(June 2003) Page 2



ROBIN HISLOP OUZMAN

The Profile Robin Ouzman Hislop. Yahoo Groups.

Poet, translator, travelling & family man. A great deal of my life has been spent out of England, where I was born and spent my childhood in Lyme Regis. I lived in Scotland, which was my mother's side, and take the name Hislop, as writer's name from her family.

I read Philosophy & Religion. Manchester University. Resident at Pakistan, Lahore. Studies at Punjab University, New Campus, Lahore: Sufism (Tasawuf), Jalal-U-Din Rumi and Ibn Arabi, Islamic philosophy.

Resident in Spain until December 1998 (Madrid and Salamanca): Organization of bilingual poetry readings at Casa do Brasil, Madrid Complutense University, Escuela Oficial de Idiomas, (Madrid Official School of Languages), Cafés Manuela and Magerit, O’Connors Pub, Madrid, El Ateneo and El Corrillo in Salamanca.

Translation of poetry include : 1927 Generation Poets. Selection of F.G. Lorca, Luis Cernuda, Rafael Alberti, M. Altolaguirre, Miguel Hernandez and Vicente Aleixandre’s poems, published at Contemporary Literature in Translation, Granite, Mundus, Artium, Prism International.

At present situated in UK, Diploma in Latin American Studies, Sheffield University, bursary awards enabled me to work translating Diosas Blancas a Contemporary Anthology of Female Poets, Edited Ramon Buenaventura 1983, at Casa del Traductor, Tarazona, Spain & work in collaboration from English to Spanish, James Stephens Fairy Stories, at The Tyrone Guthrie Centre, Anamaghkerrig, Co Mahon, Eire.

Last year I appeared in Dawn Millennium, Kedoc Studios Las Vegas, Nevada, see http://www.artvilla.com/kedco-ap/freepage.htm & am due to appear in their next forthcoming publication Chrystal Dawn. I am interested in Revivalist movements in modern poetry, some of my recent work, links & other publications can be found at

http://www.authorsden.com/robinouzmanhislop

KARMA
© Robin Hislop Ouzman 2003

Note from Editor: This is the full version of the poem reviewed in this month's Vallance Review. The sonnet Karma is but one part... Part 1. 1. i. Sonnetto: April Fool. There is no room for bitterness in the quest, what might have been might not have been that I were born, yet grief be remorseless. O prescient dawn that to twilight turns, time ruins, what caveat the dust? Have all my errors been in vain but for blame? Fair is foul & foul is fair truth conceals at what e’er a gambler’s dice throw reveals, as play to win or lose chooses not if love be chance or dance of chaos! "What if" is an unequal opposite, where heart must lose to be born, forsaken & bereft, to begin to yearn. ii. Vagina Moon. Moon water, moon egg upon waters, moon tide, moon face, earth, sky, moon eye, ear, mouth, moon voice, moon echo, moon mirage, moon river silver to the pond’s moon lotus, moon sea, moonlight, virgin moon, vagina moon spawning the womb of time, moon tomb of the unborn, the born & yet to be born, moon mound, moon rim, moon procession, moon abysm. iii. So serene a day is fit for war But never in the tempest roar Better by far to stay within & manufacture ammunition Or better still have an orgy Liberation instead of tyranny. iv. Sunday Afternoon with Suibine. Carnal carnivalesque on walls cavort with stone age brain & chimpanze heart. Water, electricity & sewers, desmene of rats, rabbit cats, ravenous toads with kangeroo leaps, as the elephants come trampling corn & the locusts swarm through thin blue & white walls in Ariel steam, as spiders scurry to their crannies abandoning molten dewy nets with which he robes his naked self in frails fronds, host to a house of ghosts. v. Sonnetto. Since you’ve been gone, he can’t go home again, though the road still be long, time is running out for him, in the rain, not going on. At times beneath the eves, he seems to hear you breath, yet you elude, like the breeze. Grief turns cold & then numb, what’s done cannot be undone. Call it as you may, folly of youth, if that were all the simple truth, for now it seems end has no name, after you & he can’t go home again. vi. Infinity seems a rainbow hung on a washing line, The long day thins on the throat of a bird’s song Following the fading horizon until it rises again. Follow then the moon, which in truth pursues the born Demagogue sun rising & setting the next new horizon. vii. Karma.* Conflicts begin & end Limits of this ephemeral world In its womb of time, Where none can tell what is held As destiny in world of multiple illusion, In world within world Within world without end, Where Divine Karma, La Musa, Reveals in mirage infinite order, Wherein we only seem to dream & be dreamed within a dream, To come & go & return again, As do the sands in that light, Which are our day & night. *After E A Poe. Dream within a Dream. viii. Ancestoral Echoes Still & silent, yet with voice, there in the walls, which I adorn, waiting, listening. I here, you there, I hear you there, you hear me here. Both attending the rite, knowing, calling from our distant tower tops falling, between here & there, waiting, in the breach, beyond reach, beyond reach, waiting, as echoes do in mirrors. ix.* Teiresias speaks: The thread you hold Eurydice, unwind and rewind, does not release you nor him, the one who stands before you as a God to rescue you on a condition he will forget, forget you, who will fade a faceless shade into the shades from the world of light which reclaims him. You dream the immanence on your brow will fade for him where he calls you to return, he is but the sun in your hair, where you blind him. O Orpheus, Eurydice, queen of life in death, once again draws you from the world of light, where she had sent you, the furies beset you, their voices pursue you, a firebrand beacon to the sea’s final precipices,your head now borne on the bier her maenads bear, as caryatids of the underworld. Orpheus speaks: O Maenads, tear me limb to limb, I would the mushroom flower in my brain as the crescendo of a flame from which the moth knows no return & I born to a moon, where no other days return. *After Margret Atwood’s section of poems on Orpheus & Eurydice. x. Waking & Sleeping Dream. Dreams I forget on waking, yet have wept to find the day still nightmare. Lost world sought, you have bound me to wake from dream of memory to dream of forgetfulness, to go down distant corridors of doors, that open & close before & behind, as each reveals a leaving, apparitions chained on a scaffold sky. Lost world sought on the borne barge tide, bier bearer of the dead, sudden in dread alive again, a dreaming bone, hands clasped on foam, as moons around the heart orbit its moments between heart beats, eye to eye, ear to ear. Lost world sought from dream forgotten to dream remembered on the summit, as nightmare returns to drown the trodden waters, as hands unclasp beneath the relentless tourbillions drawn as you pull forth, a writhing living thing on the whip of lightening strike, a shimmering flash in chrystal prism, as the deluge of ruins is again devoured. There is no escape, the trap door opens & closes & we are hung to a drop, to a world found & lost, a world lost & found, so caught, we remember to forget a dream of memory, in dream of forgetfulness. xi. Let go the falling leaves, The black bud bursting green, Blossoming, let go the seasons, The causes you live & die to also, Apart the dew, this dewdrop World, even that let go too. Part. 2. Time. 1.) i. Time is a fractalula quantifying the parade, a fractured crack, water thins to the inevitable drop, cadence transfers to cascade, the sea meets the shore, infinitismal patterns, appear & fade: time is a bird on a tree. Time is a shock. Time is the voice that steals its echo then calls to collect. Time is the countdown prism in the minds eye, ice that bursts the rock & thaws to deluge, letters & numbers that dance to a symphony of chaos. The waters move & time is still. God is time in the womb of time, eschewed. Petals fall to earth devouring rebirth, fast & slow, time is a place in the world, time is a kiss that bleeds & congeals. ii. Now that You're Gone.* If I have loved, now that you're gone, it still goes on. If I have loved, it were in different kinds of love, & if they have gone, they still live on. But now that you're gone, who's to compare to the queen of dawn, not that I did compare, but I do compare, now that you're gone. *Dedicado a Tove Schwarzott. 2.) i. Pathos : Ethos. Gilgamesh was not immortal made & Condemned as a brave man to meet his coward. Gilgamesh is not born a God Because he had failed in paradise. He was born a face on the moon, Became the zodiac’s skeleton, A faun in a womb, An embryo to be born & robes of flesh adorn. He was born the Son of Time & from his sacrifice was born the Mysteries Elysian, the White Bull Dionysian & the Songs Orphian. The Son of Man is born To a Virgin Moon Ishtar is her name. The Fall of the Tower of Babel, A Sarcophagus in rubble, & Byzantium is born. Gilgamesh cut in two The Whore of Babylon, but she Like the severed worm Ever grew again, her hydra headed fame. War was in heaven between the deities, Born were the epics of pantheons & she to adorn The Hydra Headed Whore of Babylon. O Great Classic Imperiums, How I applaud you, Echoes in your auditorium. Time predicates becoming in the abysm. Time is a metaphor Describing age on a plane of observation, Awaiting the wind in my hair. ii. Song of Eurydice. * He is my song & I listen at the window with my candles, moths & butterflies, in wind & rain or any season to his song, naked in my white gown, calling me down. His eyes always gleam, in a face paler than the moon, he sings of fire & ice, or more radiant than the sun of days without ending, or of mists, where memories return as rhapsodies & again to echoes whispering my name. He is my love & he calls me down to where he stands veined in marble glistening sheen, & I touch the silver of his heart, the jasmine azure of his throat & his marble lips of song poured into me as a cauldron. He has crowned me & kissed my foot, bathed in my blood, suckled my breast, he has been my lover who gave me no rest & now in my hands I hold his severed head & listen to his song, calling me down. *After Hilary Monroe. The Cypress on the Lawn. Copyright Robin Ouzman Hislop 2003 All rights reserved.
REGIS AUFFRAY

Regis says, of his poetry:

"I have been writing poetry on and off since the age of nine. I have always loved words and the power of a well written piece of literature. Poems come to me without warning or seeking. I am often surprised by the sudden inspiration and urge to write down in words the images and emotions which unexpectedly come to me."

MARYLIN'S JACKET
© Regis Auffray

Marilyn's jacket in the closet looks lonely only two other items there hanging like draining meat or drying fish she must have loved animals all that soft leather and fur i imagine her foxy female face cuddled among the silver hairs her ruby lips her too white teeth i can't believe she could wear this i wouldn't i couldn't i shouldn't but... ...the waves of my conscience now no longer reach the shore of my yesterday's rights and wrongs and life goes on SWIRL © Regis Auffray
Under the influence of snowflakes, my pick of palaces – amidst fingerprints of the blinding snowstorm, uniqueness reigns in cascading similarity There is no place for ennui, and boredom is unknown. In the brisk exhilaration of winter winds, snowflake palaces swirl out an open door – the portal to another world – and possibilities New World Order © Regis Auffray
I seek the soothing solace of the sea But face the sting of desert storms I hope for dreams But nightmares Raise their dragon heads And belch anger And spew terror I search for certainty But feel my beliefs crumble Like sandcastles on the beach As the untiring tide returns I quest for peace But a jet fighter Tears the fabric of the sky And leaves a gaping endless chasm Towards another dimension I am starved for Order But I am fed Chaos MOON SMILE © Regis Auffray
The moon is bright this night. It seems to smile sardonically At me And tufts of brittle grass in frozen fields of snow. And in the woods nearby, Its cold shine greets the bony branches Of skeletal winter trees. Its spectral moonbeams cast shadows Under these sleeping sentinels. So still and silent is the night That footsteps crushing snow Seem almost sacrilegious - A sin to spoil the stillness and the snow. I turn my footsteps homeward And as I do it seems I feel the cold moon sneer And hear a quiet sigh From hushed and speechless sentries BEAUTY © Regis Auffray
He said he saw too much beauty on the uncertain edge of a snowstorm before the first flakes started to float in the electrified air he watched the swirling leaves and litter turning whirling against a red brick wall of a back alley he felt a force benevolent but strong just before the snow he thought his heart would fail from too much beauty on the rim of the storm he exhaled and saw his breath vanish as the first flakes started to fall


RICHARD VALLANCE

About Richard Vallance Born in Guelph, Ontario, Canada, March 11th., 1945, Richard is a member of AuthorsDen, under his family name, Richard Vallance Janke.  A graduate of Wilfred Laurier University (1968) and The University of Western Ontario (MLS), he is fluently bilingual in English and French, and reads Spanish and Italian, ancient Greek and Latin well.  He wrote his first poems at the ages of 17 and 18, in 1962-63.  For years, Richard wrote mainly in the field of Library and Information Science. At Chicago, in October, 1983, he won the $1,000 Data Courier Award for Excellence in Online Published Papers for an article in Online, Vol. 7, no. 5.

Poetry:

While he wrote some 200 poems before the age of 47, since then Richard has composed over 1,500 poems. His first published poem was, “Lasts the First Light”, in Arts and Literature Review (Canada, 1972). In 1998, he published his first full book of poetry, A Quilt of Sonnets: Forty Four Familiar Poems, Ottawa: Providence Road Press, © 1998. 56 pp. ISBN 1-896243-07-x.

In February, 2001, Richard founded his first poetry discussion group, Describe Adonis, for sonneteers. We have since grown to 10 poetry, art and digital photography groups, which you may find at our discussion forum: la nouvelle Pléiade = The New Pleiades ©. Richard's poetry page is Poesie’s laissez-faire Faire Foire, a clearing-house for poets from nations like Canada, the United States, the United Kingdom, Ireland, France and the Netherlands. PLFFF features sonnets and contemporary poems, updated quarterly, a links page to sites of other poets, and grants the monthly Prix laissez-faire Faire Foire Award . PLFFF is a member of Phenomenal Men of The Web: Arts & Humanities .

Richard is the Editor of 2 Canadian poetry E-Zines.  These are advertised monthly at the end of The Vallance Review in Poetry Life and Times.  In the Winter of 2003, a third E-Zine, Kawasaki Zen Haiku, will be a showcase for haikuists.

Since September, 2001, Richard has been the poetry reviewer for Poetry Life and Times, which features the monthly Vallance Review. He is also regular contributor to the same E-Zine.  Richard is also often featured with the U.S. Amerindian E-Zine, Autumn Leaves.

CD-ROM Books:
1. The New Millennium Dawn Anthology (Kedco Press):
10 of Richard's poems were included in Millennium Dawn: an Anthology of Award Winning Fantasy Stories, Poetry, Novels etc.,  Kedco Studios Press, Las Vegas, NV, © 2002  ISBN 1-878431-38-2.
2. Richard’s latest CD-ROM book, Canadian Spirit Voices, © 2003, ISBN: 1-878431-44-7, is in its final pre-publication stages, and will be published by Kedco in the Spring of 2003.  You may view a summary of the book here:  Pre-publication Notice. To contact the author, please e-mail: Richard Vallance (Yahoo) (for inquiries on our poetry discussion groups) – OR –  Richard Vallance (Activator Mail) for poetry-related inquiries or submissions to our Canadian E-Zines).
YOU WILL KNOW THE OCEAN'S SOUND*
© Richard Vallance, May 24th, 2003

When that last morning calls, will you as soon as know it has, as recognize its sun has gone so pale as Winter’s solstice noon? Or know if dun light will have come undone to cirrus ribbons, sailing from their East? Having run their course, they had gained a sound, their deep Pacific port! One note, the least of moons awaits them, though without a sound. How, in that moonlit well, well will you fade, who, as little daylight dies, with it die, and, having made such voyages, see Trade winds storm that dusky cove’s vermilion sky? You’ve seen this all before, your every thought Reflected in that place whose peace you’d sought. * Premonitions of one's own Death Lac Jean-Péré * © Richard Vallance, 1999 & 2002
A lissome dawn broke in showers all over the lake today. I got up to look for loons to fly over our quiet lake. You were startling when thoughts had gone off where? — to where’s absence presence. Our day had slipped past tangled firs or spruce and signed its truce. As we share with dusk spare thoughts we can see what’s meant by sunsets. * Lake Jean-Péré is located in the southern extremity of La Vérendrye Wildlife Preserve, Québec, which is approximately 13,500 sq. km. in area. FROM: Canadian Spirit Voices. © 2003, Kedco Studios, Las Vegas, NV. ISBN 1-878431-4407 [$12.50 U.S. = $18.50 CDN] Chapter 2, Sunlit Portages, poem 9 = rv2-9.htm Amoretti II: XXVI in honour of the original from Edmund Spenser’s, Amoretti (1595) © Richard Vallance, May 2002
If as fragrant, rose, why sting me with briars? If Juniper, you’re sweet, those spines sting sharp! If Eglantine's incensed, she'll sear the nose; If firs sport knots, hear their Aeolian harp! If my Cypress sings, ouch! — his bark is tough; If the chestnut’s rich, you will rue its pill; If the broom flower be sour-sweet enough, A lily in a leek marsh gets you ill. So every sweet and sour’s strangely pungent thrill Shall twist the tongue to crave it all the more: If easy come means easy go at will, The masses count all loss to little store. So why should I account for feckless pain If love’s best measures, sweetened, never wane? After/ d’après Edmund Spenser (c.1552-1599) [English] FROM: Canadian Spirit Voices. © 2003, Kedco Studios, Las Vegas, NV. Chapter 5, Flames of Passion, poem 4 = rv5-4.htm BY © Richard Vallance, 1998
If we’d danced & we’d danced, duet on leaves (before the hours when frosts first…) why couldn’t we be dreamers on a cool verandah, whose eaves, sunned by summer, by fall are full of glee and nuanced leaves, by a singular twist of light in shade(s) so intricate the dell grows cool in its breeze as we get the list of alders’ colours, echos in our well? Or raindrops, ambivalence, drop to let an ambience splatter songs upon roofs like a clatter of stallions’ hooves and whinnied galosh, when their manes get wet! By the sounds of them all as in their soft plash, you'd seen their moon rise over our loft. inspired by Louis-Dominique's poetic imagery, the evening of Friday, September 4th., 1998, in Montréal, Québec FROM: Canadian Spirit Voices. © 2003, Kedco Studios, Las Vegas, NV. Chapter 5, Flames of Passion, poem 6 = rv5-6.htm Saint Benoît du Lac - 13 Haiku (au Lac Memphré-Magog, Québec) © le 26 mai = May 26th., 2003
1 À ta marée basse vers l’horizon, ciel, voyez les matines, puis le matin. 2 At horizon’s lowest tide, morning as soon as matins will "All hail!". 3 Ses prés auprès du lac Memphré-Magog et des cloîtres s’éveillent. 4 May meadows above Lake Memphré-Magog, below cloisters low. 5 La pluie et deux averses passent bientôt et laissent éclore les vergers roses! 6 Showers (two) will pass to leave blossoms on the verge in apple meadows. 7 Le clocher sonne vingt-quatre et s’illumine aux cîmes de son bosquet. 8 The bell tower rings 24 and casts its night light on its copse. 9 Le tout silencieux — sauf des hirondelles aux bois et des huards lointains. 10 All goes silence now, though swallows flit through woods or where loons hail their moon. 11 À l’intérieur de la cathédrale nul écho noir résonne. 12 In the cathedral’s vault sounds no echo creeps past black pillars. 13 Tu n’y es plus, non plus crucifié aux ombres qu’à la matinée. © par/ by Richard Vallance, le 26 mai = May 26th., 2003 * Toronto

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Jan Sand in New York

JAN SAND, poet and illustrator from New York, is a regular contributor to Poetry Life & Times and the newsgroup alt.arts.poetry.comments. A great deal of his work is about animals, or science fiction.

Recently Jan was published by Kedco Studios Artist Profile Press, on their latest CD ROM e-book, "A Way With Words (Poetry Real and Surreal), which also includes complete books by Dale Houstman, Sara L. Russell and Keith Gabriel Hendricks. Jan's illustrated book on the CD is called "Wild Figments And Odd Conjectures", which is also sold separately, in a limited-edition "single" CD.

To see an illustrated article about Jan's poems, visit the November '98 issue of Poetry Life & Times, and scroll down past the Editor's Letter. He also has his own poetry pages on Charlotte's Web at Artvilla.

SPIRIT AND SUBSTANCE
© Jan Sand

This good thing and I now well and friendly joined Where rests my midnight mind upon its base Was pink and delicate when newly coined Then we dickered to initiate our race. Our acquaintance was tentative at first. This thing was confused, uncontrolled and wild. We interacted, then became immersed In each other. Shook hands, became beguiled. We’ve cooperated well throughout our years. It taught me much and I did what I could To guide it through adventures and through fears. At end soon, there’s no more misunderstood. It falters now, digressing on its way. I’ll miss its company. What’s more to say? WHEN © Jan Sand
When the moon was a silver queen And the sun was a golden king, Then the Earth was a tangle of jungle With a few green fields between. A man in a cave that he made his home Scratched lines upon his walls That plotted the paths the planets made On midnight’s star strewn dome. The man believed what he saw with his eyes And knew what he touched with his hand. He soared with his mind where he could not walk To solve what he watched in the skies. The man knew well how a stone fell, It fell in a special way. He could compute Beyond dispute the way the skies could form. And his clear mind could also tell That things many thought mysterious Like wizards whizzing through the trees And dragons roaring through the woods Should not be accepted as serious. As time went on his ideas spread And the world became more practical. People learned that the Moon was a rock And the Sun was a fire, hot and red While the stars that all could see Moved in a space vast and far away And vanished in the Sun’s bright day. So all the world soon did agree That the man made obvious sense. The dragons and wizards melted away A rock became no more than a rock And the universe grew quite immense. But the man in his cave would stare at his fire And think of the Moon as a silver queen And dream when the Sun was a golden king And wondered, deep down, of desire. POSSIBILITIES © Jan Sand
The universe, its stars and galaxies and such Has, most probably, one me, one you, one fly Unique to buzz around my room, One yellow dandelion in the grass outside To add a Springtime’s joyous touch. No matter, it’s not worth a sigh. There is the multiverse to dispel the gloom. Where a hundred million mes can hide. All furiously writing down this line, Thinking, I suppose, that’s all there’s to it. But within this multiplicity, billions decline To jot this poem. They simply do not do it. MONKEY BUSINESS © Jan Sand
An infinity of primates In creative enterprise Working through eternity With bugged out eyes Exhausted all the letters Of the English alphabet To type all possibility With no regret. They typed out all the poems And every comic book, They solved every mystery Of how to love and cook. Science was a problem, But in layman’s terms They described all DNA From humans down to germs. They exhausted every story In character and plot And in a thought experiment Untied Gordian’s knot. They explored all linguistics And, at the end of Time They all took a nap.
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