(September 2004) Page 2



RICHARD VALLANCE

About Richard Vallance.

  Born in Guelph, Ontario, Canada, March 11th., 1945, Richard Vallance, H.B.A., M.L.S, is fluently bilingual in English and French, and reads Spanish and Italian, ancient Greek and Latin well.  He wrote his first major poem at the age of 18, in 1963.  For years, Richard wrote mainly in the field of Library and Information Science. At Chicago, in October, 1983, he won the $1,000 Data Courier Award for Excellence in Online Published Papers.

Poetry:

Richard has composed over 2,500 poems.  In 1998, he published his first full book of poetry, A Quilt of Sonnets: Forty Four Familiar Poems, Ottawa: Providence Road Press, © 1998. 56 pp. ISBN 1-896243-07-x.  In February, 2001, Richard founded his first poetry discussion group, Describe Adonis, for sonneteers. All of Richard's poetry groups have now been transferred to Smartgroups (UK), under the banner The New Pleiades = la nouvelle Pléiade.

Richard's world class poetry page is Poesie’s laissez-faire Faire Foire, which showcases over 40 poets worldwide.  PLFFF features sonnets, haiku, contemporary and historical poetry, and grants the monthly Prix laissez-faire Faire Foire Award . PLFFF is a member of Phenomenal Men of The Web: Arts & Humanities.

Richard is the Editor of 3 Canadian poetry E-Zines, accessible here, Poetry Journals.  Since September, 2001, Richard has been the poetry reviewer for Poetry Life and Times, which features the monthly Vallance Review. He is also regular contributor to the same E-Zine. Richard is also often featured with the U.S. Amerindian E-Zine, Autumn Leaves and in the US print poetry journal, The Neovictorian/Cochlea (Madison, Wisconsin).

CD-ROM Books:

1. 10 of Richard's poems were included in Millennium Dawn, Kedco Studios Press, Las Vegas, NV, © 2002 ISBN 1-878431-38-2.
2. Richard’s CD-ROM book, Canadian Spirit Voices, Kedco Studios, Las Vegas, NV © 2003, ISBN 1-878431-44-7, some 500 pp. long, contains over 130 of his poems, almost 300 haiku, 32 translations of poetry in ancient Greek, Latin, Italian, German and French into English poems by the author, a novella, DENIZEN, and the 100 + pp. essay, "The Historical Evolution of the Sonnet".
3. Richard is the co-author of Canadian Spirit Photos, Kedco Studios © 2004, ISBN 1-878431-48-X, along with Colette & Louis-Dominique Genest.  This book contains over 2,000 photos.
4. He is to co-editor, along with Tyler Joseph Wiseman of the USA, of The New Pleiades Anthology of Poetry = le Florilège de la nouvelle Pléiade, Kedco Studios, ISBN ISBN 1-878431-52-8 to be published in 2005.
5. He is co-editor with Sondra Ball of the USA, of The Human Face = le Visage humain, Kedco Studios, ISBN ISBN 1-878431-52-X, also to be published in 2005.

CONTACT:  Richard Vallance (Coolgoose.ca)

Ad Lyram 2004, after Casimir's AD LYRAM 1646
© Richard Vallance 2004

Aeolian, you'll play on the mind! Lyre, can we know why your wild strings spellbind us, or how your songs bind us to your welling, wind-swept strings? We've often listened to your songs weave in and out of glad July's dusks where your echoes last so long as song's welled in our cirrused eyes! Your airs, our ear's successives, prized from 1 boxwood's boughs, leave leaves well stippled rhythmics rippling surprised, seeing us weeping to your spell. Were, a passing moment's, leaves stilled, where a Southerly's sailed on through, that's trebled leaves, unwilling, willed to chorus songs with us to you? A while, perhaps as long as I, you'll pause too, to learn the lyre sings so tellingly, we knowing why hummingbirds listen on spent wings! Unless, I fear, our thoughts serene are overcast as fast as gusts pour rainsqualls down our hill's ravine we sigh to leave, though leave we must... The songs we leave, whose sheer delights, measured as long as your measures last, fade, lyre, as you must in night's halls that have entombed your treasures! * * * Olympiada XXVIII Haiku 2004 © Richard Vallance 2004
1. Aegean Sea so cool, azure where dolphins leap and light, yours? -- scatters. 2. Our Akropolis, mariners' sun bleached beacon, for 2 millennia. 3. Olympiada, 753 B.C., disci flung for 1 olived wreath. 4. Olympics XXVIII 2004: that marathon's won in an intense heat. 5. Wild spectators line Athens' crooked lanes, blue and white pennants waving high. 6. Athletes so intense they collapse or faint in dusts, even by evening. 7. Athens, August 27, where the sunset and the crowds scatter into cirrus. * * *
My Carousel Home is:

From here you may reach all our Yahoo Poetry Groups, our E-Zines and lots of poetry by many fine poets.

Jan Sand in New York

JAN SAND, poet and illustrator from New York (now residing in Helsinki), is a regular contributor to Poetry Life & Times and the newsgroup alt.arts.poetry.comments. A great deal of his work is about animals, or science fiction.

Recently Jan was published by Kedco Studios Artist Profile Press, on their latest CD ROM e-book, "A Way With Words (Poetry Real and Surreal), which also includes complete books by Dale Houstman, Sara L. Russell and Keith Gabriel Hendricks. Jan's illustrated book on the CD is called "Wild Figments And Odd Conjectures", which is also sold separately, in a limited-edition "single" CD.

To see an illustrated article about Jan's poems, visit the November '98 issue of Poetry Life & Times, and scroll down past the Editor's Letter. He also has his own poetry pages on Charlotte's Web at Artvilla.

FILES
© Jan Sand

I have seen cemeteries Throughout the world. Military cemeteries where Identical crosses stab the earth In the manner of the letter “T” Produced by holding down the key Of a word processor. In Istanbul the headstones Are marvelous twists of carved stone. Other places are well populated With angels, cupids, birds, Faceless shrouded figures. There are great shafts of polished rock, Large blocks, small blocks. Icons. Some cemeteries are as neat as golf courses. Others are rocky brambles, broken stones. People have been filed under stones Which are labeled what and where and when and who. But the files themselves Are missing. MAGIC © Jan Sand
When Death closes its fist There is magic. The open bony hand of Death Does not release a white dove Nor a butterfly Nor a pink eyed rabbit with long ears. Merely dust which flows Through the fleshless fingers Along with a few crumbs of bone. It is magic Like the pretty girl Who is no longer in the box Bu now stands up in the spotlight At the back of the audience To wild applause. The beloved dead are now Safely in my head Where, in quiet moments, In dreams, We talk and argue and laugh And attend the circus To wild applause. WATER © Jan Sand
Innocent enough in itself in itself, Not much to catch the concerned mind, Locally, at least, in planetary terms, It lubricates the daily grind, Performs the vital roles in cooking, cleaning, And, a hot seductive tub can soothe away The problems of a troubled day. But the slightest introspection will lay out That this common stuff is probably What we’re all about. Teenie weenie bags of flavored water Jumbled with a trace of other elements Have conjoined in communal enterprise To produce, in three billion years, Endless capability to invent and surprise, Once parsed out from the ocean In a way to stifle sloshing, Dealing in its unique way To animate (I’m not joshing) The air, the rocks, and sundry other things To fabricate an eye, a leg, a bone or two To transmute this junk into me, And, of course, you. But now’s no time to relax, ‘Cause water is, I guess, Just beginning in its acts To fool around with this mess We call “The Planet Earth”. The protozoa were quite fun But simple, at the start. Sophistication has begun And mankind will take part With digital components And bones of stainless steel. Water will begin to realize Its ambitions, now, for real. So, heigh-ho for Europa Where water is profuse. A moon, now, forbidding And of little use. But once our water magic Armored in human form Can fling itself across the gap, Life’s hold on this cold globe Will be a snap.
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