
| June 2003 | Café Society's Poetry News Update |
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Ruth Daigon
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| Ruth Daigon was founder and editor of POETS ON: for twenty years until it ceased publication. Her poems have been widely published in E mags, print mags, anthologies and collections…She was Poet-Of-The-Month on the University of Chile's Pares Cum Paribus (an E chapbook in English and Spanish). Her chapbooks appear in WEBDELSOL, THE ALSOP REVIEW, FORPOETRY, POETRYMAGAZINE, THREE CANDLE REVIEW, KOTAS'S POETRY ANTHOLOGY both in hard cover and on the WEB. Some of her earlier poetry collections are "Between One Future And the Next (Papier-Mâché Press) 1995, "About A Year" (Small Poetry Press, Select Poetry Series)1996. Daigon's poetry awards include "The Ann Stanford Poetry Prize, 1997 (University of Southern California Anthology), 1997) and the Greensboro Poetry Award (Greensboro Arts Council, 2000) Her poetry collections continue with "The Moon Inside" (Gravity/Newton's Baby), 1999. She is part of Pudding House Publications Poetry Chapbook Series "Ruth Daigon's Greatest Hits 1970-2000. "Payday At The Triangle" (Small Poetry Press, Select Poets Series) based on the Triangle Shirtwaist Factory Fire in New York City,1911 was published in 2001 and one of her many readings was performed in The Lower East Side tenement Museum in Manhattan, the area where the fire occurred. Her latest poetry book is "Handfuls of Time" (Small Poetry Press, Select Poets Series) 2002, Her poetry was published by the State department in their literary exchange with Thailand and their translation program has just issued the first book of Modern American poets in English and Thai in which she appears. |
| Poetry L & T: | When and why did you first start writing poetry, Ruth? |
| Ruth: |
I started writing poetry in the early seventies. Up until then I had been a professional singer (soprano). My career began in Canada since I was born there and after college i received a four year scholarship to the Royal Conservatory of Toronto, and work began almost immediately. I had a weekly program of concert songs on the C.B.C. I also sang with the major Canadian symphonies and continued studying in Vancouver where I joined an opera quartet and toured British Columbia up to Alaska, The Yukon and across Canada. It was a terrific opportunity for someone who was still a student. We sang in mining towns, fishing villages, lumber camps and in Alaska where there were no concert halls or even movies we sang in airports. It was very amusing.... Every time I hit high C a plane would take off and almost drown the sound....almost.....almost. This was an opportunity to see part of the country that was wild and exciting and also to learn to sing under any conditions. In Vancouver, I was permanent soloist with the Symphony and sang everything from Gershwin to Beethoven and musical comedy as well. In New York City, I continued concertizing and was chosen to be the soprano with the N.Y,. Pro Musica which specialized in Renaissance Music. There were five of us and we sang at Dylan Thomas's funeral, and also recorded Renaissance Music with W.H. Auden for Columbia Recordings. Auden read the poetry and we sang it. It was one of the high spots of my career. I also learned to play the lute and had a vast repertoire of folk songs that I sang on C.B.S.T.V.I made quite a few recordings for Columbia. After I was married and my husband taught at the University of Connecticut, and I had two little boys, the opportunities for singing were no where near what New York had to offer but I did perform concerts at the University and in the Hartford area. However I felt the need to use my energy more and my husband suggested writing because I was always writing letters, diaries, stories.And the song repertoire was always a combination of music and poetry. By then I sang in 5 or 6 languages through three or four centuries of poetry which I learned to love and to approach on a more professional level. Actually I loved the feel of the pen between my fingers, and to this day that's the way I begin a poem and then transcribe it to the computer.
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| Poetry L & T: | Who are your favorite poets, classic and/or modern?
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| Ruth: | That is always a very difficult question for me. When I pick up a book and it interests me and eventually I fall in love with the poetry. At that moment the book in my hand becomes my favorite poetry. And so I have hundreds of favorite poets. None of them resemble each other because I love to learn and explore and understand every new poetry book that is produced. And even if I find one or two not exactly to my liking, I have to justify my response which is a wonderful way of stretching your poetic muscles. Of course there are some that stand out for me. Yeats, in particular, and since I spent so much time singing Renaissance music I adore the Renaissance poets John Dowland, Thomas Morley, John Donne, Ben Jonson, Robert Herrick....and down through the years Heinrich Heine to the modern poets Philip Levine, Shirley Kaufman... And, of course, none of my poetry resembles these although they are great teachers. |
| Poetry L & T: | Your most recent poetry book is "Handfuls of Time" (Small Poetry Press, Select Poets Series 2002). I would like to know more about that... |
| Ruth: | "Handfuls of Time" is filled with poetry that relates to time. I didn't start writing it that way. I simply wrote and wrote about whatever interested me. Sometimes quotations could get me going. Sometimes a newspaper article would interest me enough to write a poem about it. I come from a family of immigrants who left Russia and landed in Canada at the beginning of the century. They had so many wonderful stories to tell... tragic.... amusing... imaginative..... full of love and hate. And so it was simple to begin with our family history that traveled through time and became attached to me so that it was important and vital that I write about it. When a publisher approached me and said ''Do you have a book?" my response was,"I think so. But give me a little time." Then I sat down on the floor of my study and just surrounded myself with all the poems that had been pouring out of me, and as I read them, I realized that so many of them had to do with time, that were related to the past, the passage of time, how we spend our time, that brushed against it or described it. And in no time at all the book was assembled. Of course, it was not that easy. I spent hours and hours arranging and rearranging the poems so that they flowed logically into each other . There were five sections where very special poems belonged... the past, women, nature, family and a view of time through a keyhole.
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| Poetry L & T: | In your years as editor of POETS ON: what kinds of poetry did you find the most - and least - appealing?
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| Ruth: | The most appealing poetry to me was clear and honest. Not necessary simple. But I learned to recognize immediately the poet that wasn't trying to con me by filling his/her poetry with overblown and convoluted imagery. It's so easy to spot the honest poet who opens up to you with sincerity and decency and is not afraid of revealing the truth. I did react negatively to discursive language disguised as poetry. Some call them prose poems and I rarely published them. Political rants and breast beating laments, its passion their only virtue, got the rejection slip almost immediately.
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| Poetry L & T: | You have given quite a number of poetry performances over the years. What do you like best about presenting your work to an audience?
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| Ruth: | Since I was a performer long before I was a poet, it's a delight to get back on stage, look people in the eye and see their response. The audience is always right and I learned more from their responses than I did from all the criticism levelled at me (positive or negative).
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| Poetry L & T: | I notice from your biography that some of your work has been featured in The Allsop Review. I am impressed, since The Allsop Review is a very discerning ezine which many have tried - and failed - to be featured in (and I think publication therein is by invitation only now). Where do you think some poets go wrong in approaching such ezines, or established publishers?
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| Ruth: | I don't think poets go wrong in approaching a magazine that may be a little beyond them at the moment. I don't think we should be intimidated by the so-called "CLASSY" mags. It is important to try your wings. Then go back. Read the kind of poetry that has been published in the magazine. Compare yours to theirs and see how they differ. You can learn a great deal from rejections. My advice is to keep on working and send your poems a few years later and see how they do. Remember, the editors of these magazines all started out like you did and if they're decent and understanding will treat you with respect. Even though I turned down poetry, I always admired the courage of those beginning poets.
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| Poetry L & T: | On looking around your website, I particularly enjoyed "In The Measuring of Breath" (also featured in this issue). It is very subtle, ethereal and feminine, working well on many different levels. Is love a favorite subject of yours to write about? |
| Ruth: | Yes, it is. Love poems are generally lyric, and singing all these years gave me a head start in the type of poetry I write. I've been identified as a lyric poet which doesn't mean that I write only about love but it is a favorite subject and comes so easily to me. |
| Poetry L & T: | Your poem "For The Millennium" is full of refreshing hope and optimism. Was it actually written just at the beginning of the year 2000? How might it have been written if you had been able to predict any of the terrifying world events which were to follow in 2001? |
| Ruth: | Yes, the poem was written at the beginning of 2000. Here is a poem that might answer your question:THE AWFUL ALL-BECOMING NOTHINGNESS © Ruth Daigon The builders gone and left no plans. The world's left unattended and empty space is yawning. no stars, no people, no monuments In conspiracies of silence tiny blue flashes streak through super Kamiokande's tons of water One proton death the end of all and chaos pokes its toe in. no melodies, no molecules, no memories We look back from the lost lagoon. Our lovely world lost the steaming pot of summer, the mezzotints of winter, pelts and swatches of the elements gone. no candelabra, no roses, no concertos Time cracks the lens as cuckoo clocks no longer trill tomorrow No sunlight knifes the dark No moonlight scatters cold confetti Gone blue afternoons Gone sunburned parks where Sunday sprawls Gone the segmented worm, the Luna moth and lacewing Nothing to hold Nothing to hide Only a barefoot silence
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| Poetry L & T: | Your poem "Ancient as Sleep" intrigued me. What is the story behind it? |
| Ruth: | I love swimming and spend half my life in the water. When I lived in Canada we had a cottage on Lake Winnipeg and swam all day when we were kids. Then when we lived in Connecticut, we had lots of land and the soil preservation people built us a lovely pond where I would spend my afternoons swimming and writing and lying in the sun, Even here in Marin, there's a swimming pool just behind us and I make use of it as often as possible. Swimming is a very sexual activity for me. I move my body through the water and feel love entering me "thrust, contain, recover" "water enters her entering the water" "embraced by waves in intoxications of calm" I think that's my theme song.
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| Poetry L & T: | That poem is certainly full of wonderful phrases, which I identify with - I love swimming too and swim at least three times a week. To my next question... are there any subjects which you find difficult, emotionally, to write about? |
| Ruth: | I don't honestly know that any emotion would be difficult for me but I stay away from poetry that has rigid structures..... repetitive lines... binding rhythms. That kind of poetic form makes me feel trapped and I can't operate under those conditions. |
| Poetry L & T: | What are your ambitions for the future, in your writing? |
| Ruth: | I don't have any ambitions other than to continue writing and please myself. Sometimes it's fun to experiment but I enjoy what I'm doing and if an editor wishes to publish me or rather requests a poem the approval of the reading public is lovely, but even if I have a few rejections, I'm perfectly happy to continue doing what I'm doing. |
| Poetry L & T: | Finally Ruth, what advice would you give to a young poet wishing to improve his or her work enough to be published? |
| Ruth: | Sometimes I find it upsetting that so many young poets are so obsessed with publishing. I think it takes all the fun out of life... and I really believe that it is harmful to their poetry. It's a good idea to get together with others and have a support group. Criticism is very important... and you learn so much from others... and if they free themselves from the terrible need to publish and pleasure themselves in their writing... they'll probably come closer to being published. The need sometimes tightens the writing or they feel they must write like the "successful" people. None of us will be millionaires through our poetry. Why not relax and "rise wingless to the surface". |
| Poetry L & T: | Thank you for the interview, Ruth. |
| Ruth: | Thank you. It was fun pulling all those responses together and finding out things that I took for granted. |
| Dear Poets, Welcome to the June 2003 issue of Poetry Life & Times (For those of you reading this on a mirror site and not poetrylifeandtimes.com, click here).
This month's interview features the award-winning poet Ruth Daigon, who edited POETS ON for twenty years.
Featured Poets this month include Sharon Kozden, Debashish Haar, Alessio Zanelli, Robin Ouzman Hislop, Regis Auffray, Richard Vallance and Jan Sand.
For the June 2003 Vallance Review, Richard Vallance has reviewed Karma by Robin Ouzman Hislop. The full version of the Karma poem, with many other mysterious sonnets and stanzas, is on page 2 of Featured poets. For me, reading this was like looking into a picture containing other hidden images, and finding something new each time. It's very intriguing.
Fans of The Perils of Norris cartoon: now you can buy Norris merchandise for home and office, including a stylish wall clock... Click here to visit the store, which is located at CafePress.com. More goodies will be added as soon as we design them!
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Any comments on this issue or back issues can be emailed to me on the link at the bottom of the page. Announcements are always welcome (brief if possible), you can also promote poetry books here.
Poetry submissions should be in plain text in the body of an email, with a small jpeg author picture attached, also a bio, with the URLs of any ezines mentioned, so that they can be shown as links. This increases the chance of inclusion, especially for late submissions. Pictures are best at a maximum of 520 pixels across, otherwise they take ages to arrive by email, especially in bitmap or TIFF format. I recommend that poets click the submissions link on our main page, for full guidelines.
Poets can submit previously-published work here. If another editor likes it, there's a chance we'll like it too.
Best Regards,
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Richard Vallance reviews sonnets, both classic and modern.
Featured Poets this month include Sharon Kozden, Debashish Haar, Alessio Zanelli, Robin Ouzman Hislop, Regis Auffray, Richard Vallance and Jan Sand. Many thanks to all contributors.
Click title below for this month's Vallance Review feature

![]() SHARON KOZDEN I'm a resident of Allentown, Pennsylvania, where I work a day job and attend Cedar Crest College as an English major. I plan to pursue -- should Lady Fortuna swing upward her fortune wheel in my favor -- graduate studies at Lehigh University in Bethlehem, Pennsylvania. My alternative, alter-ego goal is to become an underwater mermaid at Florida's Weeki Wachee Springs. I've declared this, my newly-pressed fourth decade, an era of self-declaration and my interlude with authenticity. As such, "Do I dare disturb the universe? Should I, after tea and cakes and ices, have the strength to force the moment to its crisis?"
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SPICE © Sharon Kozden |
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Debashish Haar is a 25 year old theoretical physics graduate student from India, working for a Ph.D. He is currently looking for a scholarship to take up research in literature. Debashish has pages of his work on AuthorsDen, presented with several of his favourite images of surrealist and symbolic art. Debashish Haar can be contacted on: debs25@authorsden.com. |
YOU © Debashish Haar |
![]() ALESSIO ZANELLI Alessio Zanelli was born in 1963 in Cremona, a small, quiet town in Lombardy, northern Italy, where he still lives and works as a private financial advisor. He began writing poetry in 1985, at first also in Italian and afterwards exclusively in English, a language he has been learning completely as an autodidact. He is widely published in small press magazines from almost every English-speaking country, his latest credits including Potomac Review (MD), Möbius (DE), Skyline Literary Magazine (NY), Pulsar (UK), The Journal (UK), Poetry Monthly (UK) and Freexpression (AUS). His first collection, titled Loose Sheets, was published in 2000 in the UK by an independent press, whereas a new one is just out in the USA under the title Small Press Verse & Poeticonjectures. Both titles are available through major e-bookstores such as Amazon and Barnes & Noble. |
ST. LAURENCE'S NIGHT © Alessio Zanelli |

Coming soon - Sara Russell's new e-book Worlds Inside The Head,
with
poetry, short stories, videos, wavs and
3D illustrations throughout...
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Coming Soon: AN ASHLESS FIRE e-book by Ian Thorpe 4 books in one! Click here for more details.... |
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![]() | OUT NOW - CANADIAN SPIRIT VOICES by Richard Vallance...
Photo © by Richard Vallance, 1993 (Northern Ontario)
Canadian Spirit Voices is now available from Kedco Studios Press (Las Vegas, Nevada, U.S.A.)... in a full multi-media CD book, consisting of poetry, prose, the essay, original MIDI music and plenty of splendid artistic illustrations. The CD-ROM book is the equivalent of a hard-copy book in excess of 500 pages!
For more detailed information on this book, please click here:poesieslaissezfaire.homestead.com.
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Last month, Poetry Life & Times won The Prix Poesie's laissez-faire Grand Prize for 2002
- thanks Richard!
[Poetry ezine editors: click the above link to find out more about this award.]
now available We don't review the book for you here, we just beg you to bless yourself this much. Easy to own with a check in the mail or VISA/MC w/exp date through mail, email, or phone order. Do yourself this favor to celebrate this wonderful writer.
Pudding House Publications |
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Q U I C K I E S - a new e-book of erotic/humorous stories for women |
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Poetry Life and Times is listed in Poetry Who's Who
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Come Meet our Poet Friends!
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Visit Crystal Rose's Place
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OUT NOW MILLENNIUM DAWN anthology, by Kedco Studios Artist Profile Press. Enquiries to Elaine Davis at kedco-ap@juno.com
Also - Contributors Wanted for: CRYSTAL DAWN
THE PERILS OF NORRIS, #35 - A new perilous adventure begins this month. Norris's terrible poetry is not making him any money, and the rent is overdue...
You can now buy Perils of Norris Merchandise online, including mouse mats, clocks, tote bags and postcards.
The Perils of Norris started in August 2000. To catch up on past episodes, click the links below, then your browser's Back button to return.

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