Index of poets:

Robin Ouzman Hislop
Sara L. Russell
Helga Ross
Michael R. Burch







Robin Ouzman Hislop (Editor)


The Moon is in my Room


xxv.


The moon is in my room
Immutable, imperturbable
As before this world began

I am crisis in transfixion
Between subject and object
The quest of identity

In the moment of appearance
Should I say auspicious occasion
                The moon is in my room

Or those nights of Borge’s Buenos Aires
Those distant hours also occasions
Now forever gone.


 
xxvi

Tourist


I met him in Europe, one out a million
Japanese students making, perhaps, a
Once in a life time two week excursion.

A young guy with extremely broken
Business English privileged at University,
Being too expensive for common education,
Who would return to his village/town
Somewhere in Japan to row after row of
Interminable urban suburbia guaranteed
a job for life, in turn promotion & the rest,
He says, with a patient concentration set in a
Slight frown, is a philosophy of life, in Japan,
To be Japanese & squints his Buddha eye at me.

The next day in the reception he bows in
Decorous formality, lawn after lawn of his children’s
Children in neither Nirvana nor Samsara.



xxvii

Hoods.

Sick in bed, a steel hammer in his head,
A ghost to a father who was ghost to his.
He wants to escape in a time machine,
He remembers you said you curled up
Very small and tried to pretend to be
Nothing,
But you meant dead.
Should  we put on Beethoven’s Ninth*
To send this hip hop rap clap stuff

Out of sound. The hoods have returned
Without dignitaries in shadowy strands,
Thin bands, like the oneness of ant waves
Or Piranhas with the broken doll faces,
That hoods to youth betray, batch by batch.
In anticipation of what? a nuclear age?
Nod, nod, the ghost is dead, sweep on
Let’s see how hoods do with global warming.

* Clockwork Orange. Anthony Burgess



xxviii.


Evening



Breaking twigs:
Spindly silver birch
Collaborate with twilight.

Lingering phantoms in shade
Waiting for Spring’s arrival,

Have they forgotten,
Will they remember again,
When life quickens them?



© All poems by Robin Ouzman Hislop 2007
© Illustrations by Amparo Arrospide


ROBIN OUZMAN HISLOP:
Born UK. Childhood in Lyme Regis & Poole Dorset. Lived Scotland & Scandinavia, The East & Spain. He now lives in Sheffield, South Yorkshire, UK.  Appeared in Dawn Millenium Anthology & Crystal Dawn Anthology published by Kedco Studios. When he first joined the world wide net he abandoned his previous poet performance career, mostly had in Spain and often as bilingual joint translation recitals. His first anthology After the Cave the Comet appeared two years ago & is available here, another anthology is shortly planned. He started as resident poet with Poetry Life & Times in March 2005 & took over its editorship together with Spanish poetess  Amparo Arrospide from Sara Russell in May 2007 .


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Sara russell

FIELDS OF LILIES

Sara L. Russell, 30/3/07

 
  Take nothing but photographs,
  Leave nothing but memories.
                 The Country Code
 
Do we walk in fields of lilies,
as we feel the U.V. burn?
Are we leaving carbon footprints, showing
everywhere we turn?
Is the heel of our Achilles
Feeling more than just a graze?
Are we mapping out a blueprint for the
final end of days?
 
Do we think that ducks like drinking
From beer cans we leave behind?
Does it seem that shopping trolleys find their
own way to the trees?
Do we laugh when we are slinking
Homeward, late and beery-blind?
And while lilies do not spin, was Solomon
arrayed like these?
 
Solomon, in all his glory,
With rose petals at his feet,
Could not prophesy earth's story now the
air is less than sweet;
Now that sulphurous emissions
Spiral upwards to the sky;
No more faith or superstitions, when the
earth's time comes to die.
 
Do we kneel in fields of lilies
Praying all will go to plan,
as we feel the ozone leaking through the
chasm left by man?
Do we wonder why the will is
Somewhat weaker than intent?
Are the follies of our past becoming
more self-evident?
 
Man is picking up the pieces
As the politicians spin,
Making monkeys of our species, as the
oxygen wears thin,
While the lilies, in December
Bloom to perish in the frost;
Look upon them, and remember, before
all beauty is lost.
 

SARA RUSSELL Poet, cartoonist and short story writer. Founder of Poetry Life & Times.
Newsgroup signature was originally 'Pinky Andrexa, Last Of The Cyber Vixen Poets From Outer Space'. Won Internet Arts Award from Kedco Studios Artist Profile Press. Runner-up in Capricorn International Love Poetry competition 1998. Her website Poetry Life & Times recently won the Alpha Poets' Poetic Eyes web award. Won Poet of the Week in the Poetry For Thought group (The Globe groups) for the week April 28-May 4th, 2001, with the poem "If You Were Mine". Inducted into The Poets' Hall of Fame, 2001, and included in its anthology for that year.
5 illustrated e-books published by Kedco Studios Artist Profile Press (most recent first): Worlds Inside The Head, Quickies, Spiders And Gliders, A Way With Words (in collaboration with four other poets) and Pinky's Little Book of Shadows.Also published in several Kedco e-book anthologies and Forward Press bound book anthologies.









Michael Burch



The Harvest of Roses


          

I have not come for the harvest of roses–

the poets' mad visions,

their railing at rhyme ...

for I have discerned what their writing discloses:

weak words wanting meaning,                                                          

beat torsioning time.

 

Nor have I come for the reaping of gossamer–

images weak,

too forced not to fail;

gathered by poets who worship their luster,

they shimmer, impendent,

resplendently pale.

 

Nor am I am here for the Fabulous Fleece,

the clashing of symbols,

new Neros, old Romes ...

for all I’ve found here is the dark smudge of Greece ,

the blankest of verse,

the obscurest of poems.

                                              

The Princess and the Pauper


 

Here was a woman intent on life

who did not flinch from Death, but caught his eye

and drew him, powerless, into her spell

of wanting her himself, so much the lie

that she was meant for him–obscene

illusion!–made him seem a regal king

when he was less than nothing.

                                                   Yet to die

meant many stultifying, pained embraces.

 

She shed her gown, undid the tangled laces

that tied her to the earth, then she was his.

Now all her erstwhile beauty he defaces

and yet she grows in hallowed loveliness–

her ghost beyond perfection–for to die

was to ascend. Now he begs, penniless.

 


Brother Iran


Brother Iran , I feel your pain.

I feel it as when the Turk fled Spain .

As the Jew fled, too, that constricting span,

I feel your pain, Brother Iran .

 

Brother Iran , I know you are noble!

I too fear Hiroshima and Chernobyl .

But though my heart shudders, I have a plan,

and I know you are noble, Brother Iran .

 

Brother Iran , I salute your Poets!

your Mathematicians!, all your great Wits!

O, come join the earth’s great Caravan.

We’ll include your Poets, Brother Iran .

 

Brother Iran , I love your Verse!

Come take my hand now, let’s rehearse

the Rubaiyat of Omar Khayyam.

For I love your Verse, Brother Iran .

 

Brother Iran , civilization’s Flower!

How high flew your spires in man’s early hours!

Let us build them yet higher, for that’s my plan,

civilization’s first flower, Brother Iran .

 
All poems by their author, 2007.

 

MICHAEL R. BURCH
is the editor of The HyperTexts where he has published the work of three Pulitzer Prize nominees and recent winners of the T. S. Eliot, Richard Wilbur and Howard Nemerov awards. He has been twice nominated for the Pushcart Prize, and his work has appeared over 450 times in literary journals and sundry publications in the USA, England, Scotland, Canada, Australia, South Africa and India, including The Chariton Review, Poetry Magazine, Verse, Poet Lore, Unlikely Stories, Light Quarterly, Writer’s Digest – The Year’s Best Writing 2003, The Best of the Eclectic Muse 1989-2003, The Lyric, ByLine, Icon and Nebo.







HELGA ROSS


Eclipse Of His Sun

Inspired by the partial eclipse of the sun: March 18-19, 2007.

Then I will swear beauty herself is black,
And all they foul that thy complexion lack.
Sonnet 132 ~William Shakespeare


A new moon in a halo of light,
a magic mood, ended too soon,
(before it began!), her debutante ball.
And she, something to see,
and he, behold,
though he, himself, a splendid sight.
But blinding beauty on the move,
he barely got close,
nor did she know
she had him in thrall.
The dark lady dazzled all.
She wore her inky slip dress
and ironed her hair,
and underneath, lacy underwire, underwear.
And off she went a-dancing without a care.
A feast for the eyes like the sunrise,
she transformed what was left of his light
into a night,
like a peacock, made up to stare.
But she didn’t see him for the glare.
When* it was wondrous to be unaware.

© Helga Ross 2007


 

At Least A Dozen Miracles (Envelope Sonnet)

“There are two ways to live your life.
One is as though nothing is a miracle.
The other, as though everything is a miracle.”
~ Albert Einstein


Every day, miracles, little and large,
come wished for and watched and for granted too,
like blankets of clouds when the sun breaks through;
this way the limits on our days enlarge.
How lovely to recover something lost;
to think of someone missed and there’s a call;
a chance, a second chance, a small windfall;
helping hands to catch the fall, a bridge crossed.
These openings are the very stuff of life—
Its impetus—like a love you find late,
hope lost; not looking; when one is let go;
one date, and on the way to man and wife,
as soul mates belong, believing in fate….
And the newborn heaven-sent, as we know.

© Helga Ross 2007



Of April And Elephants


When I am dead, and over me bright April
Shakes out her rain drenched hair,
Tho you should lean above me broken hearted,
I shall not care.
For I shall have peace.
As leafy trees are peaceful
When rain bends down the bough.
And I shall be more silent and cold hearted
Than you are now.
(Suicide note to her lover who left her.)
~Sara Teasdale, poet, d. 1933


A rainy day so it feels right to cry,
just as I know this gray helps green to grow;
just as these drops blur the panes melt the snow;
time to weep we thrive on death and ask why.
If only tears could drain the sorrows dry.
Comes April, cruelest month, we surely know,
for all She sows, our species could bestow
the end of most in the blink of an eye.
Wounded world, with so much to care about,
and we the beasts with the footprints too big—
wars of orphans and fill of elephant—
the kinds of killings bring my savage out!
*God’s creatures over mothers’ poacher-pig!
The burden need be shared and so I rant.

© Helga Ross

*National Geographic: Ivory Wars—March 2007



I Love You God


God enters by a private door into each individual.
~Ralph Waldo Emerson


I love you God,
a singular thing;
needs no ritual nor chorus hymns,
no audience, no gatherings,
no special place,
no right timings.
A communion, always working.
I see you through your signs without,
and connect with you within;
and find you on the inside,
and transmute the inside-out—
advance, retreat—
wherever you lead, depending on need.

I love you God,
a personal thing;
no less profound than the loudest can profess,
and as Catholics confess;
the most ardent amass,
wherever they bless:
mega-church, cathedral
temple and mosque.

I love you, God,
a spiritual thing;
and leave religion out of it.
Dogmas only muddy it.
A simple faith
and comforting;
deep-rooted, all-encompassing;
my One-in-Everything—
Every one’s—
Tree of Life, God of Love.
Somehow known, never alone,
though never seen, your face.

© Helga Ross 2007





Canadian poet, HELGA ROSS loves the well-written word and loves to write her own; derives great pleasure from great literature, art and life, and the great outdoors. Everything old is new again in 2007 – She’s moved back to her old home town, Burlington, Ontario, after half a lifetime--for a new start. "You can't go home again" so they say -- She shall see. Helga expresses herself through an eclectic writing repertoire of material, style and form. 2004, however, was her literary turning point: She 'discovered' poetry in a big way. Now, poetry is her passion and focus, particularly Sonnet forms, though not exclusively. For Helga, the theme is 'Passion' in the broadest sense. She believes and illustrates in her writing: "The creative mind plays with the objects it loves". - Carl Jung
Her poetic voice is playful, provocative, uplifting. Her serious pieces conclude on a positive note; reflect her approach to life: "Love. Fall in love and stay in love. Write only what you love, and love what you write. The key word is love. You have to get up in the morning and write something you love, something to live for." — Ray Bradbury On the key to success
Recent Accomplishments: Prix Poesie's laissez-faire Faire Award, April 2004. Poetry selections published in Sonnetto Poesia Vol.3 no.2 Spring 2004; Vol.4 no.4 Autumn 2005; Vol. 5 no.2 Spring 2007.


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