Poetry Life & Times August 2006 Continued:

THE PERILS OF NORRIS CARTOON

The Perils of Norris Cartoon... continuing Norris's misadventures

as the Absinth Fairy has made all his dreams come true.

He finds himself in Poetry Hell....

The Perils of Norris started in August 2000. To catch up on past episodes, click the links below.

The Perils of Norris Page 6 (Current adventure)

The Perils of Norris Page 5 (page 2 of earlier adventures)

The Perils of Norris Page 1 (early stories, start page)


Index of poets:


Robin Ouzman Hislop
Sara L. Russell
Michael R. Burch
Helga Ross




fotosrobin

Robin Ouzman Hislop (Editor)



Up Stream

Body thin, turned side on,
Raised to tip toe on soft silt.
Neck to arm drawn like an archer
Cuts like an arrow through the flow.

On, on, bit by bit until at last,
No more, to become a reed at dawn.
Kept by the river of day & night,
Kept by the sea in a window.



Proverb

& just as there were different epic creation
myths so to were there different paradises
& even aspirations of the soul.

They grew so lost to their acclaims
being only animals after all with the curious
tale of the beast for the day,
a question of vision,
final meaning proven nothing,
the archetype host the ghost word,
a repetition signifying that
which it had never been.
 
& let us not forget, pack up kit Mr Big Bang
man with his private joke between him & God,
before we begin 50 years on green children,
O where will your Spring begin?


Karma on the mind
 

Separation, proof of life’s
meaningless brutality,
though not the cause of its anxiety.

The fantasy of consummation,
where the memory of all  worlds should fall,
as much as the heart.

& converse, where none can pass,
where her face weeps through a misted
glass, at the same fake ghosts.


Princess on the Watch Tower


Muddy waters floats the lotus goddess.
Inverted in them the dragon fly’s whirr
is subdued cascadent implosion.

Fragments appear on the surface’s
limit, a place presence faces face,
where waters of a world without end,

end untouchable, even in memory, there
where here, the irreproachable
lotus floats in the moat of circumstance.

Toppled towers like museum pieces:
classified & disseminated
historical geographical baggage.
 

Proverb (ii)

I question the end,
& in the end,
the story of life & where
I begin to pretend,
I am & am not.

A homo sapient ape creature
engendered by an illusion
to write its record. Compare
thought from destiny to fate
& declare, acclaim, exclaim, explain
how we mighty have fallen,
to nought but clay, nought but trespass.

In the end, in the question
of my beginning, in the end.
The mystery of death,
the question within the end:
left asked, only to pretend. 



© All poems by Robin Ouzman Hislop 2006


ROBIN OUZMAN HISLOP: Born UK. Childhood in Lyme Regis & Poole Dorset. Lived Scotland & Scandinavia, The East & Spain. He now lives in Sheffield, South Yorkshire, UK.  Appeared in Dawn Millenium Anthology & Crystal Dawn Anthology published by Kedco Studios. When he first joined the world wide net he abandoned his previous poet performance career, mostly had in Spain and often as bilingual joint translation recitals. His first anthology After the Cave the Comet appeared two years ago & is available here, another anthology is shortly planned. He started as resident poet with Poetry Life & Times in January 2005 & took over its editorship together with Spanish poetess  Amparo Arrospide from Sara Russell in May 2006 .


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Sara russell


Sara Russell (Our Former Editor)



Children of Shadows 1

(For All the Lost Children)

What sentinels watch over us, the lost,
who fly as shadows
What vengeful archangels take wing,
keeping account of everything,
While we are bound to life between two earthly planes?
While only tragedy and emptiness remains?

What empty rhetoric has drowned the cost
in vapid shallows,
Simplistic terms for everything,
leaving the poison in the sting,
While our remembered life
still bears the bloody stains?
For sometimes justice
lies when love has severed veins.

Where were the ones who always cared for us-
when we were screaming?
The ones who kissed away our pain,
kept us amused through weeks of rain,
Taught us about the Father, Son and Holy Ghost?
Where did the grownups go
when we needed them most?

Where were the strong ones, who were there for us
when we were dreaming;
Who saved us when nightmares lashed the rein,
banished the monsters once again,
Who told us of guardian angels;
all the Heavenly Host?
And where is justice, when the world needs it the most?

Away with your rhetoric, and legends born to save.
No-one can help those crying out beyond the grave.


Children of Shadows 2


(For The Parents)

Be brave, my soul, be grounded at my centre,
When all the world comes calling at my door;
I stand if only courage is my mentor,
In letting go of all I struggled for.

Be sweet, my dreams, the waking day deserts me,
My prayers fall down unanswered from the sky;
Fond reverie returns to haunt and hurt me,
My hindsight crawls, as fleeting chances fly.

Be sanctuary, my home, though still and empty,
Silence the angry thoughts searing my head;
Let lie, unopened, letters friends have sent me,
With rag dolls staring from her empty bed.

She is a picture now, and two dimensions
Allow no contact more than smiling eyes.
All art and music are but dull pretensions
While plastic sunlight lights her paper skies.


©
All poems by Sara Russell, 2006

SARA RUSSELL Poet, cartoonist and short story writer. Founder of Poetry Life & Times.
Newsgroup signature was originally 'Pinky Andrexa, Last Of The Cyber Vixen Poets From Outer Space'. Won Internet Arts Award from Kedco Studios Artist Profile Press. Runner-up in Capricorn International Love Poetry competition 1998. Her website Poetry Life & Times recently won the Alpha Poets' Poetic Eyes web award. Won Poet of the Week in the Poetry For Thought group (The Globe groups) for the week April 28-May 4th, 2001, with the poem "If You Were Mine". Inducted into The Poets' Hall of Fame, 2001, and included in its anthology for that year.
5 illustrated e-books published by Kedco Studios Artist Profile Press (most recent first): Worlds Inside The Head, Quickies, Spiders And Gliders, A Way With Words (in collaboration with four other poets) and Pinky's Little Book of Shadows.Also published in several Kedco e-book anthologies and Forward Press bound book anthologies.


Full colour illustrated A5 poetry chapbook by Sara L.Russell
Ballads of Myth & Magic

£2.50 Available UK only, signed copies, in selected branches of Ottakar's book shops:
currently Poole (Dorset), Tunbridge Wells (Kent), Crawley (West Sussex) and
East Grinstead (West Sussex).

Also available online from
Gift of Tongues, for readers both in and outside the UK.

Plus - a limited number of signed, complimentary review copies are available for
poet friends in the USA or Canada.

Special Features: Vellum cover, 28 pages of poems, with colour illustrations & line drawings.
Poems on the theme of legends and lost worlds of fantasy and magic.



Michael R. Burch




Indestructible, for Johnny Cash

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains' stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on-
black from his hair to his bootheels.


Charon 2004

I, too, have stood-
                               paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug's dense film
becomes mucous-insulate.
                                          Always, thereafter
living in darkness, bright things overwhelm.


To Please The Poet

To please the poet, words must dance-
staccato, brisk, a two-step:
so!
Or waltz in elegance to time
of music-mild,
adagio.

To please the poet, words must chance
emotion in catharsis-
flame.
Or splash into salt seas, descend
in sheets of silver-shining
rain.

To please the poet, words must prance
and gallop, gambol, revel,
rail.
Or muse upon a moment-mute,
obscure, unsure, imperfect,
pale.

To please the poet, words must sing,
or croak, wart-tongued, imagining.


In Flight Convergence


Serene, almost angelic,
the lights of the city extend
over lumbering Behemoths
shrilly screeching displeasure;
                                   they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command.

Here the streetlights that flicker
and those blazing steadfast
seem one: from a distance.
                         Descend,
they abruptly part ways,

so that nothing is One
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of convenience.

And man seems the afterthought of his own brilliance
as we thunder down the enlightened runways.


Snapshots


Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man's heart swoon.
Suddenly, unthinkably, here he is,

taking my place.


Crescendo Against Heaven

As curiously formal as the rose,
the imperious Word grows
until its sheds red-gilded leaves:   
then heaven grieves
love's tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.           

Together now, rude coffins, crosses,
death-cursed but bright vermillion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire ...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem's retrograde star,
we point out now, in resignation:               
You asked too much of man's beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good ...
just, O greatest of Poets!, misunderstood.   


© All poems by Michael R. Burch 2006



MICHAEL R. BURCH
is the editor of The HyperTexts where he has published the work of three Pulitzer Prize nominees and recent winners of the T. S. Eliot, Richard Wilbur and Howard Nemerov awards. He has been twice nominated for the Pushcart Prize, and his work has appeared over 450 times in literary journals and sundry publications in the USA, England, Scotland, Canada, Australia, South Africa and India, including The Chariton Review, Poetry Magazine, Verse, Poet Lore, Unlikely Stories, Light Quarterly, Writer’s Digest – The Year’s Best Writing 2003, The Best of the Eclectic Muse 1989-2003, The Lyric, ByLine, Icon and Nebo.



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Helga Ross



Summer Stew


“Bubble, bubble toil and trouble.” – Shakespeare’s Macbeth

Summer simmer’s over, roiling August
for the repast, a crock of augured ills,
the new normal serves up with cheesy crust,
feeding hunger for peace a taste of chills;

testing and stirring away with our wills
to wage on our wicked our commonweal,
prepare our fears as if it’s news — War Kills! —
we let the dogs loose for this kind of meal.

So the Barbarians gait scenes they steal
and target the bouillabaisse boil with bombs;
blood for oil spills and we watch it congeal

in dead and mangled sons of distraught moms.
Still we pray Chef’s predictions pull us through:
Elixirs of indigestible stew.

© Helga Ross 2004, 2006


A Henry James Southern Gentleman

A Spenserian Sonnet inspired by the novel: The Bostonians

Verena of his lover’s lust, lady,
publicly perfect and privately chaste;
(the man’s in love; his motives aren’t shady?)
sharp flavors to the tongue he loves her taste.

Seaside sprays won’t wash away the foretaste:
the stolen kisses leavening his love;
the womanhood he  won’t let go to waste;
the nature he won’t let her rise above.

His willpower, hers can’t keep abreast of.
Persuasion is his better use of force
and her fall is in the logic of the shove;

one a suffragist more suited must endorse.
A Southern man, his cause, a Boston maid;
torn, hers a cause and female bond betrayed.

© Helga Ross 2006


Her Worshipful Whimsy

“ The creative mind plays with the objects it loves." ~ Carl Jung


I’d love you if I could, the one I would
imagine as you are, prefer the way
you were, to whom I’d wish you'd be, or should.
See what you mean to me, fantasy fey?

I’ve adored you from afar, wherever
you are. Would I know you if I saw you?
We wish! — But, I’m sworn to you forever!
Without you, incomplete! What do I do?

Wonder and wander, wistful, to what end?
A romantic malcontent, caught in thought
of the mythic lost man my dreams transcend;
heroic, of ethics and ardor wrought.

You are he, but who are you, will I see?
Don’t make me wait more lifetimes. Do not flee!

© Helga Ross 2004, 2006



Waters Wake

Killer walls of water third worlds away
weigh heavy on our witness
we who are safe
yet feel the wake of seismic waves
slap us in the face with our humanity
as the world wobbles and we’re shaken
to our core, reminded of our place
a flimsy part of nature — flawed —
with feeble powers outside our fate
subject to fickleness, miracle and grace
knowing every one of us is living latent
on the fault lines of disasters
overhead and under-feet
all in this roiling realm together; one
of all the global reach
so Sumatra quakes and Katrina shrinks
millions are moved, milliseconds increase
and common consciousness tries to rise to meet
the cosmic drives in miles and miles and miles
of oceanic empathy and aid,
lending dignity to the dire need.



© Helga Ross 2005, 2006


Canadian poet, HELGA ROSS loves the well-written word and loves to write her own; derives great pleasure from great literature, art and life, and the great outdoors. Everything old is new again in 2006 – She’s moved back to her old home town, Burlington, Ontario, after half a lifetime--for a new start. "You can't go home again" so they say -- She shall see. Helga expresses herself through an eclectic writing repertoire of material, style and form. 2004, however, was her literary turning point: She 'discovered' poetry in a big way. Now, poetry is her passion and focus, particularly Sonnet forms, though not exclusively. For Helga, the theme is 'Passion' in the broadest sense. She believes and illustrates in her writing: "The creative mind plays with the objects it loves". - Carl Jung Her poetic voice is playful, provocative, uplifting. Her serious pieces conclude on a positive note; reflect her approach to life: "Love. Fall in love and stay in love. Write only what you love, and love what you write. The key word is love. You have to get up in the morning and write something you love, something to live for." — Ray Bradbury On the key to success Recent Accomplishments: Prix Poesie's laissez-faire Faire Award, April 2004. Poetry selections published in Sonnetto Poesia Vol.3 no.2 Spring 2004; Vol.4 no.4 Autumn 2005; Vol. 5 no.2 Spring 2006.

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