(July 2004) Page 2


RICHARD JAMES VAN DER DRAAIJ

Richard James van der Draaij was born in Australia, grew up in Holland and now resides in the West Country in England. His poetry has been called visionary and vivid, highly visual and imaginative. Themes are longing and loss, love and life as he finds it and more besides. Richard James' poems have appeared in several poetry journals, both in print and online. He is the editor of Ancient Heart Magazine; a new online poetry mag to be found at:

http://www.ancientheart.co.uk

ODE
©  Richard James van der Draaij

That elusive in-closure, fragrance of life, the weaving of roselets, my senses enhanced, Dream of home coming in over-joyous burst, slipping on terms too delicate to discuss. Mouth-watering velvet reception, take it with you wherever you go, Insouciant source of the sweetest deception, receptacle of the world's ebb and flow.. Spring garden enclosed; unlocked, unveiled at ephemeral touch. Petite sparkling pearl defrocked, loved, mad-desired; too much.. Sweetness unraveled, kind kisses enfold, praise be to thee; my rapture untold. SERPENTINE © Richard James van der Draaij
Arise, dear sweetness that ever was And keeps calling me with mournful tones I keep my gaze fixed without pause On symbols carved on standing stones Wishful spies of love surround My feverish mind, ablaze with light Within, without; that age-old sound Instills in me an eerie fright Forever I was drawn to this; Old tales and lingering memories Kind naggings I could not dismiss I float down through the centuries To re-ignite that passionate spark That moved the spirits great and small To make my way back through the dark Dwell in the Garden, before the Fall. HAVEN © Richard James van der Draaij
Where dreams alight to freedom found, As welcome melodies pervade, Is where my love and I are bound By lofty glare and earthly shade. Grove of oak-leaved whispers hides Lovers strange and overjoyed. We washed up on some ancient tides Which modern life had not destroyed. Arrived at last; this distant shore Was always within sight. We'd lie and dream for evermore; Made happiness our plight. One word for love, one love the word, We speak the love no one has heard.

RICHARD VALLANCE

About Richard Vallance.

  Born in Guelph, Ontario, Canada, March 11th., 1945, Richard Vallance, H.B.A., M.L.S, is fluently bilingual in English and French, and reads Spanish and Italian, ancient Greek and Latin well.  He wrote his first major poem at the age of 18, in 1963.  For years, Richard wrote mainly in the field of Library and Information Science. At Chicago, in October, 1983, he won the $1,000 Data Courier Award for Excellence in Online Published Papers.

Poetry:

Richard has composed over 2,500 poems.  In 1998, he published his first full book of poetry, A Quilt of Sonnets: Forty Four Familiar Poems, Ottawa: Providence Road Press, © 1998. 56 pp. ISBN 1-896243-07-x.  In February, 2001, Richard founded his first poetry discussion group, Describe Adonis, for sonneteers. All of Richard's poetry groups have now been transferred to Smartgroups (UK), under the banner The New Pleiades = la nouvelle Pléiade.

Richard's world class poetry page is Poesie’s laissez-faire Faire Foire, which showcases over 40 poets worldwide.  PLFFF features sonnets, haiku, contemporary and historical poetry, and grants the monthly Prix laissez-faire Faire Foire Award . PLFFF is a member of Phenomenal Men of The Web: Arts & Humanities.

Richard is the Editor of 3 Canadian poetry E-Zines, accessible here, Poetry Journals.  Since September, 2001, Richard has been the poetry reviewer for Poetry Life and Times, which features the monthly Vallance Review. He is also regular contributor to the same E-Zine. Richard is also often featured with the U.S. Amerindian E-Zine, Autumn Leaves and in the US print poetry journal, The Neovictorian/Cochlea (Madison, Wisconsin).

CD-ROM Books:

1. 10 of Richard's poems were included in Millennium Dawn, Kedco Studios Press, Las Vegas, NV, © 2002 ISBN 1-878431-38-2.
2. Richard’s CD-ROM book, Canadian Spirit Voices, Kedco Studios, Las Vegas, NV © 2003, ISBN 1-878431-44-7, some 500 pp. long, contains over 130 of his poems, almost 300 haiku, 32 translations of poetry in ancient Greek, Latin, Italian, German and French into English poems by the author, a novella, DENIZEN, and the 100 + pp. essay, "The Historical Evolution of the Sonnet".
3. Richard is the co-author of Canadian Spirit Photos, Kedco Studios © 2004, ISBN 1-878431-48-X, along with Colette & Louis-Dominique Genest.  This book contains over 2,000 photos.
4. He is to co-editor, along with Tyler Joseph Wiseman of the USA, of The New Pleiades Anthology of Poetry = le Florilège de la nouvelle Pléiade, Kedco Studios, ISBN ISBN 1-878431-52-8 to be published in 2005.
5. He is co-editor with Sondra Ball of the USA, of The Human Face = le Visage humain, Kedco Studios, ISBN ISBN 1-878431-52-X, also to be published in 2005.

CONTACT:  Richard Vallance (Coolgoose.ca)

WHEN IS APOCALYPSE?
© Richard Vallance 2004

"Do not ask for whom the bell tolls..." (John Donne, 1572-1631) Perhaps high time has come for Time to cease its toll on humankind, whose lust to master Earth has driven us since waves began to roll on ancient shores to wars and bloodied birth! Perhaps you won't ask for whom those bells toll. They toll for us. They clang for Gaia's tears. They toll loud Atomic winds our arms blow across the blotted sun whose rays grey spite smears. The tsunamais we've whipped to spleen-burst heights have stripped the Amazons of forests' lives, and drained the Oceans' harvests, whose by rights? The most endangered species? -- the last that thrives. Just look! The Earth's gone nuts, our minds collapse! And so the bells may toll on poets too, perhaps... MAYAN PALISADES © Richard Vallance 2004
"Why did I laugh to-night? No voice will tell" (John Keats 1795-1821) When we crept out from caves where in we, chained, were met by you, Gold Sun, did we curse you because you'd dare blind us who'd never strained the thinnest moons of winter trickling through less moonlit eyes? You see, we're used to caves, we've neither craved their light, sun's not, nor moon's, we've raised instead such hollowed architraves as shelter souls inside from outside noon's palisades Mayans danced in to woo thick clouds away from cordilleras' blue! Did you suppose your Moon's weak eye reflects intenser light than your poor eyes conceal? From blood poured out on stones, what priest detects how brightly lives to sacrifice anneal? LOVE'S DEMESNE © Richard Vallance 2004
For Christina Georgina Rossetti (1830-1894) Enamoured as one is of love's demesne, one finds that scope is larger than one's life, another finds she'll crack beneath the strain of being loved and bearing heart's worn strife. As one weeps alone where one's loved ones go as far away as forever perhaps they shall never return, leaving one low on energy where every mindset saps the flow of blood and leaves the heart so beat it beats a beaten path towards a lair in which one's soul is found as incomplete as nightfall drained of sunlight, fair as fair. As fair is fair, what moonlight's flit in eyes where sunlit love's been cut down to one's size? * * * and now for something different... * * * Lemons are our Friends! © Richard Vallance 2004
La Tomate Enragée's (tongue in which cheek?) Riposte to the The Potato of Terror's soiled Hordes from the Courtlier Tomatoes in the lemon-polised Halles of Versailles We'll toast you lemons, laughing, "To our Friends!" You make us pee with mirth our nightie gowns. Our sweetest lemons give you spuds such bends because they're wont to haunt you slurried clowns! Perchaunce, perforce, we plump tomatoes are so thrilled we blush when lemons tickle us, nor fathom why tubers durst * go so far to scurry forth to pelter them and cuss! So, if our lemon Friends rise up, like ghosts, from their dark tart tombs, haunting you tubers, laughing to scorn you root cellars' hosts, why so surprised, you snotty nosed goobers? A garden salad's just the thicket, reams of saucy lemons juices to our dreams. * = dare © by Richard Vallance 2004 The preceding epistle is in response to "le challange" posed by The Potato of Terror's Lemonated Nightmares! see below.... Laughing Lemons © by ~The Potato of Terror~ 2004
Huge laughing lemons dominate my dreams All tittering in yellow unison They giggle as they cogitate on schemes Of lemons' rise to world domination. Potato Kings, oblivious of doom Polish their sceptres, gaily unaware As savage citrus enters the throneroom All sniggering and sporting yellow hair. Huge laughing lemons follow me around, Deride my rubber raiment merrily, Although their ragged sackcloth skims the ground And yellow gumboots are sooo history. Beware, o, tuber lords and lady men, The lemons come to laugh at us again!
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From here you may reach all our Yahoo Poetry Groups, our E-Zines and lots of poetry by many fine poets.

Jan Sand in New York

JAN SAND, poet and illustrator from New York (now residing in Helsinki), is a regular contributor to Poetry Life & Times and the newsgroup alt.arts.poetry.comments. A great deal of his work is about animals, or science fiction.

Recently Jan was published by Kedco Studios Artist Profile Press, on their latest CD ROM e-book, "A Way With Words (Poetry Real and Surreal), which also includes complete books by Dale Houstman, Sara L. Russell and Keith Gabriel Hendricks. Jan's illustrated book on the CD is called "Wild Figments And Odd Conjectures", which is also sold separately, in a limited-edition "single" CD.

To see an illustrated article about Jan's poems, visit the November '98 issue of Poetry Life & Times, and scroll down past the Editor's Letter. He also has his own poetry pages on Charlotte's Web at Artvilla.

FAMILY
© Jan Sand

Were my hair green grass, My bones hard stones, My eyes blue skies Behind which soft white thoughts Could move on vagrant winds, If I accepted birth from stellar dust Boiled from hell’s cauldrons, Then would I know myself as true child Of this golden star which swings, As if on magic string, On our path through galactic whirl. But we estrange ourselves. We must concede Our bones are tiger bones, mice bones, Bones of hummingbirds, bones, of slow submersibles That lurk the seas of night. This skin could grow hair or scales or feathers To fly the hurricane, swim warm seas Through coral glories. Our eyes can now probe the dust of Mars, Stare at turbulence from submarine volcanic jets, The feral hawk sits on our shoulder, The grinning frog, the ghostly jellyfish, the buzzing wasp And the spirit of those gigantic earth shaking predators Trail our path. We are brother to the sequoia, sister to the butterfly, Father to those fire spitting entities That will see the stars. We are family. ELEPHANTS © Jan Sand
The benefits of reaching, Touch, To be significant of Much Must process through machineries of Words. Language clockwork regulates the Way Bizarre phenomena encountered in a Day Can be domesticated, netted like wild Birds. But, like the elephant read by men as Braille, We frequently miscomprehend and Fail To get the total sense of things quite Right. Our elephants which we create, set Free Can be clumsy things, set in wild Spree, Smashing, in stampede, all else of Worth, Raging through the pliant minds of Earth To smash the Sun, release horrendous Night. THE CALL © Jan Sand
The cell phone clanged To announce a friend to tell About a laughing gull that banged Its head against her window and fell. “What can I do?”, she cried, And I wondered what to say. “Do you know-?” ,”No, no.”, I denied. “I know nothing in that way.” She hung up in desperation And I sat, stunned and alone. Somewhere, a gull's last exhalation, Its eyes turning to black stone.
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