July 2003Café Society's Poetry News Update
Do you have poetry news, announcements or comments? Mail me on the link at the bottom of this page. Also we now have a shop of cool PL&T and Norris merchandise - see link near cartoon... you read the ezine, why not buy the T shirt?


An Interview With

Janet Caldwell




JANET CALDWELL'S BIO

Janet Caldwell is a free spirit who has been published in various sites on the web and held a byline in a newspaper in the early 1980s while attending North Texas State University, now known as UNT. She belongs to many literary organizations. Janet has been influenced by writers such as Anne Sexton, Sylvia Plath, Edgar Allen Poe, Bob Dylan, John Lodge & Justin Hayward.

She has done volunteer work for the mentally challenged and is an advocate for others. Janet has suffered from manic-depression and relates to the writings of those who have suffered as well. Janet is also a certified optician in the state of Texas, USA and worked full-time for over 20 years in the optical field, fitting eye glasses and contact lenses.

Birth Place: Ft. Worth, TX USA

Accomplishments: Living life large in spite of the nay-sayers.


THE INTERVIEW


Poetry L & T:When and why did you first start writing poetry, Janet?

Janet: I suppose that I don't actually remember my exact age, however, I was around 12-13 years old when the writing began. Though my first love was music, I played piano and viola in school and sang to every song on the radio. In the early 1980s I attended college and took a course in creative writing. Words have always been important and I found that I could be anyone, in a song or a poem. Anything or anyone but who I really was. So, I would say that I wrote in the beginning as a way of escape. Today, I write to tell the story of what I was escaping from. Child abuse by my late step-dad, drugs, fears and failure. I know that some people read my poetry and believe that is what I am living at the moment. Actually, most of it is recalling, because I want others to know they are not alone in bad situations, no matter their age and maybe I am still working out the demons as well. All in all, I find writing very satisfactory.

Poetry L & T:Who are your favorite poets?

Janet:I am an avid fan of the writings of Anne Sexton, especially her use of metaphors. I find her clever and witty in her use of language, though I am not a fan of the life style that she lived. Another favorite is Sylvia Plath, both women for their honesty and confessional styles. My first book of poetry that I read from cover to cover was The complete works of Edgar Allen Poe. I was about 13 yrs old and mesmerized by his works. Composer and poet Bob Dylan is at the top of my list and in the last year I have read Charles Bukowski's biography and his poetry and have soon become a fan of the work, not the man. There's Dylan Thomas, Jane Cooper and many more that I admire for one reason or another. I love to read and seem to always have a book going whether poetry or another genre.

Poetry L & T: You recently had a book published by AuthorsDen.com "5 degrees to separation". I would like to know more about that; it made history as being the first book published by them...

Janet:I was as shocked as anyone to know that I would be published at all. I believe at the time that the amount of readers that I had was not known to me. Matthew Miller from authorsden.com sent an email and asked me to call him. He made me aware of the reader ship that I had and private emails to him saying that the readers liked my style and Matthew thought that it might be a safe gamble for him to publish a book of poetry by me and to help me as well.

I knew about one month before it was announced online at authorsden. There were contracts to be hammered out and seeing as neither one of us had experience in this, it took some time. Attorneys, agreements and to be quite honest, I got the better end of the deal. All that I had to do was write the book, come to an agreement with authorsden and Matthew and his team did all of the work. The worst part for me was learning patience and I did, little by little. Finally, I become so patient that I didn't worry at all about a release date at all.

There will be 1,000 copies all signed and numbered in a hard bound book. It's a bit over 200 pages and contains earlier works as well as the new ones. Also, I CO-write with Alan Phillips of authorsden.com and I believe there are around 15 poems in the book by us. We are known as Caldwell Phillips at authorsden.com. Next it's off to California to sign all of the copies and I believe that we will film it with a web-cam for a 'live' book signing. The books can be purchased through authorsden.com.

There are a lot of other new and exciting things coming to authorsden. Once my book has sold 1,000 copies, I have another publisher that will buy my contract. At that time the book will be available in stores. This is thanks to Matthew Miller's work in finding publishers to work with authors, known, unknown published or not. More on that later.

Poetry L & T: Much of your poetry has a visceral edge, such as "Daddy," which you posted on AuthorsDen in May. Have you found that poetry can be therapeutic at times of deep emotion, or do you find it can feel almost as painful writing about hurt, as it is to feel it?

Janet:Yes I would agree that a large percentage of my writing does come straight from the gut. That deep-seated, innate feeling leftover from damage done by others and by myself as well. I am not sure if it's therapeutic or not. Sometimes after writing something disturbing and gritty, I sit and cry remembering the episode. Though other times, I move right on and it's like an afterthought, or a dream, nothing really lived by myself. Then there are the times that I feel guilt in writing a piece, though I am being honest like in the poem 'Daddy # 2', I wonder if I am capable of forgiveness. If so, why do I write the horrors of childhood with a vengeance at times. Well, obviously, I have no concrete answer, as I am still working it out. The title to my book comes from the fact that I am obsessed with the number five and have been since about the same age (5). I count to five when I am disturbed, or as a child when I was being abused, I would count to five over and over and finally learn to seperate from the pain. Thank God for friends, family and therapy.

Poetry L & T: Where do you find most of the inspiration for your work?

Janet: Life itself. Such as my Mom dying, my biological Dad dying in prison, my step-dad molesting me and being a psycho throughout my childhood. My marriages, divorces and certainly my children which are a bright spot and inspire me. Mostly they inspire me to live. At times, I can look at an inanimate object and create a story around it such as my last poem called 'Paper People' which I wrote but Alan Phillips titled it for me. I actually flipped through my old address book and began to wonder about the ones that are no longer in my life. The words just flew out of my mind and onto the screen. I rarely write on paper first though there are tidbits, incomplete thoughts and ideas scattered about for a future poem on scraps of paper, canceled checks and envelopes.

Unfortunately, I do not find that I write well about flowery, happy, sappy poems. I have a few but they are not my favorites or my best. I do enjoy reading them by others and humorous poetry as well. It's just not my style.

Poetry L & T:When you were interviewed on the AuthorsDen Radio Show, you spoke to several listeners who phoned in. Was that fun to do, or slightly nerve-wracking?

Janet: Well, the first time was very nerve-wracking because I was not used to being interviewed, they had a hard time getting a 'read' on my voice and all kinds of things went wrong in the technical sense. However, Roger Vizi the host of the show quickly calmed my nerves and took up any dead space in the process. The callers were great and put me at ease. The second interview was painless and I actually read a fairly long poem called 'Small Feats' in that interview which can be heard at http://www.authorsden.com/janetcaldwell and simply click on "audio-file".

Poetry L & T:In your bio on AuthorsDen, you mention that you suffer from manic depression, the one which alternates great highs with terrible lows... do you find that this can inspire your poetry at times, making it leap off into interesting new directions?

Janet:Yes, I do suffer from manic depression and find that I am the most creative when mania sets in. My best poems were written during times of mania. However, in the last few months, I have been taking mood stabilizers so that the highs aren't so high and the lows aren't as low. I still experience the up and down, it's just not as severe and to be honest, a couple of times I went off my meds to feel that extreme high and to be creative. I was feeling as though I could not write at all without a bit of mania to get me kick-started. It's still hard and I miss it but I am learning that I can be creative without being a total space cadet.

The lows are awful in the sense that you do some strange things during severe mania. I went on shopping sprees that I could not afford, bought anything and everything in sight. It seems as though there is no sense of consequences or remorse during mania, then the down side hits just as hard. I have been so depressed that I didn't bathe for days or get out of bed. I assure you that is not my style, it's the chemicals in my brain that go haywire and without my meds, look out. The sky is the limit, literally.

Poetry L & T:I was intrigued by the innuendos of your poem "Dreamers." Maybe I should not ask who the poem is about, but can you divulge a little more on the story behind this poem?

Janet:Dreamers is actually twofold for me. There is something so satisfying in writing a poem that makes a certain sense to everyone. Most assumed it was about passionate lovers and it was but was my lover human, maybe, maybe not. It was also about the forbidden so I'd better leave it at that.

Poetry L & T:Have you ever written a poem as a satire on someone, or as a kind of revenge?

Janet:Yes I have but I never revealed enough for the general public to know anything about it. The person definitely knew and everyone else just thought 'God, I hope it's not me' or nothing at all.

Poetry L & T:What kinds of modern poetry do you find annoying or boring?

Janet:I am not really into the rap or slam poetry, I'm not even sure what it's called but it seems like rap. However, no matter what style, there is a place for us all. There are plenty of people who don't like my poetry because it can be so disturbing. Funny how they keep reading though.

Poetry L & T:If a fellow poet asked you how to become successful in print or online, what would your reply be?

Janet: Read, read, read. Learn the rules and then break them. Keep writing, it doesn't matter what people say, sometimes they are just jealous, write, write, write and write more. Constructive criticism should be kind with valuable information and should be regarded as such. However if someone just wants to belittle you and never say what a certain piece is lacking, ignore them, don't let it get to you. I know for myself, I was so sensitive in the beginning of my online writing that I was in tears a lot. I have developed thicker skin and can discern when someone is trying to help or just be a jerk. If I had given up when I really was awful, I wouldn't be having this interview with you.

Poetry L & T:What is your main ambition for the future, these days?

Janet:I'd like to have another book of poetry published if it's in the cards for me. I am building a more personal website for myself, still under construction with the URL being http://pages.ivillage.com/jlyjanet/ In the meantime I'll keep writing and I also want to get back to volunteer work. My last round of volunteer work was with the AIDS foundation here in Dallas. The work is rewarding and honestly it bothers me deeply for those less fortunate to not have a hand to hold. We all deserve to be loved.

Poetry L & T:Thank you for the interview, Janet.

Janet:Thank you so much Sara.


Click here to read Janet's poetry...




EDITOR'S LETTER, JULY 2003

Dear Poets,

Welcome to the July 2003 issue of Poetry Life & Times (For those of you reading this on a mirror site and not poetrylifeandtimes.com, click here).

This month's interview features Janet Caldwell, the poet who made history on AuthorsDen.com, being the first author to have a book published by them.

Featured Poets this month include Richard Zola, Corey Mesler, Ian Thorpe, Jim Dunlap, Greg Braquet, Joshua Michael Stewart, Richard Vallance and Jan Sand.

For the July 2003 Vallance Review, Richard Vallance has reviewed “Blue! ‘Tis the life of heaven... ” by John Keats.

Fans of The Perils of Norris cartoon: now you can buy Norris merchandise for home and office, including a stylish wall clock... Click here to visit the store, which is located at CafePress.com. More goodies will be added as soon as we design them!

Any comments on this issue or back issues can be emailed to me on the link at the bottom of the page. Announcements are always welcome (brief if possible), you can also promote poetry books here.

Poetry submissions should be in plain text in the body of an email, with a small jpeg author picture attached, also a bio, with the URLs of any ezines mentioned, so that they can be shown as links. This increases the chance of inclusion, especially for late submissions. Pictures are best at a maximum of 520 pixels across, otherwise they take ages to arrive by email, especially in bitmap or TIFF format. I recommend that poets click the submissions link on our main page, for full guidelines, and please, always use a spellchecker.

Poets can submit previously-published work here. If another editor likes it, there's a chance we'll like it too.

Best Regards,

                  




Click title below for this month's Vallance Review feature

Richard Vallance reviews sonnets, both classic and modern.





Featured Poets this month include Richard Zola, Corey Mesler, Ian Thorpe, Jim Dunlap, Greg Braquet, Joshua Michael Stewart, Richard Vallance and Jan Sand. Many thanks to all contributors.


RICHARD ZOLA

Richard Zola is UK based... an interview with him conducted by distinguished Australian poet and novelist Billy Marshall Stoneking can be found at http://www.suite101.com/article.cfm/
performance_poetry/68441
. Richard's work has appeared in many ezines including:

Mipoesias: cities issue

nzpoetsonline.com

poetryrepairshop

zola's website: http://www.richardzola.co.uk

...closing the door... a chair too...looked...frightened...
© Richard Zola

what to call a flower how it feels no-one could say this flower feels like a horse some might say this flower feels like 3 flies breathing some might say these 3 flies breathing feel like a flower touching a horse who would say im touching stone ruby did ruby touched a horse said this horse feels like stone when she touched a stone she didnt say this stone feels like a horse she said if i were given stole found a pony id name it marcelina when ruby said if i were given stole found a pony id name it marcelina it was a tuesday today is a different tuesday ruby’s sleeping late she stayed awake until 3am for a table’s sake ...is it like linen...only coarser...with a kind of waxy feel and particular aroma...or is that...(after stepping from a bus) © Richard Zola
for carole nelson phillips this air stone stream your skin this stick your teeth are cold your hair coat mouth moving in air you me not walking were walking now these stones some fallen you me new words a ragged bird changes direction to catch a fly in april today is march you turn your head tie your hair high bracelets slide is that a face watching through reeds buckle your shoe lets go to a market buy calico spread calico across this field beginning at the gate weight it with stones watch it darken if rain ...she left footprints on envelopes...locked a door... © Richard Zola
leaves birds bark though she walks through stone water weed gills though a room encloses she chose a day marked a date parchment vows teeth on a table: bread tomatoes violets through a door: a low bed light through blinds a blue scarf on a yellow mat she’s going to make herself come its what she planned to do see: her skin is tight her neck curved like that ...sticklebacks probably... © Richard Zola
you me in a high country staying awake through yellow days familiar with the shape of birds not walking on a shore leaving stone grains undisturbed not walking through stems a wind only lifting pollen not touching a lake wild strawberries a shrew running those small blue flowers near the door of the barn you me not touching the face of a cow in a white field skin on skin only and small fish through your my face where the stream curves


COREY MESLER
with his wife Cheryl

Corey Mesler is the owner of Burke’s Book Store, in Memphis, Tennessee, one of the country’s oldest (1875) and best independent bookstores. He has published poetry and fiction in numerous journals including Pindeldyboz, Orchid, Black Dirt, Thema, Mars Hill Review, Poet Lore and others. He is also a book reviewer for The Memphis Commercial Appeal. A short story of his was chosen for the 2002 edition of New Stories from the South: The Year’s Best, edited by Shannon Ravenel, published by Algonquin Books. His first novel, Talk: A Novel in Dialogue appeared in 2002. He is now at work on a collection of linked stories, built from poorly remembered history and bent mythology. Most importantly, he is Toby and Chloe’s dad and Cheryl’s husband.

Visit Corey's website at:
http://www.burkesbooks.com

PRIVATION
© Corey Mesler

Sunk into myself so that I do not see the blond with the tattoo on her smooth thigh smile my way, a loss unredeemable, unkind, indefensible. FEAR © Corey Mesler
“Fear is a swallow in a boarded up warehouse, seeking a window out.” Jim Harrison and Ted Kooser, from Braided Creek So long have I lived this way it’s hard to learn a new procedure. The morning nausea, the existential nausea, has been with me for some time. I don’t remember another me. When you wake and it’s all over you, what else to do, but curl up and protect your privates? And yet, yet, I have this admonition from my Zen therapist: observe the fear. Observe it. And he’s right, of course. It squats like a toad, it roosts like a blackbird. But, today, just for the time it takes me to work on this poor poem, it goes elsewhere. It goes away, and those are moments of fire. Moments when life is temporarily illuminated. Light, heat, desire: all these are fine walls. Today, I need them all, in the darkness, in the opening time, when the day is as ripe and rough as a grave. SPELLBIND © Corey Mesler
A red thread plaited into the severed braid of stone-brown hair, laid beside the stream, as if, the one most suited would come only this way, to find what has not been lost so much, as placed there, like your best prayer. SCIENCE FICTION NOVEL © Corey Mesler
For Tom In the science fiction novel you are writing a woman appears. You don’t know quite what she’s doing in there. Yet something about her is familiar. You run her through some sexual gymnastics. She wants to hang around. You take your finger away from the delete key. There just may be a part for her, there in the science fiction novel you are writing. SMALL MID-DAY GODSEND © Corey Mesler
A glimpse of breast between loose buttons on a denim shirt: she’s someone else’s wife. MEMPHIS MOJO © Corey Mesler
It’s the river roiling in the dusk, a rainbow of silt and silver, the bridge a double seadog, misty M, the road to the capital of Soul. Ghosts whisper around street corners, Monk Cassava still slipping whiskered suggestions into your shell-like ear. And the backbeat never ends, at night it’s the last thing you hear, in your sleep it drives your dreaming to dance. It’s the long artery of Poplar Avenue, which stretches from Big Muddy, past White Flight, and on into Alabama. It’s the Sun, Stax and Beale. It’s you, friend, with your hand out. Stay there for a while. Old Scratch will offer you his best limousine. Or it just might be the angels, who sing with B. B. King, who know a good mojo when they see one.

IAN THORPE

When Ian Thorpe used to perform in pubs, clubs and occasionally what he calls respectable venues around the North West of England he realised that there was an audience for verse beyond the libraries and literature faculties of Universities. as a computer systems specialist he was able to link his ideas about what needed to be done to present poetry in a form the non - academic audience would respond to with the buzz in the Information Technology industry about personal computers and the potential for putting a multi media centre in every home. Reality takes a while to catch up with ideas of course and there were many years and a few major obstacles in the way before the idea became attainable.

Now, with a multi media studio in the spare bedroom and with the aid of musicians from the band Realistic Hair, actors from an amateur drama group and students from the local college media department he is developing a collection of multi media pieces themed on paganism and the Tarot, called An Ashless Fire. Ian says he is not an adept with the Tarot and has never even had a personal reading done for him but is interested in the things the Arcana represent, their links to the single source of all mythologies and the way they interact in our lives. An Ashless Fire will be published by Kedco Artist Profile Press very soon. Alternatively visit Ian's homepage http://ianthorpe.airtime.co.uk to keep up with progress on the project and learn about the misadventures that will inevitably befall the team.

STOPOVER (ON THE ROAD TO DAMASCUS)
© Ian Thorpe

She stopped me in a downtown street, Pushed a tract into my hand And asked if I would like to meet The others in her happy band And follow to the Pentecost Her eyes shone bright with holy zeal Her breasts heaved with sincerity I gave a coin, turned on my heel. She called out as I walked away, Saying “I fear your soul is lost. For you have walked the paths of sin And set yourself against the light. The Lord will welcome your return.” I lingered, we discussed my plight, Haggling about redemption’s cost. The room was warm, the wine was strong, Blue eyes shone bright and pale lips flushed Soft music played; a lover’s song. I dawdled where another might have rushed To where a threshold must be crossed. Later on my love - worn bed she lay, All doubts stilled in these serpent arms; The Holy flame extinguished by Nature’s urging and a sinner’s charms. A desert flower watered by lust Burst into bloom, her colours bright, Soft body clinging like a vine Truth she’d denied now was proved right She understood the great design. Sweet love had thawed religious frost Religion makes war on human truth, Binds beauty fast in prejudice But the holy promise carries no proof. When temptation tastes too sweet to miss In Aphrodite we must trust. EAT THE OYSTER © Ian Thorpe
To the neophyte it can be a daunting challenge to unlock the enigma of the oyster and taste the secret within. Once the knack is learned, eating the Oyster will become the sublime pleasure. First apply light pressure at the point Where two halves join. See beads of Released moisture anoint the bearded lips. Now the shell may be opened. Prise the halves apart with deft touch and bow your head to sip liquor smooth as nacre and tasting of mermaids' kisses. Next seperate the flesh and reach with seeking tongue, probe slowly as if looking for a pearl. Savour with pleasure silken texture, Enjoy the salt - smacked taste without haste. Allow the tongue to linger and explore the interior of the shell until with a shudder of satisfaction the act concludes. The Oyster is eaten. THE MUGGERS © Ian Thorpe
They have me pinned down, a cold blade is pressed to my throat, they are stealing my posessions. Not money nor gold trinkets, they want things I value far more. Laughter will not echo in quiet moments, They have stolen my humour. Every day is full of busy emptiness, No time for treasured solitudes, They are stealing my sacred hours. Flowers bloom where I cannot see their colours, clouds do not linger to play, making stange faces as they morph through space. I think they are stealing my power to see. No more beautiful women excite passion, nor do good wines make me drunk, I smell fresh bread, my mouth does not tingle. Can they be stealing my senses ? Every day is filled with forms, regulations, Bank Statements, rules, laws and appointments. No time to think, explore, enjoy, no more precious hours waiting for me. Are they stealing my life ? AFTER YOU © Ian Thorpe
A Hedonist's Accusation of the Self Righteous. After you have found the holy grail and proved your rightful claim to it, after you have saved the whales and other endangered species protected your conscience, ignoring the weak who reach out for help, After you ride like Arthur through armies of injustice, your smug Excalibur piercing illiberal hearts and closed minds to liberate each minority that did not seek a saviour but only the right to speak for itself where you presumed to speak for everybody, never listening, dictating which thoughts and ideas are proscribed, which voices silenced, after you have said a prayer for each child who was not fed bitter bread baked by your caring liberal charity but had to starve on crumbs dropped from your table of conspicuous consumption while you regretted your inability to conjure with bread and fishes, after you have washed your guilt in sterile words that disinfect no wounds and cannot heal tumors of greed that consume humanity, after you have slain the serpent in your belly, reached into the wound and held up its twitching body so all can see the purgation of your failures will the world then be a better place for those who must come after you?

JIM DUNLAP
(Rhyme Master)

Jim is in the Marquis, Who's Who In America and will be in the Marquis Who's Who In The World in it's next edition as well. He is also in the Directory of American Poets and Fiction Writers.

His list of publications include "Candelabrum", "Plainsongs" and the "Paris/ Atlantic"; and he is now (or has been) online at "Die Niderngasse", "Poetry Repair Shop", "Midnight Edition" and Poetry Life & Times". He is a resident poet, and an Alpha poet at the Poet's Porch, and has had about six hundred poems published to date. He has been in the Writer's Digest top 100 three times, although he doesn't usually enter their contests any more, as their entry fees have gone out of sight. However, he has decided to send a single poem this time. He is currently the newsletter editor for the Des Moines Area Writers' Network.

Jim's website, which included a lot of favorite poems by other writers, as well as his own work, is sadly now defunct, as Netscape discontinued their wonderful sites.netscape and now have a new site which is basically worthless for all practical purposes.

His work appears online at:
authorsden.com
http://www.thepoetsporch.com
http://www.aceonline.com.au/~db/
http://www.valmagnuson.com/
on Describe_Adonis in the Yahoo groups,
poetryrepairs.com
and in a number of other places as well.

SEND BACK THE STATUE OF LIBERTY 
© Jim Dunlap

Democracy lets us think for ourselves, Or so the pundits tell us. Really, though, we mostly just think Whatever the Prez might sell us. The French dared disagree with Bush. What a heinous thing to do – How might he "punish" them though?. What could be his follow through? Conservatives want to change the name From French to Freedom fries – Now there's a potent statement That will cut them down to size. Two thirds of English is actually French, But I think we simply must root it all out. We'll let the whole world see What WE're really all about. I think that Conservatives do have a point. The French truly should be chastised. They've no right to disagree with us, Intolerance should surely be prized. That French statue can't represent us. Let's replace it and let the world see True compassionate conservatism: Let's erect a statue to bigotry. LAMENT FOR A SOLDIER © Jim Dunlap
A soldier in the trenches, Like a lobster in the pot -- Though it be his finest hour -- May 'Quayle' to face his lot. And though some are more than happy To go off to fight alone, Many more still fear the conflict -- Fear to fill a grave...unknown. Though he hears dire duty calling Him to serve so far from home, Yet he won't regret this absence If his sweetie doesn't roam. He feels she'll be there waiting When the long war's done at last, And he hopes that all that hating Will forevermore be past. In the meantime, let's remember That this valiant young man's voice Has not always been consulted -- He's not always there by choice. TUCUMCARI LIT. REVIEW, Nov./Dec., 1992, issue # 38 HUBRIS AND HAMARTIA © Jim Dunlap
Nearly every human being shares The approximate same human form. Trunk, legs, arms and head Seem the basic, accepted norm. Eyes, nose, mouth and working brain Are common attributes of most. Yet constant search for differences Allows the small of mind to boast. Onerous and unfortunate, It's no credit to our race – No one's worth is circumscribed By flag, foreskin, or face. We're wolves pretending to be dogs, Yet carnivorous impulses reign – It would help, if we'd only endeavor To engender less grief and less pain. In truth, we can't escape the facts: Reality's cold lights illumine Our shared denominator – We're no more, nor less, than human. WORKINGMAN'S BLUES (for Fred Roland) © Jim Dunlap
The boss just called to tell me That I had lost my job -- Not so! I know right where it is. They've just hired some poor slob To fill the chair I used to fill Most loyally each day... While I'll be reading want ads While some clown collects my pay.

Click here for July 2003 Featured Poets page 2 --> link for second half of featured poets....




Coming soon - Sara Russell's new e-book Worlds Inside The Head, with
poetry, short stories, videos, wavs and 3D illustrations throughout...


Coming Soon: AN ASHLESS FIRE e-book by Ian Thorpe
4 books in one! Click here for more details....


OUT NOW - CANADIAN SPIRIT VOICES
by Richard Vallance...

Photo © by Richard Vallance, 1993 (Northern Ontario)

Canadian Spirit Voices is now available from Kedco Studios Press (Las Vegas, Nevada, U.S.A.)... in a full multi-media CD book, consisting of poetry, prose, the essay, original MIDI music and plenty of splendid artistic illustrations. The CD-ROM book is the equivalent of a hard-copy book in excess of 500 pages! For more detailed information on this book, please click here:poesieslaissezfaire.homestead.com.


Poetry Life & Times has wonThe Prix Poesie's laissez-faire Grand Prize for 2002
- thanks Richard!

[Ezine editors: click the banner to find out more about this award.]




click for details
"Less trouble than men, less fattening than chocolate..."

Q U I C K I E S

- a new e-book of erotic/humorous stories for women
by Sara L. Russell and Patricia diMiere. Published by
Kedco Studios Artist Profile Press - ISBN 1-878431-42-0, $12.50
Original, funky and rather naughty, with many a twist in the tales.



Poetry Life and Times is listed in Poetry Who's Who



Poesie's Laissez Faire Foire Announcement

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Check out the poetry sites of some of our friends and
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ou au Royaume-uni ?

Meet my literary friends!  Rencontrez mes amis littéraires!



The Crystal Rose © Ice Shard

Visit Crystal Rose's Place


Val Magnuson Galactic Poet Award


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OUT NOW

MILLENNIUM DAWN

anthology, by Kedco Studios Artist Profile Press.
An exciting collection of award-winning poetry and short stories.

Enquiries to Elaine Davis at kedco-ap@juno.com

Also - Contributors Wanted for: CRYSTAL DAWN
... A new forthcoming anthology from Kedco.
Click Here for details.


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