August 2003Café Society's Poetry News Update
Do you have poetry news, announcements or comments? Mail me on the link at the bottom of this page. Also we now have a shop of cool PL&T and Norris merchandise - see link near cartoon... you read the ezine, why not buy the T shirt?


An Interview With

Paul Gilbert


Publisher, Editor and Keeper
of the ezine
Above Ground Testing



PAUL GILBERT'S BIO

Paul Gilbert was born, raised and educated in Windsor, Ontario Canada. Since adulthood, he has lived in various parts of Central and Western Canada. Now residing in the city of Niagara Falls Ontario (the place with the waterfall), and taking photographs of the scenery. Also working in the field of long term care and taking courses for that.

Paul's ublished work has appeared in "Enlightenment", "Melange" and "Cjacks". On the internet, his work has appeared in Artvilla and a couple of times in rec.arts.poems, as well as Poetry Life & Times. When not working, Paul doing things around the house and raising the children.

He is the publisher, editor and keeper of the espresso machine of the ezine "Above Ground Testing", this is a monthly poetry and literary ezine. He has also developed a couple of quarterly ezines, "Avant Garde Times" and "Exit522 on the Cosmic Highway".

Accomplishments: Living life large in spite of the nay-sayers.


THE INTERVIEW


Poetry L & T:When and why did you first start writing poetry, Paul?

Paul: I started writing when I took a creative writing course at the University of Windsor. The teacher was a poet by the name of Eugene McNamara, the class lit a fire and I began to write. However as with the case, the business of life came and with marriage, work and family, the writing ceased for a number of years. I got interested again when I lived in Vancouver and from that point on I got serious with writing.

Poetry L & T:Who are your favorite poets?

Paul:My favourite poets? Well, Walt Whitman, Allen Ginsberg ( of course), Ralph Alfonso, Leonard Cohen, Robert Bly, Les Wicks, Taylor Graham, Charlotte Mair and Dr. Coral Hull. One of the great parts of editing a poetry ezine is that I get to read some great work by great people. Les Wicks, for example is an Australian poet who has opened my eyes to the incredible work that is being produced by people from this fascinating country.

Poetry L & T: How did you first get the idea for your excellent website, Above Ground Testing?

Paul:Well, let's see....I recall reading a book about the Internet, this was one of those early books and the author mentioned about ezines. This piqued my interest since I've always been fascinated with self publishing. I recall during the height of Soviet oppression, for example, one way of getting around the censorship was the establishment of the 'samizdat", which was, and I'm quoting from the dictionary here: " The secret publication and distribution of government-banned literature in the former Soviet Union. b. The literature produced by this system. 2. An underground press.". I thought this was a fascinating concept and so i decided to give it a try. I found a place where I could put up a webpage and I decided to write some work and post it. The moment came when I sat down before the keyboard, looked at the screen and realized I needed a name. I typed 'above ground testing'. I looked at it and thought, 'this is a good name'. I suppose I'm going to age myself because I grew up during the Cold War and I remember the testing of nuclear devises and the fact they would test them above ground, much like the French did in the South Pacific.

Perhaps it was a moment when the subconscience broke through and made its presence felt.

I decided that my ezine would simply be one in which I would highlight my own work. So I put the announcement on my website and on some usenet groups. I made one issue and then people wrote in and began to send me work. I realized I needed to make a second issue, then a third. At first it was a text only, then I downloaded some HTML editors and went that route. Then more people kept sending me work and more and well, it's now been five years. In fact I'm putting the finishing touches to the fifth anniversary issue.

It's been a wonderful opportunity, I met some great people and poets. Like I mentioned above, one of the joys has been being introduced to all sorts of great poets from Australia. Another opportunity is that my work is now part of the National Library of Canada, so it shall live on in perpetuity. So this little ezine which has been put together from my home computer has been around the world and will be there for a very long time.

Poetry L & T: Your new chapbook, Hymns To Molech, starts off in a rather satirical, controversial vein, with the poem Postmodernist Howl. I must admit that the "pre-packaged crap" (had to laugh at the mention of Britney) that infests pop music these days annoys me too. Do you think that kind of music can be a bad influence on young poets?

Paul:In one way the stuff coming out should be encouragement to any one with talent, after all if this stuff can make it to radio and video then some good work could be picked up and used. The good news is that every generation produces horrible work and through the filter of time, most of it is forgotten and the cream does rise to the top.

What is out there should encourage people to produce better and not accept what is the pap of this mass marketed culture.

Poetry L & T: The title poem, Hymns To Molech, will disturb many people, as it seems to get right inside the mind of an unrepentant, evil paedophile. I want our readers to understand the story behind it before they decide how they feel about it. Who or what inspired this terrifying poem?

Paul:The idea of Molech comes from two sources, the first being "Howl" by Allen. In the second part of the poem he talks about Molech: "Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Moloch! Moloch the heavy judger of men!" The second is the Bible, Molech was a god of the Canaanites to whom sacrifice was made, particular the sacrifice of children.

To me Molech is almost a perfect metaphor for our modern pop culture. It swallows and destroys innocence, in so many levels. There is an inherient evil in our culture that is rearing it's very ugly head. Sometimes its globalization with the desire to swallow all culture and make it its own. Or just plant its own culture all over the globe, like a parasite without any feelings of indigenous culture.

Also, the end of innocence, it is a commodity to be used and abused. Look around, ours is a culture that's beyond sex saturated, there's a proliferation of the perverse. Just recently there was in Toronto the horrible murder of a ten year old girl. Terrible, the person who did this is a monster. On the other hand, fashion almost demands that 10 yr old girls dress like hookers. This is a culture that has no shame. It destroys all, it demands continual feeding and it demands our love, which we give. We give by buying into the whole logos thing.

One book that's been very influential in my life is the book "No Logos" by Naomi Klein. Here is the horror of our Molech Culture. One thing I do is go to a Gap Store and look at labels, I want to know where things are made. When a store clerk asks me if I want help, I just tell them I'm interested in what country is still be exploited by your company. Surprised I haven't been thrown out.

Molech is the symbol for our culture. Our pop culture needs a name to express what can be its sheer ugliness.

Poetry L & T:The poem about the plastic plant seems to be a comment on more than just artificial things... I would like to know more about the idea behind this poem.

Paul:Well, I thought I needed something a little light in the chapbook, everything else is so dark. For some reason I've inherited a plastic plant in my office. I don't know where it came from and no one is interested in claiming it back. So I wrote it about this plant.

The part at the end about watering it, a joke at myself. When I was at Ground Zero helping out with the Salvation Army there was a couple of plants near our tent. For a few nights, and I always worked the midnight shift, I'd water them. Kept it going for about three nights when one of my team mates came to me and said they were plastic. I had a good laugh, so did they.

Poetry L & T:Which format would you eventually like this chapbook to be published in - a bound book, or perhaps an e-book?

Paul:e-book would be nice, so would a bound book. With the fact that I'm into electronic publishing, I would like it to become an e-book. so if there are any publishers out there.....

Poetry L & T:Your book Hymns To Molech is dedicated to the beat poet Allen Ginsberg... do you feel therefore that satire, prophecy and controversy are more important than ever in modern poetry, since his lifetime?

Paul:If there is a time the voice of satire, controversy and especially prophecy is needed it's now. Of the three, we need the voice of prophecy. The voice that stands and rails against the evil that is being marketed to us. Do we need Allen, more than ever. The quote is that poets are the parliamentarians of the world that must change, we need prophets. When I wrote "postmodern howl", I included allusions to the New Testament, our culture has either lost its soul or sold it. The Prophet is needed to help us regain that which we have lost. Could you imagine if "Howl" had not been written until the last part of the 20th century or even today. What would be the response if someone appeared on television and said: "I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix"? The effect would be incredible. Here is the voice we need to hear. I imagine he would have offended a lot of people, but a lot more would have gotten the vision.

Poetry L & T:Is there anything in modern poetry on the internet that really irritates you?

Paul: No not really. What I truly like is the democratic nature of the Internet. Anyone with access and it could be a library, internet cafe or home can have a voice. All our culture is being absorbed by a small cadre of multinational corporations who are becoming the keepers of the gate deciding who may speak, sing or write or so they think. Then there's the Internet, you can post your work at your own website, place it on a usenet group or send it to an ezine. Your voice can be heard.

I know some may think there are so many voices and that's true, a person might be missed, then again all you have to do is connect with one person who will read what is said and say, 'yeah, that's how I feel', and the result will be shared feeling and reaffirmation of each other's humanity. I am all for people expressing their feelings. Our most precious gift is the freedom of expression. I know there are many who abuse this, but there are many more to whom it is the way to proclaim themselves. I remember the line from Walt Whitman's poem, "Walt Whitman", 'I too am not a bit tamed—I too am untranslatable; I sound my barbaric yawp over the roofs of the world.' I think we need more barbaric yawps sounded over this world.

While not all the material produced is worth reading and trust me some of my material isn't worth reading, we have the freedom to read or ignore. But each work is the result of someone feeling strong enough to put their thoughts on paper.

Poetry L & T:Do you have any favourite poetry websites?

Paul:Yours of course, Artvilla, various poetry ezines, Les Wicks site, Dr. Coral Hull's site, which is fascinating.

Poetry L & T:What would you say to a young poet who asked you how he could improve his work?

Paul:Don't be afraid to put the thoughts down. Find your unique voice. Write. Read what others write. Post your works on the internet, sometimes you'll get good advice and criticism, other times you'll be thrashed. Don't take it personal. Just write. It's like anything else, the more you do the better you will get. Understand some of the material will be unreadable, file those away, or throw them out. But write. Write,write, write.

Poetry L & T:Finally, Paul, what is your main ambition for the future?

Paul:My ambitions? Sometimes it's getting the next issue of the ezine out. For that I want to produce the best I can do, and allow it to be a place where poets can post their work.

Personally my ambition is to enjoy life, to seize it and try to make the world a little better. To enjoy my wife and children and try not to make a mess anywhere. I also want to live as Thoreau wanted to live to suck the marrow out of life. I want to be uncommon. At work recently, one of the staff approached me and told me I'm not like they would expect a person in my position. They said I ride a bike to work, read "Wired" magazine and run races in a Red Dress. To me that is a compliment. The Apostle Paul once wrote: 'don't let the world squeeze you into its mould', that is so true on so many levels. I strive to be an individual in a world that wants clones.

Poetry L & T:Thank you for the interview, Paul.

Paul:Thank you.


Click here to read Paul's poetry...




Editor's Letter, August 2003

Dear Poets,

Welcome to the August 2003 issue of Poetry Life & Times (For those of you reading this on a mirror site and not poetrylifeandtimes.com, click here).

This month's interview features Paul Gilbert, Publisher, Editor and Keeper
of the ezine Above Ground Testing.

Featured Poets this month include Jan Theuninck, Vicki Carrington, Durlabh Singh, Richard Vallance and Jan Sand.

This month, we bring you a very special second annual Vallance Review! Richard has burnt the candle at both ends to compile a lengthy selective historical and contemporary bibliography of 342 citations on the sonnet in Italy, France, England, Canada and the U.S.A. The bibliography is one of the most comprehensive on the Internet today, and will serve as an invaluable resource for academics, researchers, students, poetry enthusiasts, poets and, of course, sonneteers.

Fans of The Perils of Norris cartoon: now you can buy Norris merchandise for home and office, including a stylish wall clock... Click here to visit the store, which is located at CafePress.com. More goodies will be added as soon as we design them! You can also buy merchandise with our Poetry Life & Times logo.

My own poetry can be found mainly on AuthorsDen, these days. The links in the left-hand column of my pages include books and articles as well as poetry. Some of the articles give advice on making chapbooks, or finding publishers - and there is even an item on ghosts. Any comments on this issue or back issues can be emailed to me on the link at the bottom of the page. Announcements are always welcome (brief if possible), you can also promote poetry books here.

Poetry submissions should be in plain text in the body of an email, with a small jpeg author picture attached, also a bio, with the URLs of any ezines mentioned, so that they can be shown as links. This increases the chance of inclusion, especially for late submissions. Pictures are best at a maximum of 520 pixels across, otherwise they take ages to arrive by email, especially in bitmap or TIFF format. I recommend that poets click the submissions link on our main page, for full guidelines, and please, always use a spellchecker.

Poets can submit previously-published work here. If another editor likes it, there's a chance we'll like it too.

Best Regards,

                  




Click title below for this month's Vallance Review feature

Richard Vallance reviews sonnets, both classic and modern.





Featured Poets this month include Jan Theuninck, Vicki Carrington, Durlabh Singh, Richard Vallance and Jan Sand. Many thanks to all contributors.


Jan Theuninck - ORC(°1954)

ORC(°1954) was born in Belgium in 1954 where he lives and works as painter and poet ; autodidact, he is an abstract artist, active in different substyles; most of his work and poetry are based on his social and political convictions; considered as a lone crusader, he's building alliances for a new society. A few works can be found on his website - click here.

Also find information about ORC (°1954) on:
Charlotte's Web at Artvilla

and more of his poetry on these sites:

International Raoul Wallenberg Foundation

www.madpoetry.org

Polygon Wood
© ORC(°1954)

like a shrine you lie in the middle of the wood and warn of those who preach peace and make war
Polygon Wood
© ORC(°1954)

een doodskist ben je in het midden van het bos een waarschuwing voor diegene die vrede predikt en oorlog stookt
"TYNE COT"
© ORC(°1954)

when you left for the front you were living heroes and now you're on top of the hill where only poppies blow..........
"TYNE COT"
© ORC(°1954)

toen jullie naar het front trokken waren jullie levende helden en nu liggen jullie op de heuvel waar alleen papavers bloeien
Silence !
© ORC(°1954)

don't try to be who you are silence ! some more discipline and a cheerful face silence ! your duty is sacred work yourself to death silence ! your only way is "their" way silence !
Zwijg !
© ORC(°1954)

je mag niet zijn wie je bent zwijg ! wat meer discipline en een blij gezicht zwijg ! de plicht is heilig werk je maar dood zwijg ! je enige uitweg is "hun" weg zwijg !
 " Yperite "
© ORC(°1954)

late at night a mist fills the valley. without knowing it suffocates like a dark power. on the fields our dead bodies and under the grass a brown soil
Yperiet
© ORC(°1954)

's avonds laat vult een mist de vallei zonder te beseffen verstikt hij ons als een duistere macht op de velden liggen onze lijken en onder het gras een bruine aarde.

VICKI CARRINGTON

Vicki Carrington began her life in Purley (UK), being educated at schools within the county of Surrey. At 18, she flew the family nest to study a bilingual secretarial certificate at Cambridge College of Arts & Technology and it was her experiences whilst away from home for the first time which, unbeknown to her then, were to have the initial impact on her writing poetry. Returning home from college a few years later, she began to get involved in local theatre and has since played many roles on stage for various amateur theatre groups.

Her passion for the arts encouraged her to express her feelings on paper and with the support of friends, she began to share them with others. She joined the East Grinstead Poets Group in September 2001 and in October won a runners up award for her poem "Fantasy and Freedom" in the Ottaker's & Faber Fifth Annual Poetry Competition. Since then, she has had a number of poems published in the newly released "Millenium Dawn" anthology published by Kedco Studios.

"Although the majority of my poems have been written in more recent years, a lot of the inspiration for them has come from the past. For me, inspiration comes from deep within and thus invariably, from personal experiences" she says. She believes in the idea that we are all angels with one wing and it is only when united, that we are able to fly. "I am forever thankful to those who give me the strength so see my own strength, the courage to seek courage, the hope to believe in hope, the love to find love, and the other wing to fly."

LOST LOVE
© Vicki Carrington

How so quiet the room is now, Such silence stills my heart And the day now spent will drift to dream To fill this time when we’re apart How so calm the air is too Where once such storms of passion rose And the seas had tossed their waves so high And the sand dunes blown from head to toes. How so slow the time now moves, Each second counted one by one, And the moments of the day now seem To settle in the distant sun. ANGELS WITH ONE WING © Vicki Carrington
You and I, we walk our paths Sometimes crossing, Sometimes meeting, Sometimes stopping. And where we cross, we touch each other’s lives, Just for a brief moment. And where we meet, we share our times gone by From your world and from mine. And where we stop is where we embrace as one When we can truly fly. You and I, we are but angels Each with one wing Each with our path Each with our goal. And when we cross, we glimpse the smallest part Of our respective lives. And when we meet, we learn an interest shared, A common ground to find. Only when we stop, our hearts then to embrace Can we but truly fly. OF MICE AND MEN © Vicki Carrington
What makes the mouse so intimidating? Now an elephant, one could understand, But to be scared to the point of standing on a chair, When the mouse is no bigger than my hand, Does not meet with any logic, sense or reason. So the question still I raise is this indeed: What makes the mouse so intimidating? Did someone just decide it was decreed? I know they make a mess if they get into your loft And shred the Christmas wrap left from last year, And yes, because they’re small, they run fast from wall to wall, So perhaps their speed is what we’re s’posed to fear. But really, what makes the mouse so intimidating? Such a tiny little creature on God’s earth. Was it really meant to be, that not one of us should see That the mouse does have a purpose and a worth? After all, just look at science and the research that is done, If it wasn’t for the mouse, where would this be? I have visions of them dying painful deaths for our sakes, crying Out for some kind soul to come and set them free. So what makes the mouse so intimidating? When we’re the ones that breed them to our end. We make them multiply, so that we can live not die And still we never see them as our friend. Please tell me, what makes the mouse so intimidating? And why if one ran into my room, would I still jump to my chair, scream out loud and pull my hair, As if I were next to end up in the tomb? What makes the mouse so intimidating? Is it time to start looking past our fears? To see reality, beyond futility, And make the very most of days and years JOB SATISFACTION © Vicki Carrington
“Good morning ma’am, how may I help you?” “I’m having a really bad day” “Your screen has gone blank and you can’t see a thing” “Well, what d’you expect me to say?” “It was working last night, yes, I got that” “I’ve it heard before many times” “And you’ve touched nothing since, that it should not work” “Your moaning and groaning and whines” “I’ll just do a check – please bear with me” “While I put you on hold and scream out” “You’ve not had this problem before then?” “What on earth is this life all about?” “Have you got anti-virus protection?” “I can hardly believe I’m still here” “And when did you last update it?” “This has been a hell of a year” “Well I may have to run this by Technical” “They give less of a damn than I do” “And get back to you later if that is OK” “I think I shall hide in the loo” “My manager will give me the clearance” “That’s if he’s not still having lunch” “And then we can get them to call you” “They are all such a miserable bunch” “They’ll soon have your screen back up working” “Fat chance. Do I care? No, not I” “Don’t worry it won’t cost you anything” “I’m just sitting here waiting to die” “Now is there some more, I can help with” “If you say yes – I’ll hang up the phone” “Well thank you for calling. Please do call again” “Now pee off and leave me alone”

DURLABH SINGH

I am a poet/artist based in London, England and have been published widely in magazines , journals , anthologies etc.

I have four books of my verse published also , the latest being CHROME RED (ISBN 1898030464)

Durlabh's poems can also be read on
Charlotte's Web at Artvilla

KINCHINJUNGA DANCE
© Durlabh Singh

Protected by Dakinis of all pervading wisdom Blessed by Herukas of the blood drinking kind. May the retinue of the moon chambers Keep prevailing in unimpeded motions Overcoming the shape shifting desires Disability of all the conceptual notions. Opening wraths of gods of magical births With teeth as long as the mountain slabs And mouth as wide as the planet earth. Red haired coloured as the rust Of the evil one with matted dust Honourer of donor of bones in gales Or of blood linens soaked in entrails. Spirits of Kinchinjunga dance Aiding the roots of the corn Offering as lamps to creatures Tranquillity in high sound features Removing the accesses in ignorance Germinating the seeds of fragrance. EPPING FOREST © Durlabh Singh
Spirit of green engendered in liberty Sweeping across the glanded glades Tangled tree spirits in tarnished brief Dancing shades of sunlit lauded leaves. Some reveries of buttercups in a sea of grass Sported squirrels where frolicking en-mass A listed gesture abbotted in a shallow ditch Songs of flyers in myrtled melodious pitch. Conversers of the mind in greenish code Stimulations of heart in a gentler mode Spirits of nubile shadows laying aside Some sultry caresses for the winded bride DISCONTENT © Durlabh Singh
There is within me a detinue discontent Sharply proclaimed like a narrow ledge No consolidations now in ready made In youth’s bloom or in the old age Sickened tears sickened smiles Sickened the stagnant waters Along the scrupled smites. Looking into the sea I measure The immensity of my being. The wind resting Residing on mountain top Sensing its presence I feel the vibrations Of the infinite horizons. To accept sometime A jewel in the desert Away from the refrains Of an endless verse. TREMBLING HANDS © Durlabh Singh
With trembling hands I let go of the furies Kept under my command Staked for offers in foreign lands Where clouds gather on yellow hills. Wailing across the wilderness Where buzzard fly powered by Hot winds blown of desert Slapping the senses into torture. Instructions for the heart To turn up rebellious gestures To melt icicles of the frost With sharpened pen knife Some modes of indifference. Warm sensations spreading From desert to the land of lore The steps onwarding will find A brush with salty oceans Along the sea weeded shores.

           

Click here for August 2003 Featured Poets page 2 --> link for second half of featured poets....




Coming soon - Sara Russell's new e-book Worlds Inside The Head, with
poetry, short stories, videos, wavs and 3D illustrations throughout...


Coming Soon: AN ASHLESS FIRE e-book by Ian Thorpe
4 books in one! Click here for more details....


OUT NOW - CANADIAN SPIRIT VOICES
by Richard Vallance...

Photo © by Richard Vallance, 1993 (Northern Ontario)

Canadian Spirit Voices is now available from Kedco Studios Press (Las Vegas, Nevada, U.S.A.)... in a full multi-media CD book, consisting of poetry, prose, the essay, original MIDI music and plenty of splendid artistic illustrations. The CD-ROM book is the equivalent of a hard-copy book in excess of 500 pages! For more detailed information on this book, please click here:poesieslaissezfaire.homestead.com.


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Q U I C K I E S

- a new e-book of erotic/humorous stories for women
by Sara L. Russell and Patricia diMiere. Published by
Kedco Studios Artist Profile Press - ISBN 1-878431-42-0, $12.50
Original, funky and rather naughty, with many a twist in the tales.



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MILLENNIUM DAWN

anthology, by Kedco Studios Artist Profile Press.
An exciting collection of award-winning poetry and short stories.

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