January 2004Café Society's Poetry News Update
Do you have poetry news, announcements or comments? Mail me on the link at the bottom of this page. Also we now have a shop of cool PL&T and Norris merchandise - see link near cartoon... you read the ezine, why not buy the T shirt?


Editor in Hospital, Christmas & New Year...

On 12th of December, 2003, I fell from the late train from Croydon to East Grinstead...


BEFORE: in traction
in Redhill General, 14th Dec. '03

DURING: still in traction,
St. George's, London, 29th Dec. '03

AFTER: home, currently
on crutches, 12th Feb '04

Hospital pictures by Geoff Marshall, home pic by Sara L. Russell (web cam).


HELL OF A TRAIN JOURNEY...

For me the bizarre nightmare truly started with waking up in Redhill hospital, Surrey, England, feeling light-headed from strong pain killers and not knowing where I was. I had no real sense of trauma or even pain, just confusion. I remembered coming back from a Croydon on a late train, but nothing after some vague memories of the train journey. But from what I could piece together from what Tom told me, I had gone looking for the toilet, and somehow I must have opened the wrong door, to fall onto a grassy bank, while the train was moving.


HORRIFIC INJURIES.

As I lay in bed trying to get my bearings, I found that already a pin had been bolted through my left leg, just below the knee, to keep the shattered pelvis away from the top of my thigh bone, in skeletal traction. Later on, this would provide me with some amusement, to see some of my friends' faces when I showed it to them. My right wrist was in a cast, having been fractured. Also my left shoulder had been fractured and dislocated. My face was black and blue and my right cheek was fractured, showing a marked bump. After I had been told what had happened, my first thought was "that must be the stupidest thing I've ever done in my life". I even joked about it at times. There was not much pain - see top left picture - the lead hanging over my shoulder is for the patient-controlled pain relief.

Whenever someone asked me "What happened to you?" - having to answer "I fell off a train" seemed to sound more ridiculous each time I said it...


BAD HAIR DAY: SHOCK HORROR PROBE...

My parents were very surprised at my calm acceptance of the situation while I was in the hospital at Redhill. I am not the most optimistic of people. At that stage it had not really sunk in, in some ways, even when some of the nurses remarked that recovery would take quite a while. Strangely enough, while I was there, the only thing that worried me was the matted tangles at the back of my hair. I knew that the bruises would fade, but hair takes a long time to grow back, if broken by repeated tugging. The fact that no-one helped me with my hair annoyed me more than anything, especially as the paramedics had taped me (including my head) to the strecher, before lifting me from the scene of the accident. But no-one tackled the tangles at all until I was taken to St. George's in London. Then the tangles were finally sorted out properly, first by a couple of young student nurses, then the final snags were dealt with by Dauprine, a very capable nurse with almost superhuman strength. Bracing her foot against my shoulder (not really!), she put Diprobase cream in the matted bits to loosen the tangles, and got rid of the worst ones, then washed and conditioned my hair, which felt fantastic. The only casualty was one lock at the back, which ended up about four inches shorter than the rest of my hair. I am sure all of the lady poets out there will know how traumatic it all was; perhaps a few long-haired men will also wince in sympathy, perhaps not...


ONE HELL OF A TRANSFER JOURNEY...

Actually being transferred from Redhill to St. George's was very traumatic. When bits of you have become unhinged from their sockets - like my shoulder and hip on the left - being moved from stretcher to bed to another bed is very painful and frightening. The nurses try their best, they wrap you in a sheet and use four people or more to move you, but it still feels like being pulled apart. I must say though, that was the only time of really excruciating pain while I was there. Also having your bed made at a time like that, when you're still in the bed, can be painful. I soon learned to lift myself up by grabbing the "monkey pole", rather than rolling, when they made my bed.

Mr. Day was the surgeon who performed my operation on the 18th of December. I did not meet him until the week I came home, but spoke to several of his associate doctors. They explained to me why I needed the traction, and why another operation might become necessary, if I begin to suffer acute pain later on.


A MERRY LITTLE CHRISTMAS.

Once I was settled in, the nurses made me as comfortable as possible, in an electric adjustable bed with an air matress, to avoid bed sores while I was in traction. I was in traction for three weeks. Three things saved me from going mad - one was having a place next to the window, with spectacular views over the Tooting area of London. Also I kept a hospital journal, just for something to do (too mundane to quote here). The third sanity-saving thing was a bedside TV unit with integral phone and internet. This device was so useful (even though it occasionally broke down) that I am going to include a free advertising link for their website here: http://www.patientline.co.uk

Over the weeks that followed, my pain was not too bad. Pain seems to plateau, and the volume of aching bones only seems to be amplified first thing in the morning, when you start feeling like a very old person with rheumatism. Half an hour plus several painkillers later, a feeling of being almost normal kicks in.

I must mention the nurses at this point, whose kindness made the time go more quickly. There were so many nice ones... Raj, Mai, Evelyn, Elizabeth, Dauprine, Julie, Alice, Faylin, Bola, Judith, Vincenta, Michael, Steve, Simon, Alison, Vergie, Dee... forgive me any of you whose names slipped my mind at the time of writing this. Also I very much enjoyed the company of two of the mealtime staff - Jerry ("Mr. Va Va Voom") and Lilian. Thanks you two for all the meals... some of which were surprisingly good, even though hospital food is not always much to look at, often it tastes fine. And - a special message to nurse Michael: thanks for all the bananas...

I would also like to thank nurse Faylin for not persisting in using the electric saw when she removed the plaster cast on my wrist. Seeing my abject terror after scoring it with the saw, she reluctantly went to fetch the clippers instead and did a great job of removing the cast without removing any flesh from my arm. Thanks Fay!

On Christmas day the nurses and domestic staff went to great lengths to ensure that we had a good Christmas atmosphere. They wore silly Santa hats and handed out presents to all the patients, just before breakfast. At lunchtime, which was a roast meal with turkey and cranberry sauce, they handed out crackers. Carol singers came round, ward to ward, singing their socks off. And Tom visited me, as he had been doing every day, but on Christmas day he brought all of my presents along, from friends and relatives.

Throughout my entire stay there was plenty of practical help from occupational therapists, such as Dawn Osmond - thanks to Dawn I can get around the house without falling over, and dress myself easily. Also the physiotherapists were very kind and helpful - thank you all, especially Jenny and Jamie. It is good to be able to go up and down steps, albeit on one leg with crutches.


HOME THOUGHTS...

Kindest of all was Tom, my husband, who visited me every day with the exeption of one occasion when Balham Station was closed. He also kept me supplied with things like pot pasta, in case I didn't fancy some of the hospital meals. He took my homesickness in his stride. Homesickness was the only kind of pain that really got to me.... on my second week there I found that I could not utter the word "home" without breaking down:

HOME
© Sara L. Russell 2003

Home is the word that weighs too much to say
Volumes of wistfulness to crush the tongue;
A straining lid on tortures locked away,
The word is uttered - and the catch is sprung.
It paints vignettes of half-remembered scenes,
Familiar quiet, between the brash and new,
The tongue speaks it, the mind spells what it means,
The apex of the spear is driven through.
Flightless, we watch the free-scape of the sky,
The window seems a picture on the wall;
No more dimensions than what meets the eye
No other lives but dreams hold us in thrall.
When every last defence is stripped away,
Home is the word that weighs too much to say.


THE VIRTUE OF PATIENTS

Many of the patients were great company - in particular I made friends with Joan Loft, Winnie Wingfield and Candice, whose surname escapes me, but with whom I had some great chats about life, ailments and broken limbs in general. I still stay in touch with Joan and Winnie by phone. See picture below of Joan Loft, taken shortly after Christmas. My parents took the picture. We had been pulling a few late crackers, hence the hat...


Joan Loft, 29th Dec 2003.

There was also a fiesty lady called Heather, who had a lot to say if she wasn't happy with something in the hospital. I had some great games of cards with her, and she kept beating me, but it certainly passed the time. Thanks Heather, and take care wherever you are.


A MEMORABLE LADY...

One patient in particular I will remember forever - Margaret Flanagan, who is 96. Many of the nurses in Gunning Ward are very fond of her too, because she sings - often - and remembers every word of every song, though she is not always able to remember things like what year it is. She is often cheeky to the nurses, saying things like "God that was horrible" when they give her medicine. She flits in and out of the present, to have conversations with people from her past, or to sing, or recite poems, to the amazement of all the other patients. She is a fascinating lady. Stephanie, one of her carers from the nursing home, tells me that she used to do little dances, as well as singing, before she broke her hip. I hope that one day soon she can walk again, at least with a frame. I wrote this poem for her:



Reverie (for Margaret)
by Sara L Russell, Jan. 20th, 2004


Put on the wings of time;
Step into memory's slipstream,
      feel it climb
To times when you were beautiful enough
to be bestowed with accolades and love.

She does not know the year,
But memory plays the songs
      she used to hear,
She sings aloud remembering each word
until her soul is soaring like a bird.




HOME AT LAST.

Finally home now, I spend my days hopping around on crutches, cooking meals with Tom, and updating Poetry Life & Times. Occasionally a kind friend of mine, Vicki Carrington, takes me out to the shops, and Tom takes me out at weekends. It's amazing how strangers open doors for anyone on crutches or in a wheelchair.

At the end of February I will be able to start putting weight on my left foot again, so can begin to start walking properly instead of hopping. I am also on a course of new physio sessions at Queen Victoria Hospital in East Grinstead. So by the end of Spring I should be fit again.... in the meantime I would like to thank all the physios at St. George's hospital for the great work they've done in getting me back on my feet - well, my right foot, anyway. Thanks guys!

I will keep you all posted as to how my recovery goes - when anything significant happens....




Editor's Letter, January 2004

Dear Poets,

Welcome to the January 2004 issue of Poetry Life & Times (For those of you reading this on a mirror site and not poetrylifeandtimes.com, click here).

Instead of an interview this month, because I have had to bring this issue out at a time when it will already be a back-issue, I am featuring an article about my accident and subsequent experiences in St. George's Hospital, London. This avoids any interviewed poet becoming yesterday's news too soon...

Featured Poets include: Alessio Zanelli, Jason Visconti, Aurora Antonovic, Keli Stafford, Robin Ouzman Hislop, Richard Vallance and Jan Sand.

In the Vallance Review for December, Richard's Review No. 28 is a very special Christmas one, entitled "All Glory, Laud and Honour To Thee, Redeemer King!". It features contemporary sonnets on Christmas, peace and winter, and the Final Musical Score of Peter Zanette's "Brighter Orbs on High".

Fans of The Perils of Norris cartoon: now you can buy Norris merchandise for home and office, including a stylish wall clock... Click here to visit the store, which is located at CafePress.com. More goodies will be added as soon as we design them! You can also buy merchandise with our Poetry Life & Times logo.

My own poetry can be found mainly on AuthorsDen, these days. The links in the left-hand column of my pages include books and articles as well as poetry. Some of the articles give advice on making chapbooks, or finding publishers - and there is even an item on ghosts.

Any comments on this issue or back issues can be emailed to me on the link at the bottom of the page. Announcements are always welcome (brief if possible), you can also promote poetry books here.

Poetry submissions should be in plain text in the body of an email, with a small jpeg author picture attached, also a bio, with the URLs of any ezines mentioned, so that they can be shown as links. This increases the chance of inclusion, especially for late submissions. Pictures are best at a maximum of 520 pixels across, otherwise they take ages to arrive by email, especially in bitmap or TIFF format. I recommend that poets click the submissions link on our main page, for full guidelines, and please, always use a spellchecker.

Poets can submit previously-published work here. If another editor likes it, there's a chance we'll like it too.

Best Regards,

                  




Click title below for this month's Vallance Review feature

Richard Vallance reviews sonnets, both classic and modern.





Featured Poets this month include Alessio Zanelli, Jason Visconti, Aurora Antonovic, Keli Stafford, Robin Ouzman Hislop, Richard Vallance and Jan Sand. Many thanks to all contributors.


ALESSIO ZANELLI

Alessio Zanelli was born in 1963 in Cremona, Lombardy, northern Italy, where he still lives and works as a private financial advisor. He began writing poetry in 1985, at first also in Italian and afterwards exclusively in English, having learned this language completely as an autodidact.

He is widely published in magazines from almost every English-speaking country, his latest credits including California Quarterly (CA), Möbius (DE), Hadrosaur Tales (NM), Pulsar (UK), Orbis (UK), Poetry Monthly (UK), Focus (UK) and The Journal (UK). He is also the author of two collections: Loose Sheets (UK, 2000) and Small Press Verse & Poeticonjectures (USA, 2003), both available from Amazon and other major bookstores online. As a visual artist, his most important attainment is the cover image of a recent issue of Poetry Review, Britain's leading poetry publication.

THE LAST BOATS
© Alessio Zanelli

over green backwash dead calm after the wind-night clouds lit in the sky in glimmers of sun the green hill declines in the distance a lone sail no seamew flies over the huge expanse in low water on wet sand the color of Terra Sienna the last boats of summer (Previously unpublished.) UP THE HURRICANE'S EYE © Alessio Zanelli
What a strain, what an indescribable thrill— feeling on the verge of being inescapably swept away. Love, hate, joy, sorrow— no experience might compare with as terrible a proof. I’m not afraid that I may lose myself, I’m not afraid that you may lose yourself. It’s coming— punctual, inexorable; puerilely mindless of its power. Blind but accurate. The second that embraces the whole of our existence. And it’s not for fear that all we are now might soon be over— I fear nothing but our being smashed apart: you and me—torn and screaming on opposite sides of nowhere. Nothing else scares me— not life, not death! So hug me tightly, hold on to me all out; and once flung away, but still one thing— may the hurricane’s eye inbreathe us on high. (First published in Skyline Literary Magazine (USA), all rights retained by Alessio Zanelli.) THE MILANESE CONCOCTER © Alessio Zanelli
As slimy and repugnant is your unbridled panegyric, as sticky and revolting is the risotto overseasoned with saffron and salt you prepared for me. Phrasing praises and managing cookers really aren’t skills of yours. For your only art is that of vending yourself, sure not that of winning others’ sympathy. Using words and ingredients in measured doses is a merit of the few, definitely not of you who make of the utmost excess the hub of your self-promotion. Cut out such mawkish adulation, just order some pizza and relax. It will be much easier for us to bind a bargain. Previously unpublished. TO ONE WHO'D WANT TO CROSS THE THRESHOLD © Alessio Zanelli
Quiet. Be quiet or die. Let others go—obliged. Withdraw your step and stop, restrain your hand, return your stare. Be quiet and look then fancy your imago past the threshold, but don’t make a move! That’s not a task of yours, the where and how and when. Whatever your intention is—your creed or your desire. Just see what has you live and know that you must die before you’re made to know. That’s how it goes, how Someone gives and takes away, how governs and continually creates. Be quiet, be on your own, and hush, and learn, and wait. There’s time—this I can state right now—on either side of such alleged divide. So much, and quite the same, indeed. Yet there can be no prescience, gauge or figure. (First published in Möbius, The Poetry Magazine (USA), all rights retained by Alessio Zanelli.)

JASON VISCONTI

I am 29 years old and have been writing since I was 15. I enjoy creating unique images in my work.

I am currently attending a Poetry Workshop with Denver Butson in New York City.

I have been published in such magazines as: "Virtual Writer," "Now and Forever," ""Poetheart," and"Poetry Junction."

I KNOW THIS HOUSE
© Jason Visconti

As I fence out the dark clouds of cobwebs my hands cannot spoon up down this spiral staircase as I brush them away with eyes that are slit half-closed creaking down on landings whose floorboards squeak out one family root the mother who lost her apron and ran away for the city and moon the father whose shoes walked out of the door and never returned as I ride up and down the elevators whose music has rumored to have been passed up for paydirt; riding up to the roof to find the same cellar light burnt with these years I never made up burned already so far back it dims its fire as I look across the sky to find the same odd star still believing. what to assign these trees assign these trees a road light and the keys of an angel’s unlock the light of this leaf its dark branches and last throaty voice, and a view from this patio of tree-tops spilling on gutters and planes that cross the sky nibbling at my attention which I swore to you. GHOSTS © Jason Visconti
a cool wind & curls up on your sofa hush for a miracle… Granted. The sea’s journey is ours. Your eyes are easy. The sea has a lighthouse that guards what the bones guard. It‘s getting harder to subtract myself from the miles you’ve come, and begun again to not touch…. Hush. Lie back for an evening’s crossing. The earth is still as I study your eyes. Old skulls forge the road in protest. This is the detour. WINTER EYES © Jason Visconti
suggestions like drowsy snowflakes, brow-beaten by the wind, that take off like the letting go of a child’s kite won’t fool Winter eyes. It’s the snapping of a twig, the sacrifice. GLOVES © Jason Visconti
Most of the calendar days Rubbed off like from an agent practicing Paradise, Where zero clings to leather, the way our mouths get shut up In a clenched fist, in some kind of deft gift Detective style, laying the dates on your bed Like absent-minded cheats Working slowly into the blood of the number Each another day dredged in the snow, Or fallen leg lay in cotton for the pity, Or raised hand held high turning a month And then turning the years Until you can’t get out of what you’re wearing.

AURORA ANTONOVIC

Aurora Antonovic is a Canadian writer, visual artist, and the former co-editor and columnist of the now-defunct GT Times. Her poetry has recently appeared in Megaera, ThunderSandwich, The Sidewalk's End, Reflections Journal, Poet's Pen, The Moriarty Papers, and Poetic Voices, the latter in which she appeared as featured poet for May 2003. She currently resides in Ontario.

An article was written about her on:
"A Little Poetry Archive".

And her work goes back to November of last year on the wonderful site, Poetic Voices, which is her current favourite.

She was featured poet there for
May 2003.

Warm Coke and Chaucer Moments
© Aurora Antonovic

He said, “Write about it! Write a poem about how you cannot find anything to write about. Tell how you pace for hours and look out your office window trying to find a metered metaphor or a patterned simile in the bend of a tree, or in the way the sun hits your wall that day. "Tell how you drink warm Coke for breakfast, and overdose on Keats and Chaucer when you should be meeting deadlines and doing paperwork. "Tell how you keep scraps of paper and nubby pencils even in the laundry room, and how you often forget to add the fabric softener because inspiration hit between the rinse-and-spin cycle. "Tell how you can turn just about any life experience into a poem.” I rolled my eyes at him, took a sip of room- temperature Coke, put down my book of Chaucer, and turned to my computer, completely ignoring his silliness for the day. Creep © Aurora Antonovic
He was the man on the bus who leaned up against me with putrid breath blowing in my face as he whispered obscenities knowing that if I tried to move I would have to come in contact with his sweaty bulk; He was the French teacher who leaned in a little more than necessary, while reviewing a lesson that I had already gotten a perfect grade on, and who was later discovered to have molested his students on a field trip to Quebec. He was the editor who hissed, “Come here, little girl”, even though I was a fully grown woman who didn’t need him to wield a pen, nor to put in writing just what I think of them all. The Life of a Paranoid On the Corner of Mitchell and Weedpatch He pulls the trenchcoat of silence up around his scraggy neck, his unshaven face making scratching sounds against the fabric of his denial; Furtively, he looks about, tension pulsed in each movement: even his breath, heavy with anxiety, is sweating as he tentatively tests his surroundings, ever watchful for the enemy who can appear in any shape,any form, any time, a once-friendly face might turn traitor at any moment.He thought he had counted the cost, but miscalculated: the price is too high, his sanity has become his own ransom. He swallows down the clench of the bile that rises, as he takes a halting step into the too-bright glare of the afternoon sunshine. Souvenirs © Aurora Antonovic
From the Orient You brought me many gifts: A red silk blouse embroidered with gold from China, Art from Korea, Unusual pen sets from Japan. England brought hand-painted china, Complete with a tea pot that looked like it arrived From days gone by Amsterdam brought T-shirts and hats, Holland, wood and ceramic crafts Germany, Zeppelins in various shapes, sizes, and forms, And, now, As you have returned from Switzerland, You attempt to comfort me for the nine lonely days away from you By sitting me on your lap and feeding me bites of creamy Swiss chocolate Punctuated by even sweeter kisses from you. But the only souvenir I have really wanted, Is ever, only, you. Lazy Afternoon © Aurora Antonovic
You say, There is no better way To spend a Saturday afternoon, Than having your back rubbed By artist’s hands. As I massage and knead Your already limber muscles, I notice streaks of raw umber And cadium red paint On my busy fingers, And wonder If you are grateful, I was not making pottery Instead.

KELI STAFFORD

I live in Oregon with my husband and kids. My poetry has been accepted for publication in LYNX, The Litterateur, Makata, Some Poetry Words, PoetryRepairShop, Above Ground Testing, and Stick Your Neck Out.

In This Place
© Keli Stafford

Standing in a half-opened door – Living in the breathing space. Capable of only this and no more – A moment of struggle comes on her face. Come and help her move this weight. With an unopened gift to give or withhold You alone have determined your fate As your hesitant offering of life foretold. Aftermath © Keli Stafford
You look pained now standing there, your face like splintered glass. Wordlessly you weep with strain and I struggle to reach for you. Tenderly you take my hand to trace along the cracks. Against my hand your despair does break and shatters me within. Inner Weather © Keli Stafford
Our summerhouse has no roof. the weight of our struggle made it weak— time wore. It was a sorry day when the latest strain gave way. They eye of our storm cried— the ruin remains. We cannot escape our enemies— they travel within. Colorless Art © Keli Stafford
Within my noble conduct Is a performer playing a dream And the role that I have cultivated Resembles a musical acted in mime. As much as it is colorless art I won’t abandon production. The perfect drama performed on stage— Is it not less genuine than unrehearsed fantasy? Invisible © Keli Stafford
That once sweet peace withdraws from you— your eyes begin to grope. I want to hide— become invisible. Don’t pin your hopes on me. Having my own loss of normalcy now— different than yours but real. Don’t look to me for serenity— you would find my spirit’sgone hollow.
           

Click here for January 2004 Featured Poets page 2 --> link for second half of featured poets....




AVAILABLE NOW - Sara Russell's new e-book on CD ROM:     WORLDS INSIDE THE HEAD

ISBN 1-878431-47-1 / Kedco Studios Inc., Las Vegas

with poetry, short stories, videos, animations, music, wavs and 3D art throughout...

Only $9.95 - click here to find out more... or Mail us here at Poetry Life & Times.


OUT NOW - CANADIAN SPIRIT VOICES
by Richard Vallance...

Photo © by Richard Vallance, 1993 (Northern Ontario)

Canadian Spirit Voices is now available from Kedco Studios Press (Las Vegas, Nevada, U.S.A.)... in a full multi-media CD book, consisting of poetry, prose, the essay, original MIDI music and plenty of splendid artistic illustrations. The CD-ROM book is the equivalent of a hard-copy book in excess of 500 pages! For more detailed information on this book, please click here:poesieslaissezfaire.homestead.com.


To be released in 2004!
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click for details
"Less trouble than men, less fattening than chocolate..."

Q U I C K I E S

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by Sara L. Russell and Patricia diMiere. Published by
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Poesie's Laissez Faire Foire Announcement

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Check out the poetry sites of some of our friends and
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Meet my literary friends!  Rencontrez mes amis littéraires!



The Crystal Rose © Ice Shard

Visit Crystal Rose's Place


Val Magnuson Galactic Poet Award


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anthology, by Kedco Studios Artist Profile Press.
An exciting collection of award-winning poetry and short stories.

Enquiries to Elaine Davis at kedco-ap@juno.com

Also - Contributors Wanted for: CRYSTAL DAWN
... A new forthcoming anthology from Kedco.
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