
| May 2003 | Café Society's Poetry News Update |
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Kenn Nesbitt Childrens' Poet
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| Kenn Nesbitt visits schools throughout each school year with fun poetry writing assembly programs and workshops. He loves to help kids discover the joy of reading and writing through poetry. Kenn has given performance and educational presentations to elementary, middle and high school audiences. His performances include interactive poetry writing and tons of funny poems.
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| Poetry L & T: | How did you first start writing poetry for children, Kenn? |
| Kenn: |
The first children's poem I wrote was inspired by a young girl I knew. A friend and I were having dinner at a restaurant with his four year-old daughter, who was doing everything she could to get out of eating her dinner. Later that evening I was thinking about this and I wrote a poem called "Scrawny Tawny Skinner," about a girl who wouldn't eat her dinner. She grew thinner and thinner until at last she disappeared. I had so much fun writing this poem that it encouraged me to write another and another.
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| Poetry L & T: | Do your own children, or those of friends, ever inspire some of your work?
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| Kenn: | Most of my work involves flights of imagination, creative wordplay and so on. Other poems are written to a theme, such as well-known fairy tales, myths, etc. As such, it is rarely inspired by children I know, including my own. This is a question that a lot of people ask me, so I assume that some authors must find inspiration in the sometimes silly things that their children do. But, so far, this hasn't really been the case with my work. |
| Poetry L & T: | Do you think that publishers usually aim to sell childrens' books to children, or their parents? |
| Kenn: | Children's books are unique in that they are the only books that are not purchased by the intended readers. Children's books are purchased by parents, teachers, librarians, and so on, but not by the children themselves. Therefore, publishers have to publish books that will appeal to both children and adults. At the very least, they have to appeal to parents, as they are the ones who make the purchase. It is a rare book that is designed primarily to appeal to children. "Captain Underpants" comes to mind. |
| Poetry L & T: | Who are your favourite poets, either for childrens' poetry or in general?
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| Kenn: | My favorite poets are children's poets, including Dennis Lee and Jack Prelutsky. I also really appreciate the work some of the well known authors of rhyme-and-meter poetry of the last century or so, including Ogden Nash, Hillaire Belloc, Lewis Carroll, Edward Lear and others.
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| Poetry L & T: | Do you find that you have to adapt your mind for this kind of poetry, and think the way a child would?
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| Kenn: | Not really. I find the process of writing a poetry is something akin to working a jigsaw puzzle. I start with an idea (e.g., aliens, fairy tales, etc.), try to think up something funny about the topic, select a meter, and begin putting it together. Rather than try to think like a child during this process, I try to think like a professional writer, always asking myself how I can improve the poem, looking for awkward phrasing and other trouble spots.
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| Poetry L & T: | I enjoyed your poem about the giant getting a haircut. How does such an idea evolve... might you just one day think "I wonder if giants have haircuts", or might a phrase like that be overheard on your travels?
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| Kenn: | My ideas come from lots of different places, but usually the process goes something like this. First I'll figure out what I want to write about. Let's say, for example, I want to write about a giant. Then I'll start thinking about how to make it funny. I have a number of ways for doing this. I might exaggerate (world's biggest giant), write about the opposite of what you'd expect (a giant who's only 4 feet tall), put the character somewhere unexpected (a barbershop, a movie theater, a school cafeteria, etc.), make a play on words (e.g., "G.I. Ant"), and so on. Whatever technique I decide to use, I will always try to come up with a surprising conclusion for the poem so that I have somewhere to go, and don't just ramble.
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| Poetry L & T: | I saw on your website that you have recently had a new book published - The Aliens Have Landed. I would like to know more about that... |
| Kenn: | "The Aliens Have Landed!" is a hardcover collection of over 60 funny poems about a wide range of subjects, including school, family, animals, aliens, anti-gravity machines, rubber sidewalks, and just plain goofy wordplay. |
| Poetry L & T: | You have some excellent tips for children, on your website, about how to write funny poetry. When you go on your school visits, do you find that children catch on to these ideas quickly? |
| Kenn: | Students catch on at different rates, depending on a number of factors, including grade level, experience with poetry, and other things. Although I find that gifted and talented students catch on the most quickly, I also find that nearly all students have a lot of fun writing poetry once they discover that it doesn't have to be boring. When you give elementary students permission to write a poem about picking their noses or forgetting to do their homework, you'd be surprised how much fun they can have.
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| Poetry L & T: | Do you sometimes get letters and emails from children thanking you for your tips and ideas? |
| Kenn: | Constantly. I get email from kids, parents, teachers and other fans pretty much every day. This includes thank you's, poems, and more.
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| Poetry L & T: | If you could be a child again and "re-do" parts of your life, what might you do differently? |
| Kenn: | I suppose I would have started writing sooner. You see, I fell in love with poetry at an early age. I was about 9 when I memorized my first poem, and it really had a big impact on me. But I didn't discover that I could write poetry until I was in my 30's. If I could do anything differently, I probably would have started writing poetry as a teenager. |
| Poetry L & T: | Many poets and fiction writers have found it hardest of all to find a childrens' publisher for any of their material for children... why do you think this could be? |
| Kenn: | There are many reasons why it is difficult to get a children's book published. The main reason is simply that children's books have gotten better and better over the last two or three decades, to the point where a book generally has to be very, very good to get published. Too many would-be authors are still trying to write another Alice in Wonderland, or Goodnight Moon, rather than something new. Other factors include consolidation of publishers (fewer companies), an increase in branding (books about Scooby Doo, Rugrats, etc.) and series books (Magic Treehouse, Babysitters Club, etc.), writers who don't do the research to find the most appropriate publishers for their work, and so on. If you want to get a children's book published, you have to be willing to work very hard at writing as well as you can. When your book is written, you have to be willing to work just as hard at getting it published. |
| Poetry L & T: | Finally, Kenn, do you have any tips for poets who want to write a successful series of poems for children? |
| Kenn: | The most common problem I see unpublished children's poets make is writing "rhyme-and-meter" poetry without knowing anything about meter. If I were to make just one suggestion to anyone writing poetry for children, it would be to spend a little time studying poetic rhythm. Read a book or two on poetic meter. This would help poets avoid things that make poems difficult to read, such as inadvertant "light rhymes" (e.g., tree/happy, sing/morning). Aside from that, I would say write, write, write, and keep on writing. It's too easy to not make time to write, so writers have to constantly push themselves to keep working. Writing gets easier and better, the more that you do it, but it takes time and persistence. Writers have to really be in it for the long haul to be successful. |
| Poetry L & T: | Thank you for the interview, Kenn. |
| Kenn: | You're very welcome. |
| Dear Poets, Welcome to the May 2003 issue of Poetry Life & Times (For those of you reading this on a mirror site and not poetrylifeandtimes.com, click here).
This month's interview features Kenn Nesbit, a successful childrens' poet, who travels to different schools giving talks and performances of his work.
Featured Poets this month include Ruth Daigon, Prasenjit Maiti, Cara Alson, Robin Hislop Ouzman, Richard Vallance and Jan Sand.
For the May 2003 Vallance Review, Richard Vallance has reviewed Our Mother and Child Reunion - The unfinished Sonnet Sequence by Augusta Weber (1837-1894).
Fans of The Perils of Norris cartoon: now you can buy Norris merchandise for home and office, including a stylish wall clock... Click here to visit the store, which is located at CafePress.com. More goodies will be added as soon as we can design them.
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Any comments on this issue or back issues can be emailed to me on the link at the bottom of the page. Announcements are always welcome (brief if possible), you can also promote poetry books here.
Poetry submissions should be in plain text in the body of an email, with a small jpeg author picture attached, also a bio, with the URLs of any ezines mentioned, so that they can be shown as links. This increases the chance of inclusion, especially for late submissions. Pictures are best at a maximum of 520 pixels across, otherwise they take ages to arrive by email, especially in bitmap or TIFF format. I recommend that poets click the submissions link on our main page, for full guidelines.
Poets can submit previously-published work here. If another editor likes it, there's a chance we'll like it too.
Best Regards,
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Richard Vallance reviews sonnets, both classic and modern.
Featured Poets this month include Ruth Daigon, Prasenjit Maiti, Cara Alson, Robin Hislop Ouzman, Richard Vallance and Jan Sand. Many thanks to all contributors.
Click title below for this month's Vallance Review feature

![]() RUTH DAIGON Ruth Daigon was founder and editor of POETS ON: for twenty years until it ceased publication. Her poems have been widely published in E mags, print mags, anthologies and collections…She was Poet-Of-The-Month on the University of Chile's Pares Cum Paribus (an E chapbook in English and Spanish). Her chapbooks appear in WEBDELSOL, THE ALSOP REVIEW, FORPOETRY, POETRYMAGAZINE, THREE CANDLE REVIEW, KOTAS'S POETRY ANTHOLOGY both in hard cover and on the WEB. some of her earlier poetry collections are "Between One Future And the Next (Papier-Mâché Press) 1995, "About A Year" (Small Poetry Press, Select Poetry Series)1996. Daigon's poetry awards include "The Ann Stanford Poetry Prize, 1997 (University of Southern California Anthology), 1997) and the Greensboro Poetry Award (Greensboro Arts Council, 2000) Her poetry collections continue with "The Moon Inside" (Gravity/Newton's Baby), 1999. She is part of Pudding House Publications Poetry Chapbook Series "Ruth Daigon's Greatest Hits 1970-2000. "Payday At The Triangle" (Small Poetry Press, Select Poets Series) based on the Triangle Shirtwaist Factory Fire in New York City,1911 was published in 2001 and one of her many readings was performed in The Lower East Side tenement Museum in Manhattan, the area where the fire occurred. Her latest poetry book is "Handfuls of Time" (Small Poetry Press, Select Poets Series) 2002, Her poetry was published by the State department in their literary exchange with Thailand and their translation program has just issued the first book of Modern American poets in English and Thai in which she appears.
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BITTERSWEET © Ruth Daigon |
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Prasenjit Maiti PhD (1971-) Print (and forthcoming) credits include 2River View, A Hudson View, Blue Collar Review, Brittle Star, Brobdingnagian Times, Carillon, Circle, Concrete Wolf, Diner, Exile, Famous Reporter, Fire, Gay & Lesbian Review, Going Down Swinging, Green Queen, George Washington Review, Harlequin, Hermes, Homestead Review, Janus Head, Joey and the Black Boots, Konfluence, Lummox, Micropress Oz, Monkey Kettle, Never Bury Poetry, Nightingale, Nomad, Page 84, Paper Wasp, Parting Gifts, Peeks & Valleys, Phoenix, Pocketful of Poetry, Poetic Licence, Poetry Church, Poetry Depth Quarterly, Poetry Greece, Poetry Monthly, Poetry Scotland, Promise, Pulsar, Quercus Review, Rattle, Red Lamp, Reflections, Skald, Skyline, Solo Survivors, South, SpinningS, The Journal, WinterSPIN, Writers’ Muse and Xtant. Dr Maiti has been widely published in electronic journals as well in the UK, USA, Canada, Australia and elsewhere. His CD-ROM credits include GDS, Heist and Shaken-n-Stirred: Poetry from the Far Corners. His work will also be included in the Paradoxist Anthology (USA) and Astropoetry Anthology (Romania). |
© Prasenjit Maiti:
This year is like
blundering somewhere else
this year happens to be meeting
people people people
who kill me each moment
of our lovemaking
you do not step out
leaving our desolation behind
to stoke my nothingness
even once, reaching out
to our memories that are like us
hanging ever so loose and forlorn
like all those broken tiles
that line the inglenooks
of our sorrows
killing me each moment this year
*
© Prasenjit Maiti:
Allow me to teach you
an old trick or two
You take your woman
in your arms like eggshells
and you tell her
what sex is all about
She may not be aroused
then you are to fall back
on your memories
and do nothing else
*
© Prasenjit Maiti:
It so happened that
that evening was like your full lips
in bloom
I have written about your lips
elsewhere
and yet cannot recall them anymore
or even the evening
when those lips were so
there is now only your nothingness
that likes to hang around with me
and so we would walk cozily together
in easy camaraderie
into an evening that is so very mindless
of all those holidays spent with you
like prayers in rains
and lovemaking
*
© Prasenjit Maiti:
You never happen
to miss me anywhere
around your lips
while licking the froth
of quite empty eventides
alone in winter woods
or crying and rising and falling
like we were the waves once
breaking against
the endlessness of passions
in the swell and flood
of our desires perched
like birds and lusty beaks
you never miss me
when in love
or wistfully alone
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![]() CARA ALSON Of her work, Cara says: "Beginning in the 1970's writing had been an on-again-off-again affair for me; after connecting with kindred souls I began writing in earnest in 2001. I'm astonished to say that I've been published in several little presses, on Kedco's 2002 CD anthology Millennium Dawn, and in a California Writers Club 2002 anthology. Ten of my poems have been accepted to appear on Kedco's 2003 CD anthology Crystal Dawn. Online my work appears on Motherbird, Art Villa, Clever Magazine, Autumn Leaves and in two issues of Poetry Life & Times. I also received an honorable mention in The Writers' Ink Guild & The Arts Council 2002 Fields of Earth Poetry Contest. This mother of two and grandmother of one is having fun and nourishing her soul!" |
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Poetry Life & Times is a nominating site for The Poet's Hall of Fame. Nominations are according to poetic merit and sometimes also for services to poetry in general.
Nomination from the March 2003 issue:
Bogdan Tiganov
Congratulations!
* Awarded for his fresh, modern style of poetry.

Coming soon - Sara Russell's new e-book Worlds Inside The Head,
with
poetry, short stories, videos, wavs and
3D illustrations throughout...
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Coming Soon: AN ASHLESS FIRE e-book by Ian Thorpe 4 books in one! Click here for more details.... |
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![]() | OUT NOW - CANADIAN SPIRIT VOICES by Richard Vallance...
Photo © by Richard Vallance, 1993 (Northern Ontario)
Canadian Spirit Voices is now available from Kedco Studios Press (Las Vegas, Nevada, U.S.A.)... in a full multi-media CD book, consisting of poetry, prose, the essay, original MIDI music and plenty of splendid artistic illustrations. The CD-ROM book is the equivalent of a hard-copy book in excess of 500 pages!
For more detailed information on this book, please click here:poesieslaissezfaire.homestead.com.
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Last month, Poetry Life & Times won The Prix Poesie's laissez-faire Grand Prize for 2002
- thanks Richard!
[Poetry ezine editors: click the above link to find out more about this award.]
now available
Barbara Crooker lives in rural northeastern Pennsylvania, and her work has appeared in anthologies and some of the finest literary journals. She has received three Pennsylvania Council on the Arts Fellowships and 16 Pushcart nominations.
We don't review the book for you here, we just beg you to bless yourself this much. Easy to own with a check in the mail or VISA/MC w/exp date through mail, email, or phone order. Do yourself this favor to celebrate this wonderful writer.
Pudding House Publications |
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Q U I C K I E S - a new e-book of erotic/humorous stories for women |
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Poetry Life and Times is listed in Poetry Who's Who
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Come Meet our Poet Friends!
Check out the poetry sites of some of our friends and
Voulez-vous recontrez de nos amis poètes et rédacteurs Meet my literary friends! Rencontrez mes amis littéraires!
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Visit Crystal Rose's Place
Val Magnuson Galactic Poet Award
OUT NOW MILLENNIUM DAWN anthology, by Kedco Studios Artist Profile Press. Enquiries to Elaine Davis at kedco-ap@juno.com
Also - Contributors Wanted for: CRYSTAL DAWN
THE PERILS OF NORRIS, #34 - Norris's dream leads him to meet Mary Shelley's hideous Frankenstein monster, and finally awaken. Reginald Rat has escaped from the cartoon! He could be anywhere on this page, doing anything. If you can find him, you win a prize!
You can now buy Perils of Norris Merchandise online, including mouse mats, clocks, tote bags and postcards.
The Perils of Norris started in August 2000. To catch up on past episodes, click the links below, then your browser's Back button to return.

The Crystal Rose © Ice Shard
An exciting collection of award-winning poetry and short stories.
... A new forthcoming anthology from Kedco.
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