Featured poets this month include Vivien Steels, James Schwartz, Christopher Barnes,
Jody Kuchar , Taylor Graham, Ron Cervero






JODY KUCHAR

Jody Kuchar is an artist, writer of poetry, fiction and essay, is
founder and managing editor of www.ScribeSpirit.org, another
contribution to the glut of eZines.  Jody has been writing since the
Jurassic period, and is now owned by a demanding and loquacious parrot
(whose favorite word is "Wanker").
Jody currently lives in the armpit of north America, Indiana.  She is
slowly moving south in search of warmth, sunshine and fried catfish.

Recommended further reading:
www.ScribeSpirit.org,




HAIKU and other poems

by Jody Kuchar



HAIKU


On white snow
with grey shadows
the hand of nature
writes
calligraphy




silent?  not so ...
the rain drops echo
listening; pianissimo



North Georgia Winter (December 2006)


long needled pine forests'
silent sentinels -
wood storks
standing erect
like feathered nutcrackers
this winter day.
snow gathering
on their backs
and bobcat hunting
on the red dirt below.


______________________________________________
(NOTE: Originally published in ScribeSpirit, July 2006. Also
Published in Tipton Poetry Journal, Fall 2006)


Origins


Words
Tossed upon my blank sheet
like I Ching sticks
fall where they will;
echo from the left hemisphere.
(she's a 'righty').

Secret code
cracked with synapse
and articulation,
regulated millisecond by millisecond,
and
translated by Mr Larynx, Ms Palate.

"Who is Broca?", she asks naively
while sitting at my desk,
a parrot on her shoulder
digging through her sylvian fissure
for meaty parallels
and crackers.

"Broca is phylogenetically older than I",
is my reply
"and is friend to apes and psittaciformes."
She asks to be excused.



There are no Boundaries to the Soul


There are no boundaries to the soul
as there are to flesh and blood

across miles, across oceans,
across barriers of words

life fills the ever growing bowl
with a panoramic flood

of gain and loss
lifting spirit upward

beyond gender
beyond age

without pathos
always forwards

to silence: bell without clapper
conflict assuaged.



c. Jody Kuchar, 2007.

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JAMES SCHWARTZ

JAMES SCHWARTZ is a poet, slam performer and writer.
He is the author of several poetry chapbooks including
THE SCARLET BAND AND OTHER POEMS.
     http://ajscyberreader.tripod.com




Five Poems

© by  JAMES SCHWARTZ


"Christopher Street: A Sonnet"


A street of legends and of dreams
That never ends and never starts
Like a spring morning it gleams
A separate courage then mens' hearts
It takes a man with a sure trod
It takes a man not fabricated
To leave home and face the odd
Embracing the merry and elated
To be free, unopressed, uncloaked
To give and not to take
Not running back to the repressed and choked
Only given hearts' can break
Knowing courage in their defeat
Upon golden shining Christopher street.



"Tallahassee"

Black Tallahassee nights
Wet Tallahassee days
It's been awhile now since we've went our separate
ways
I'm smoking my last cigarette
I'm smoking my last blunt
Watching the rain fall
Wondering why you front...

Black boys in white shirts
Sometimes they come in
They're not around today
Too tired to commit a sin
In the east there's a war
But it's not over me
Only in my stupid heart will I finally see...

I'm the last to leave the party
I never could take a hint
Outside the rain falls harder
As I serve out my stint
A long way from home
You're busy, unlike me
I'm watching the Tallahassee rain
and at last I think I see...

"Trick Doll"

The pie is mouldering in the safe
I better cut a slice before it's rot
pollutes what therein is left
of his beauty that I forgot;

The trick is still a treat
The trick is to clean my plate
on my knees before him
only the liquor is taken straight;

Man on man, night to dawn
He takes control of my lips
hot tongues and breath collide
He pushes into my breathless hips;

The cake is left out in the rain
as a child's doll left in the park
My body a sacred temple
seeking redemption in the dark;

The trick is still a treat
The treat is in the trick
his spear and his seduction
cutting to the bone and quick;

Man on man, night to light
Kicked off jeans, muttered porn
steady hands, trembling lips
I am gone with the morn...

"Blonde"

 In a world that was cold 
and a world that was frozen
I saw all that was good
and all that was chosen...

And the sun in his hair
turned it´s pale beauty gold
in a world that was frozen
and a world that was cold...

And when the world turned warm
and spring perfumed the air
his ghost haunted me
and the sun was in his hair...

And when August came
it brought summer rains
and he was dancing
and the sun was in his hair.


"Seven Raptures"



He fell down before the sacred priest

He fell down before
the secret grave
He fell down before his broken heart
He fell down before Christ's suffering gaze
He fell down before the altar
He fell down before the mystic seas
He fell down before my painted eyes
When wasn't the boy on his knees?


© James Schwartz 2007
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Christopher Barnes

in 1998 I won a Northern Arts writers award.  In July 200 I read at Waterstones bookshop to promote the anthology 'Titles Are Bitches'.  Christmas 2001 I debuted at Newcastle's famous Morden Tower doing a reading of my poems.  Each year I read for Proudwords lesbian and gay writing festival and I partake in workshops.  2005 saw the publication of my collection LOVEBITES published by Chanticleer Press, 6/1 Jamaica Mews, Edinburgh. I also have a BBC webpage  http://www.bbc.co.uk/tyne/gay.2004/05/section_28.shtml and http://www.bbc.co.uk/tyne/videonation/stories/gay_history.shtml (if first site does not work click on SECTION 28 on second site.)

 
Christmas 2001 The Northern Cultural Skills Partnership sponsored me to be mentored by Andy Croft in conjunction with New Writing North.  I   made a radio programme for Web FM community radio about my writing group.  October-November 2005, I entered a poem/visual image into the art exhibition The Art Cafe Project, his piece Post-Mark was shown in Betty's Newcastle.  This event was sponsored by Pride On The Tyne.  I  made a digital film with artists Kate Sweeney and Julie Ballands at a film making workshop called Out Of The Picture which was shown at the festival party for Proudwords.  The film is going into an archive at The Discovery Museum  in Newcastle and contains my poem The Old Heave-Ho.  I worked on a collaborative art and literature project called How Gay Are Your Genes, facilitated by Lisa Mathews (poet) which  exhibited at The Hatton Gallery, Newcastle University before touring the country and it is expected to go abroad,  funded by The Policy, Ethics and Life Sciences Research Institute, Bioscience Centre at Newcastle's Centre for Life.  I was  involved in the Five Arts Cities poetry postcard event which exhibited  at The Seven Stories children's literature building.  In May I had 2006 a solo art/poetry exhibition at The People's Theatre

 
The South Bank Centre in London recorded my poem "The Holiday I Never Had" (click to listen).

Gristle And Hair + Other Poems
© Christopher Barnes

GRISTLE AND HAIR

The scourings of time on the Colony club lino
Lose momentum to an afternoon, circumstance.
Lucien collapses inhibitions in brass-coloured whiskey,
No one’s suffering is hangdog here.  Misdemeanours
Of the penal code
Are by nature invited to spiral
Through the rootless fumes of the barroom.
 
Muriel, the instinctive procuress
On a steeple-stack stool is the grandee
Of a nub of garbled substance,
She’s Deacon’s bailiff as he touts
Bosomy pics for cabin boys,
She’s a fixer of queer arrangements.
 
Henrietta is spiked,
Floury crystals airborne in serum
And in her heart a casino chip’s circling,
Always relied upon to take a chance.
 
And Francis is half-seas over
Tackling the bar in grips, disturbing by impulse,
Surveying by potluck – tatty in Soho.
 
From "the Francis Bacon poems"



GROOM

The spuggie who squats
In the Kwik Save bag
Coins the word ‘veto’ (otherwise engaged),
 
Does not see fit
To clean-sweep till roll
Nor hasping holes
Recoiling rain.
 
Neither will he crush
Pour homme promos for nesting;
He’s found the itch
To delouse.
 

 

‘GUERITE I.M.

A sombre lure
Of censor, magic stick.
And the wide margined world
Over which she muttered
Turns O-shaped,
And seems emptier.
 

GUGLIEMO MARCONI’S RADIO

Artic chill since morning
Pupils shift –
Frosty glass
Debris on foreshore
The distance, mottled streets
Greying,
Snow-white sky.
 
The rough-hewn receiver
Corpse of coil
Storm-smashed in the violence,
The elements of progress.
 
I attach
The simple earphone
Listening to vibrations
Moving indefinite motes,
          Geosphere
                          Oggin tide
                                         Atmosphere
 
Small planets,
Watery sunlight
Recoiling at edges,
Physical realignments.
 
Pulses from Poldho
Bleeping like bats
Over the Atlantic
Unimpeded by miles,
Cutting waves,
The curvature of the globe.
 


c. All poems by Christopher Barnes, 2007. UK.

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TAYLOR GRAHAM


Taylor Graham is a volunteer search-and-rescue dog handler in the Sierra Nevada of California, and also helps her husband (a retired forester/wildlife biologist) with his field projects. A native Californian, she studied for a year in Germany and has also lived in Alaska and Virginia. She and her husband have responded with their trained dogs tohundreds of searches for missing persons and disaster victims, including the Mexico City earthquake of 1985.

Her poems have appeared widely, including America, Grand Street, The Iowa Review, The New York Quarterly, Poetry International, and Southern Humanities Review, and she’s included in the anthology, California Poetry: Gold Rush to the Present. Her newest book, The Downstairs Dance Floor (Texas Review Press, 2006), is winner of the Robert Phillips Poetry Chapbook Prize.



Recommended Further Reading:

Taylor Graham 's Website



FEEDER FISH and OTHER POEMS

by Taylor Graham


FEEDER FISH

Amber, gold and flecked with silver,
ebony-striped, and only
29 cents apiece, a swarm of swimming
in a narrow tank. Lacy fins and
flashes, silken curves to show
the shape of water.

Your daughter pointed
“that one,” “that.” In a bowl
at home, one fish died and then
the other. No one told you
about feeder-fish, the kind
spawned to be eaten

by something with a bigger
mouth; the ones that flick their
fools-gold, tip
their silver scales,
for no good reason
die.


BEN IN AUGUST

The fluffy gray dog pants
in easy rhythm at your feet
while you shape-shift

to coyote
who sometimes signals from down
the ridge in the dark.

Your new computer works
on one-cell human batteries,
you’re plugged in to Tuesday

morning air,
a marathon which the rest of us
don’t give a thought to:

breathing.
Life’s a zigzag
between the crossed-off

images and your next-minute
future. A mouse-
click, and here you are,

between generations: old
Ben begetting young Ben by
means of a one-soul battery,

till a mortal poet
assumes voices biblical
and the used-up oxygen rises

on its elevator cable
from your lungs, a metered hum
against “the quiet world

of the dying to dance,”
the mouse in your hand like
a diehard starter.


E=MC²


Conversion of energy into mass. The baby
crying myself! Each moment heavier, expanding
into its mother’s arms at the speed
of morning. Twisting against the maternal
grasp. Learning the words for I my, memorizing
its self as in a mirror,

a quantum of light carries energy.
As it changes into mass, the particles
veer away from each other. In 9th grade algebra
his mind dissolves into classroom glass,
becomes a sparrow to the elm tree’s highest
limb, song without number. Caught
in an equation, his other mind.

In reverse, mass converts into pure energy
as it flies apart. Between steel rails
of the hospital bed, the child’s old body grows
thin as its own reflection, energy trapped
for yet another moment, about to shatter.


BRAIN SURGERY

My best-friend told me marriage is a war.
And then you just subsided to the floor,
your eyes blanked out, bottom of the stair.
On the dinner table sits that one ripe pear
we coveted, as if there were no more

pears in the world. I don’t care anymore
for fruit, the flesh about a seedy core.
For years I’ve walked beside you, unaware,
    my best friend

without saying. The rest I could ignore;
call them too intense, peevish, or a bore.
I’m holding to you like a wish for air,
as if the great night deepened to prepare
its morning, ocean rushed to greet its shore.
        My best friend.

c. All poems by Taylor Graham.

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Ron Cervero

resides in New Haven, CT

He began writing poetry in the late 80’s when he worked in the TV & filmindustry in Los Angeles, CA

Ron has been publishedin: DeComp Magazine, Other Voices International, NYC Poetz, Scream of the Buddha Magazine, BlueHouse, Verse Marauder, Praise Nation, Poetry Life & Times-London, StrangeRoad, Flask Review and more. Ron is also the editor of Lost Beat Poetry. His first book is called “ Cranial Speedway.”


Recommended Further Reading:

Click on the book cover:




METAL CONCERT and other poems

By c. RON CERVERO


Metal Concert

 Had the chance to go to the metal concert 
Drugs & alcohol were my only friends
I liked it that way
And I only played with them alone

The way the band played was on key

But the people were magnified wrong
Crowds, crushing...

Wanted to go home and
listen
to the Beatles with my only friends

Defender of Words

 We stand in defense of our blessed words 

Defiant of changes

Frigid voice

Ass over tea kettle

Critique?

No exits – no confrontation

A squad of cheerleaders between your ears

Ridiculous ego & pride

You’re the best baby!

Rah, Rah…


Jephetto

 I was brought up in shadows 
Parents Vacant

A ghostly father
Mostly heard

Mom said: “later”

Pain & confusion was my legacy
Living broken was my creed

Spending life times in counseling just longing
to find Jephetto

The one that fixes broken toys…

My Cellar Window

My life had become unbearable.

Too many chances.

Not enough time.

I contemplated suicide, but didn’t,

know how to pull it off.

I practiced by jumping out of the cellar window.

Crazy town.

Nightmare “X” --

A man called Vivid came to visit,
through the dark eyes of a killer.
People from here to there.
My teeth were falling out,
and I was spitting blood like a fire hose.
I was forced to smile to prove my dementia.
While crawling on the ground I picked,
up my teeth from the tile floor, and put
them in my front pocket.
Vivid took me to the carnival.
On the way, he started bitching at me for,
not watching the “Christmas Story” marathon.
I see the roller coaster…
Let me out before my mind explodes.
It was a bad trip, but a trip none the less.
Vivid began hitting me in the mouth with a steel
pipe.
Just another day in crazy town…


c. All poems by Ron Cervero, 2007.

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VIVIEN STEELS

Vivien Steels is a poet and a painter, who has been widely published in poetry presses and on the Internet, sometimes with artwork.  Her work is deeply influenced by the natural world, which she often uses as symbolism for the spiritual.  Her paintings are intertwined with her poems, which they illustrate and she has exhibitions of her paintings and poems.  Vivien has designed/produced three collections of her illustrated poems - *PROMISE*, *MANDALA* and recently *SECRETS*.  She has designed three websites featuring her poetry, artwork and prose, the main one being "TALKING PAINT" @ http://talkingpaint.mysite.orange.co.uk .  She also writes short stories and articles.  Vivien lives in Nottingham , England .


Visit Vivien's art/poetry/pet websites

Ransacked and other poems

by c. Vivien Steels


Ransacked

The room has been ransacked.

Nothing is in its right place.
A bag of snakes is heaving,
seething where my mind once stood.
Nothing flies to my tree anymore.
Day is night,
and night is night.
Shapes and colours fight,
but get nowhere
and nothingness hits
that void at the centre
where I used to be.
 
Things will not hold.
Normal default settings
are now faulty.
Thoughts freeze,
suspended in mid-air
with no access.
White is black,
and black is black –
very black.
Just black,
and ransacked.
 

A LIFE BARELY LIVED

Eleven – hunched, face fixed, rigid,
staring out of photograph at ground,
while sister smiled,
snapshot of pain
after joy of childhood,
when twelve months later
mental hospital became home
for seventy years,
drowned in sleep –
Encephalitis Lethargica –
trapped trance-like, aware,
while world whirled past,
communication ceasing,
disappearing from normal life –
father, mother, sister, friends –
into living death
development frozen in time,
in limbo,
neither dead nor alive,
until fatal infection
finished a life barely lived.
 

ANOREXIA

Stick-thin –
a skeleton
to hang clothes on –
but the mirror
always lies,
and folds of fat
drape over bones
allowing me to
effect control
over my chaotic world
by counting the calories
in a lettuce leaf,
reducing life
to a series of
gourmet-free transactions
amidst a barren world.
 

DEVIL'S ADVICE TO SUBURBIA

My talk is riveted with half-truths.
My tongue splits revealing black breath.
I know truth –
sometimes I speak it –
but my straight is a diagonal,
my aim, a forked dart.
 
Beware the sinuous snaking of my mind.
The wrong made to appear as right,
the hate made to live as love,
the cruelty dealt out as kindness,
the pain sauntering as pleasure.
 
 
You have heard my voice, often.
The more I tell you, the less you know.
I strike hard, but run gibbering.
My halls wind maze-like,
but once learnt, as a trick,
the route rearranges.
 
Beware the temptation of my talent,
the coolness of my heat,
the measured pace of my quickness,
the softness of my steel.
 
I can kill.
Mine is the lingering death midst life,
mine is the poison falling drop by day,
mine is the slander left crawling.
  Beware!
 

SADNESS

Sadness is the sighing wind.
Sadness is the smell of night.
Sadness is the feel of autumn.
Sadness is a shade of black.
Sadness is the taste of loss.
 
Sadness is losing your way.
Sadness is an opportunity gone.
Sadness is an empty life.
Sadness is a gaping hole.
Sadness is an unreachable world.

THAT TIME

That time between night and dawn
when the air fizzes –
duel of dark and light
fighting through the empty house –
cold, damp,
clinging to blackness.
Energy levels zap zero,
yet your list indicates
twenty tasks to do.
Computer spits errors
(no e-mails),
phones shriek constantly
where a weeping Yew
carries a nestful of dead bluetits;
where an unrepentant road
carries a dead rabbit.
Sun, relentless, draws day
into a waiting sky,
life-sounds call to you,
but it is that time –
you’re confined to bed
  and you know someone you like,
    doesn’t like you.

  c. All rights by Vivien Steels, 2007

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Many thanks Again  to all contributors.