comet" is now available for purchase either as a CD or Ebook.


Michael R. Burch


What the Poet Sees


What the poet sees,
he sees as a swimmer underwater,
watching the shoreline blur,
sees through his breath’s weightless bubbles . . .
Both worlds grow obscure.


 
© Michael R. Burch
(Originally published by ByLine)

 
The Locker

All the hollow clamor has died
and what was contained,
removed,
reproved
adulation or sentiment,
left with the pungent darkness
as remembered as the sudden light.


© Michael R. Burch
(Originally published by The Raintown Review)

 
 To Flower


When Pentheus [“grief’] went into the mountains in the garb of the baccae,
his mother [Agave] and the other maenads, possessed by Dionysus, tore him apart
(Euripides, Bacchae; Apollodorus 3.5.2; Ovid, Metamorphoses 3.511-733; Hyginus, Fabulae 184).
The agave dies as soon as it blooms; the moonflower,
or night-blooming cereus, is a desert plant of similar fate.


We are not long for this earth, I know–
you and I, all our petals incurled,
till a night of pale brilliance, moonflower aglow.
Is there love anywhere in this strange world?

The agave knows best when it’s time to die
and rages to life with such rapturous leaves
her name means Illustrious. Each hour more high,
she claws toward heaven, for, if she believes

in love at all, she has left it behind
to flower, to flower. When darkness falls
she wilts down to meet it, where something crawls:
beheaded, bewildered. And since love is blind,

she never adored it, nor watches it go.
Can we be as she is, moonflower aglow?

© Michael R. Burch
(Originally published by The Neovictorian/Cochlea)


Will There Be Starlight 

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be moonlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

 © Michael R. Burch
(Originally published by Grassroots Poetry)


Fahr an' Ice

From what I know of death, I’ll side with those
who’d like to have a say in how it goes:
just make mine cool, cool rocks (twice drowned in likker),
and real fahr off, instead of quicker.

 © Michael R. Burch
(Originally published by Light)



MICHAEL R. BURCH is the editor of The HyperTexts where he has published the work of three Pulitzer Prize nominees and recent winners of the T. S. Eliot, Richard Wilbur and Howard Nemerov awards. He has been twice nominated for the Pushcart Prize, and his work has appeared over 450 times in literary journals and sundry publications in the USA, England, Scotland, Canada, Australia, South Africa and India, including The Chariton Review, Poetry Magazine, Verse, Poet Lore, Unlikely Stories, Light Quarterly, Writer’s Digest – The Year’s Best Writing 2003, The Best of the Eclectic Muse 1989-2003, The Lyric, ByLine, Icon and Nebo.


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HELGA ROSS




PETRARCHAN:

Surrender?


Is there a sonnet worth a new assault
on the abattis of bias we’ve borne;
would storm the ramparts of modernist scorn
with results of form and rhyme without fault,
yet say what need be said so all  exult
in the silver-tongue truths which touch the torn
to lay down their arms and embrace its thorn;
realize it’s alright to call the halt?
Fort Wagner* of the word-song why choose war?
Want me too; let me woo you in that way
legendaries did what romantics do.
Hurl me back to my decimated corps
and we both lose. We need a brighter day;
choosing life** and hating war: A breakthrough.

* Fort (Battery) Wagner, Charleston SC – assaulted twice in the Civil War. The Second Assault is better known.
Led by the 54th Massachusetts Volunteer Infantry, it was the first major American military unit made up of African Americans.
Beseiged but never taken in battle. Confederate defenders endured almost 60 days of heavy shelling, then abandoned it.

** Deuteronomy 30: 15-19

© Helga Ross, 2006



SPENSARIAN:

Rein (Reign) Your Brain!


"A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there."
Snake - D.H. Lawrence ... my inspiration:


A green ribbon sprawls along a stone trail;
a moss-like strand some human hand misplaced,
or a girl's curls tossed loose a ponytail?
This trim makes ladies tremble with distaste:
The pretty strand is a garter, snake-faced!
It coils, unfurls a lunge, spits forth a fork,
withal recoils and slithers with slow haste -
(Shudders, oohs, aahs) - such mesmerizing torque.
A dinosaur's remnant; a link to Ork;*
our Reptilian Brain, the oldest part,
where emotion fights reason for the cork;
the art is knowing when to heed the heart.

Skinny One, respect deflects foolish fear:
When we reflect we find a treasure here.



*Ork – a fictional race of beings.


© Helga Ross, 2004, 2006





SHAKESPEAREAN:

Cardinal Designs


In praise of Cardinalis cardinalis, the Northern Cardinal ...

Whistles and a flurry of crimson wings
signals he watches when she looks for him;
skyward, eyes where he sways on cedar, sings,
flinging bursts of flattering hymns at whim.

How odd their courtship leads to this courtyard
the hen shares with the she who crafts alone
romance poems; his own beguile the bard,
vermilion audacity proudly shown.

Purty, purty, purty, his tenor trill
thrills her vanity. Silly, she knows none
but the feathered one fulfills – (Her, who will?)
his mate for life – (Her home by extension).

The Creator makes Books good as Covers:
Designs good-looking heroes, best lovers?



© Helga Ross, 2004, 2006

Helga loves the well-written word and loves to write her own; derives great pleasure from great literature, art and life, and the great outdoors. Everything old is new again--she has just moved back to her old home town, Burlington, Ontario, (Canada) after half a lifetime--for a new start. "You can't go home again" so they say -- She shall see.Refer her poem: Pursuing Happiness on the subject, published PT&L April, 2006.
Since 2004, Helga's 'discovered' poetry in a big way.
Like fellow Canadian, Poet/Sonneteer, Richard Vallance, she favors the Sonnet form in particular.
Her sonnet Shall We Dance--Again? appears in the Spring 2006 Edition of Sonnetto Poesia. For Helga, the theme is 'Passion' in the broadest sense. She believes and illustrates in her writing: "The creative mind plays with the objects it loves". - Carl Jung .- Her poetic voice is playful, provocative, uplifting. Her serious pieces conclude on a positive note; reflect her approach to life. "Love. Fall in love and stay in love. Write only what you love, and love what you write. The key word is love. You have to get up in the morning and write something you love, something to live for."
— Ray Bradbury On the key to success





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