May 2003Café Society's Poetry News Update
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An Interview With

Kenn Nesbitt

Childrens' Poet


Photo by Thelma Ritchie



KENN NESBITT'S BIO

Kenn Nesbitt visits schools throughout each school year with fun poetry writing assembly programs and workshops. He loves to help kids discover the joy of reading and writing through poetry.

Kenn has given performance and educational presentations to elementary, middle and high school audiences. His performances include interactive poetry writing and tons of funny poems.

His latest book, "The Aliens Have Landed" is available now... for more information and ordering details, visit Kenn's website, which also has valuable information for children who want to write poetry, along with Kenn's witty and highly original poetry.


THE INTERVIEW


Poetry L & T:How did you first start writing poetry for children, Kenn?

Kenn: The first children's poem I wrote was inspired by a young girl I knew. A friend and I were having dinner at a restaurant with his four year-old daughter, who was doing everything she could to get out of eating her dinner. Later that evening I was thinking about this and I wrote a poem called "Scrawny Tawny Skinner," about a girl who wouldn't eat her dinner. She grew thinner and thinner until at last she disappeared.

I had so much fun writing this poem that it encouraged me to write another and another.

Poetry L & T:Do your own children, or those of friends, ever inspire some of your work?

Kenn:Most of my work involves flights of imagination, creative wordplay and so on. Other poems are written to a theme, such as well-known fairy tales, myths, etc. As such, it is rarely inspired by children I know, including my own.

This is a question that a lot of people ask me, so I assume that some authors must find inspiration in the sometimes silly things that their children do. But, so far, this hasn't really been the case with my work.

Poetry L & T: Do you think that publishers usually aim to sell childrens' books to children, or their parents?

Kenn:Children's books are unique in that they are the only books that are not purchased by the intended readers. Children's books are purchased by parents, teachers, librarians, and so on, but not by the children themselves. Therefore, publishers have to publish books that will appeal to both children and adults. At the very least, they have to appeal to parents, as they are the ones who make the purchase.

It is a rare book that is designed primarily to appeal to children. "Captain Underpants" comes to mind.

Poetry L & T: Who are your favourite poets, either for childrens' poetry or in general?

Kenn:My favorite poets are children's poets, including Dennis Lee and Jack Prelutsky. I also really appreciate the work some of the well known authors of rhyme-and-meter poetry of the last century or so, including Ogden Nash, Hillaire Belloc, Lewis Carroll, Edward Lear and others.

Poetry L & T: Do you find that you have to adapt your mind for this kind of poetry, and think the way a child would?

Kenn:Not really. I find the process of writing a poetry is something akin to working a jigsaw puzzle. I start with an idea (e.g., aliens, fairy tales, etc.), try to think up something funny about the topic, select a meter, and begin putting it together. Rather than try to think like a child during this process, I try to think like a professional writer, always asking myself how I can improve the poem, looking for awkward phrasing and other trouble spots.

Poetry L & T:I enjoyed your poem about the giant getting a haircut. How does such an idea evolve... might you just one day think "I wonder if giants have haircuts", or might a phrase like that be overheard on your travels?

Kenn:My ideas come from lots of different places, but usually the process goes something like this. First I'll figure out what I want to write about. Let's say, for example, I want to write about a giant. Then I'll start thinking about how to make it funny. I have a number of ways for doing this. I might exaggerate (world's biggest giant), write about the opposite of what you'd expect (a giant who's only 4 feet tall), put the character somewhere unexpected (a barbershop, a movie theater, a school cafeteria, etc.), make a play on words (e.g., "G.I. Ant"), and so on. Whatever technique I decide to use, I will always try to come up with a surprising conclusion for the poem so that I have somewhere to go, and don't just ramble.

Poetry L & T:I saw on your website that you have recently had a new book published - The Aliens Have Landed. I would like to know more about that...

Kenn:"The Aliens Have Landed!" is a hardcover collection of over 60 funny poems about a wide range of subjects, including school, family, animals, aliens, anti-gravity machines, rubber sidewalks, and just plain goofy wordplay.

Poetry L & T:You have some excellent tips for children, on your website, about how to write funny poetry. When you go on your school visits, do you find that children catch on to these ideas quickly?

Kenn:Students catch on at different rates, depending on a number of factors, including grade level, experience with poetry, and other things. Although I find that gifted and talented students catch on the most quickly, I also find that nearly all students have a lot of fun writing poetry once they discover that it doesn't have to be boring. When you give elementary students permission to write a poem about picking their noses or forgetting to do their homework, you'd be surprised how much fun they can have.

Poetry L & T:Do you sometimes get letters and emails from children thanking you for your tips and ideas?

Kenn:Constantly. I get email from kids, parents, teachers and other fans pretty much every day. This includes thank you's, poems, and more.

Poetry L & T:If you could be a child again and "re-do" parts of your life, what might you do differently?

Kenn:I suppose I would have started writing sooner. You see, I fell in love with poetry at an early age. I was about 9 when I memorized my first poem, and it really had a big impact on me. But I didn't discover that I could write poetry until I was in my 30's. If I could do anything differently, I probably would have started writing poetry as a teenager.

Poetry L & T:Many poets and fiction writers have found it hardest of all to find a childrens' publisher for any of their material for children... why do you think this could be?

Kenn:There are many reasons why it is difficult to get a children's book published. The main reason is simply that children's books have gotten better and better over the last two or three decades, to the point where a book generally has to be very, very good to get published. Too many would-be authors are still trying to write another Alice in Wonderland, or Goodnight Moon, rather than something new.

Other factors include consolidation of publishers (fewer companies), an increase in branding (books about Scooby Doo, Rugrats, etc.) and series books (Magic Treehouse, Babysitters Club, etc.), writers who don't do the research to find the most appropriate publishers for their work, and so on.

If you want to get a children's book published, you have to be willing to work very hard at writing as well as you can. When your book is written, you have to be willing to work just as hard at getting it published.

Poetry L & T:Finally, Kenn, do you have any tips for poets who want to write a successful series of poems for children?

Kenn:The most common problem I see unpublished children's poets make is writing "rhyme-and-meter" poetry without knowing anything about meter. If I were to make just one suggestion to anyone writing poetry for children, it would be to spend a little time studying poetic rhythm. Read a book or two on poetic meter. This would help poets avoid things that make poems difficult to read, such as inadvertant "light rhymes" (e.g., tree/happy, sing/morning).

Aside from that, I would say write, write, write, and keep on writing. It's too easy to not make time to write, so writers have to constantly push themselves to keep working. Writing gets easier and better, the more that you do it, but it takes time and persistence. Writers have to really be in it for the long haul to be successful.

Poetry L & T:Thank you for the interview, Kenn.

Kenn:You're very welcome.


Click here to read Kenn's poetry...




EDITOR'S LETTER, May 2003

Dear Poets,

Welcome to the May 2003 issue of Poetry Life & Times (For those of you reading this on a mirror site and not poetrylifeandtimes.com, click here).

This month's interview features Kenn Nesbit, a successful childrens' poet, who travels to different schools giving talks and performances of his work.

Featured Poets this month include Ruth Daigon, Prasenjit Maiti, Cara Alson, Robin Hislop Ouzman, Richard Vallance and Jan Sand.

For the May 2003 Vallance Review, Richard Vallance has reviewed Our Mother and Child Reunion - The unfinished Sonnet Sequence by Augusta Weber (1837-1894).

Fans of The Perils of Norris cartoon: now you can buy Norris merchandise for home and office, including a stylish wall clock... Click here to visit the store, which is located at CafePress.com. More goodies will be added as soon as we can design them.

Any comments on this issue or back issues can be emailed to me on the link at the bottom of the page. Announcements are always welcome (brief if possible), you can also promote poetry books here.

Poetry submissions should be in plain text in the body of an email, with a small jpeg author picture attached, also a bio, with the URLs of any ezines mentioned, so that they can be shown as links. This increases the chance of inclusion, especially for late submissions. Pictures are best at a maximum of 520 pixels across, otherwise they take ages to arrive by email, especially in bitmap or TIFF format. I recommend that poets click the submissions link on our main page, for full guidelines.

Poets can submit previously-published work here. If another editor likes it, there's a chance we'll like it too.

Best Regards,

                  




Click title below for this month's Vallance Review feature

Richard Vallance reviews sonnets, both classic and modern.





Featured Poets this month include Ruth Daigon, Prasenjit Maiti, Cara Alson, Robin Hislop Ouzman, Richard Vallance and Jan Sand. Many thanks to all contributors.


RUTH DAIGON

Ruth Daigon was founder and editor of POETS ON: for twenty years until it ceased publication. Her poems have been widely published in E mags, print mags, anthologies and collections…She was Poet-Of-The-Month on the University of Chile's Pares Cum Paribus (an E chapbook in English and Spanish). Her chapbooks appear in WEBDELSOL, THE ALSOP REVIEW, FORPOETRY, POETRYMAGAZINE, THREE CANDLE REVIEW, KOTAS'S POETRY ANTHOLOGY both in hard cover and on the WEB. some of her earlier poetry collections are "Between One Future And the Next (Papier-Mâché Press) 1995, "About A Year" (Small Poetry Press, Select Poetry Series)1996. Daigon's poetry awards include "The Ann Stanford Poetry Prize, 1997 (University of Southern California Anthology), 1997) and the Greensboro Poetry Award (Greensboro Arts Council, 2000) Her poetry collections continue with "The Moon Inside" (Gravity/Newton's Baby), 1999. She is part of Pudding House Publications Poetry Chapbook Series "Ruth Daigon's Greatest Hits 1970-2000. "Payday At The Triangle" (Small Poetry Press, Select Poets Series) based on the Triangle Shirtwaist Factory Fire in New York City,1911 was published in 2001 and one of her many readings was performed in The Lower East Side tenement Museum in Manhattan, the area where the fire occurred. Her latest poetry book is "Handfuls of Time" (Small Poetry Press, Select Poets Series) 2002, Her poetry was published by the State department in their literary exchange with Thailand and their translation program has just issued the first book of Modern American poets in English and Thai in which she appears.

BITTERSWEET 
© Ruth Daigon

these are the falling years for them they will go deep and remember how they flew the ecstatic moments and returned to an indifferent earth and what they never knew they invented caressed by a wind stirring their deepest sleep they walk the paths of earth step by step stone by stone until parachutes of light announced the dawn youth was once a gift they could afford to lose but now as the moments spin retreats every day is strung and restrung like broken beads the storehouse of the past guards the silken clefts of the body the straight secret of the spine the winged scapulae with their recurrent hints of flight and the blind hours before dawn to midnight's blaze the heart recalls the suddenness of trees and flawless entrance of morning light spring blooms and impermanent buds flowers so fragile and generous willing to fade giving way to the fruits of summer ripe and bursting to bloom the juice flowing from within abundant and the rich life reaching down to the roots again AGAINST A LOUD SILENCE © Ruth Daigon
To sing unencumbered by the dead to find new ways among the living as night breaks its vow of silence letting darkness out To sing like birds in passionate anonymity all swoop and soar in morning's stunned beginnings To sing in the shell of time and wait for echoes from the deep the smell of salt and gulls calling the always mystery of fogs To sing our numbered hours and spin the inner moons of earth with rarity of simple things like snow and windows frosted white To sing an octave above the past against a loud silence, the extravagance of loss when all was garden, grace and Eden where nothing when it happened was enough To sing faithful to the flesh the heart's percussion the naked sprawl of days a song as old as innocence IT IS ENOUGH © Ruth Daigon
It is enough to lean against the fabric of your flesh. It is enough to lie in the domestic morning. It is enough to watch light expand through windows rising and falling between our bodies on this bed, this room this continent. We grow wise watching leaky faucets, faded wallpaper, mismatched socks. The coffee boiling on the stove prepares us for the network news, shopping malls, miracle cures and tomorrow always sitting on our bed. But in this rush of years, we have not lost the pure imagined past, the here-it-is, the pitch, the pinnacle of time shining from within a million summers or the music so intense it disappears. We invent a lifetime out of small things, free the air between our fingers, diagram the stars, dream them into daylight and admit the future which is here, always here like a clock that runs forever. GIVING TIME ITS SLACK © Ruth Daigon
You tell me what seems permanent is not. It's just a universe of poise Never before Never to be again. I look at earth and call it heaven. You hear the small disorders of old grass and know enough to call a clover a clover for it's exactly that. Like lines etched in heart's of trees reveal the age of woods the patterns in your face measure time. I know your value by subtraction your tapestries of breath a trifle thinner the contained stillness in the way you move but the lotus moon still blooms as we exchange liquid looks as dark as antique honey. Although, we lean into the edge of night the wood thrush still sings four clear notes and roots interweave underground. We're learning to give time its slack and dawn its breath. Like presumptuous Arachne we spin and spin against all odds. Bursting through confines of time our sons hurry past us never again so radiant as they were in the eternal now, and we invincible and wise. Through long and incandescent days through space and time and chance we're fixed on earth, linked each to each in this our brief forever. TIGHTROPE WALKERS © Ruth Daigon
rain walks across the roof safe within the house's heart we hear a breathing at the keyhole and leave the door open for anything may enter in a night all sweat and shoulders liquid syllables fill the air i taste the husk of his voice hold the bulk of his body as a glove holds the shape of a hand the dark expands we're tightrope walkers balancing on silence and in this place no doors no windows and the past does not arrive here the unknown waits to be discovered and in a slow wash of hours we inhale the smell of the real world and recall the scent of the other when we slid into each other's lives and moved in concert as the rain rains flowers open small animals appear the year ripens in a pause that lasts forever sunlight melts on our hands and wild geese lather the sky we hear the stroke of grass on grass as morning makes an entrance with fur and feathers in its mouth

PRASENJIT MAITI

Prasenjit Maiti PhD (1971-) Print (and forthcoming) credits include 2River View, A Hudson View, Blue Collar Review, Brittle Star, Brobdingnagian Times, Carillon, Circle, Concrete Wolf, Diner, Exile, Famous Reporter, Fire, Gay & Lesbian Review, Going Down Swinging, Green Queen, George Washington Review, Harlequin, Hermes, Homestead Review, Janus Head, Joey and the Black Boots, Konfluence, Lummox, Micropress Oz, Monkey Kettle, Never Bury Poetry, Nightingale, Nomad, Page 84, Paper Wasp, Parting Gifts, Peeks & Valleys, Phoenix, Pocketful of Poetry, Poetic Licence, Poetry Church, Poetry Depth Quarterly, Poetry Greece, Poetry Monthly, Poetry Scotland, Promise, Pulsar, Quercus Review, Rattle, Red Lamp, Reflections, Skald, Skyline, Solo Survivors, South, SpinningS, The Journal, WinterSPIN, Writers’ Muse and Xtant.

Dr Maiti has been widely published in electronic journals as well in the UK, USA, Canada, Australia and elsewhere. His CD-ROM credits include GDS, Heist and Shaken-n-Stirred: Poetry from the Far Corners. His work will also be included in the Paradoxist Anthology (USA) and Astropoetry Anthology (Romania).

© Prasenjit Maiti:

This year is like


blundering somewhere else
this year happens to be meeting 
people people people
who kill me each moment 
of our lovemaking


you do not step out 

leaving our desolation behind

to stoke my nothingness
even once, reaching out

to our memories that are like us

 
hanging ever so loose and forlorn

like all those broken tiles 
that line the inglenooks

of our sorrows 

 
killing me each moment this year 

 
                 *

© Prasenjit Maiti:

Allow me to teach you

an old trick or two 

You take your woman

in your arms like eggshells

and you tell her 

what sex is all about

 

She may not be aroused

then you are to fall back

on your memories
and do nothing else  


                 *

© Prasenjit Maiti:

It so happened that 

that evening was like your full lips

in bloom

I have written about your lips

elsewhere

and yet cannot recall them anymore

or even the evening

when those lips were so

 

there is now only your nothingness
that likes to hang around with me


and so we would walk cozily together
in easy camaraderie

into an evening that is so very mindless

of all those holidays spent with you

like prayers in rains 



and lovemaking


           *

© Prasenjit Maiti:

You never happen

to miss me anywhere

around your lips 

 

while licking the froth

of quite empty eventides

alone in winter woods

 

or crying and rising and falling

like we were the waves once 
breaking against

the endlessness of passions

 

in the swell and flood

of our desires perched 

like birds and lusty beaks
you never miss me 

when in love
or wistfully alone 


CARA ALSON

Of her work, Cara says:

"Beginning in the 1970's writing had been an on-again-off-again affair for me; after connecting with kindred souls I began writing in earnest in 2001. I'm astonished to say that I've been published in several little presses, on Kedco's 2002 CD anthology Millennium Dawn, and in a California Writers Club 2002 anthology.

Ten of my poems have been accepted to appear on Kedco's 2003 CD anthology Crystal Dawn. Online my work appears on Motherbird, Art Villa, Clever Magazine, Autumn Leaves and in two issues of Poetry Life & Times. I also received an honorable mention in The Writers' Ink Guild & The Arts Council 2002 Fields of Earth Poetry Contest. This mother of two and grandmother of one is having fun and nourishing her soul!"

    BLESSINGS © Cara Alson
    For Mayer Your words warm my heart and carry me through while you are away Your touch warms my flesh and imprints on my soul for eternity I don't question the forces that brought us together but I am indebted to them THE MUSIC OF SILENCE © Cara Alson
    The music of silence trumpets in celebration and paints the room with unfamiliar hues. It carries me away to a place where light is woven and fragrant, sounds are luscious on my tongue. And it is all inside waiting for me to hear the words. IN RETROSPECT © Cara Alson
    Do you remember the night I disappeared? You didn't notice? Everything I thought I was had been whittled away. I felt my being shrink inside myself, inside the outer shell you see. It was darker than dark. Colder than cold. Existence with no boundaries. I became smaller smaller smaller The spark of life in a cell was my moon. You spoke - I heard the echo, vibrating through the darkness. It was meaningless to me. How long was I within myself? There was no time. It was as if the universe held its breath - and as eternity passed, breathed life into me again. COME ALONG! © Cara Alson
    popcorn and whirl-a-ways and midway games that never change toss a ball and win a fish "win one for the lady, sir?" they call out through the years Let's go to the Fair! kids are running everywhere with ice cream-covered grins eager to toss a ball or ring carrying half-eaten cotton candy clutching strips of tickets like gold We're finally at the Fair! there's fudge and pretzels and snow-cones and hot dogs men selling hot tubs and vibrating chairs demonstrating mops that promise miracles and you've-got-to-have-its for your home Everythings's at the Fair! see the dancers and flowers and jugglers and weavers and carvers and quilters and always the farmyard flurry there's banners and balloons and music and bright lights to beckon the child in each of us- to the Fair!
           

Click here for May 2003 Featured Poets page 2 --> link for second half of featured poets....




Poetry Life & Times is a nominating site for The Poet's Hall of Fame. Nominations are according to poetic merit and sometimes also for services to poetry in general.

Nomination from the March 2003 issue:

Bogdan Tiganov

Congratulations!

* Awarded for his fresh, modern style of poetry.


Coming soon - Sara Russell's new e-book Worlds Inside The Head, with
poetry, short stories, videos, wavs and 3D illustrations throughout...


Coming Soon: AN ASHLESS FIRE e-book by Ian Thorpe
4 books in one! Click here for more details....


OUT NOW - CANADIAN SPIRIT VOICES
by Richard Vallance...

Photo © by Richard Vallance, 1993 (Northern Ontario)

Canadian Spirit Voices is now available from Kedco Studios Press (Las Vegas, Nevada, U.S.A.)... in a full multi-media CD book, consisting of poetry, prose, the essay, original MIDI music and plenty of splendid artistic illustrations. The CD-ROM book is the equivalent of a hard-copy book in excess of 500 pages! For more detailed information on this book, please click here:poesieslaissezfaire.homestead.com.


Last month, Poetry Life & Times won The Prix Poesie's laissez-faire Grand Prize for 2002
- thanks Richard!

[Poetry ezine editors: click the above link to find out more about this award.]




News from Barbara Crooker:

Greatest Hits 1980-2002

now available
$8.95 + $2.25 s/h
archival chapbook, celebration gold 80# cover,
black endpaper, opening narrative by the poet.
Pudding House Publications

Barbara Crooker is the most recent of the inductees into this prestigeous national archive - POETS GREATEST HITS © - the project started by Pudding House Publications in 2000. Whether or not you own Barbara's other books and these poems, you just might want this collectible treasure from one of America's highly respected poets. These are her 12 signature works all under one cover and includes poems that appeared in Plains Poetry Journal, The Poetry Review, West Branch, Passages North, The Denver Review, Karamu, The Atlanta Review, New Millennium Writings, Four Quarters, Caprice, Karamu.

Barbara Crooker lives in rural northeastern Pennsylvania, and her work has appeared in anthologies and some of the finest literary journals. She has received three Pennsylvania Council on the Arts Fellowships and 16 Pushcart nominations.

We don't review the book for you here, we just beg you to bless yourself this much. Easy to own with a check in the mail or VISA/MC w/exp date through mail, email, or phone order. Do yourself this favor to celebrate this wonderful writer.

Pudding House Publications
60 N. Main Street
Johnstown Ohio 43031
740-967-6060
pudding@johnstown.net
Visit www.puddinghouse.com for more about Pudding House




click for details
"Less trouble than men, less fattening than chocolate..."

Q U I C K I E S

- a new e-book of erotic/humorous stories for women
by Sara L. Russell and Patricia diMiere. Published by
Kedco Studios Artist Profile Press - ISBN 1-878431-42-0, $12.50
Original, funky and rather naughty, with many a twist in the tales.



Poetry Life and Times is listed in Poetry Who's Who



Poesie's Laissez Faire Foire Announcement

Come Meet our Poet Friends!

Check out the poetry sites of some of our friends and
editors in Canada, the U.S.A. and the U.K. at: Rencontrez nos amis poétiques!

Voulez-vous recontrez de nos amis poètes et rédacteurs
de la poésie, qui demeurent au Canada, aux États-unis
ou au Royaume-uni ?

Meet my literary friends!  Rencontrez mes amis littéraires!



The Crystal Rose © Ice Shard

Visit Crystal Rose's Place


Val Magnuson Galactic Poet Award


Why not visit:


OUT NOW

MILLENNIUM DAWN

anthology, by Kedco Studios Artist Profile Press.
An exciting collection of award-winning poetry and short stories.

Enquiries to Elaine Davis at kedco-ap@juno.com

Also - Contributors Wanted for: CRYSTAL DAWN
... A new forthcoming anthology from Kedco.
Click Here for details.


THE PERILS OF NORRIS, #34 - Norris's dream leads him to meet Mary Shelley's hideous Frankenstein monster, and finally awaken. Reginald Rat has escaped from the cartoon! He could be anywhere on this page, doing anything. If you can find him, you win a prize!
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