(December 2003) Page 2


CHRISTOPHER BARNES

Christopher Barnes, studied Lit. & History at Newcastle, England and has been much published in uk magazines.

He is about to have a phamplet published by Chanticleer Press called LOVEBITES, he has had a table-top poetry exhibition in a cafe and recently read at the Edinburgh Festival at Per Verse..

POWER STATION POLTERGIEST
© Christopher Barnes

For all that, the milliseconds evaporated in smog below cathode-ray tubes. Zglinki's drawbridge turned steam, atom-smashing and a floppy sunset glistened the tall gilt-headed cooper. And you would have telexed that I'd fermented in cracked pots, distributed a plutonium brew. Two gobs of atomic split seconds cannot dint. The globe is a timespace, critical mass with trembling sea air. Eaglets flighty on tiptoes point to electrodes from which shiftings I couldn't gamble and as he blinked away from me with unperceiving eyes he shrieked into the hood of death. We were at the graveyard's alpha emitter, under a three ton cloud, sited in the past. The downcurrent ran out, gamma rays stilled as we retreated. As blue-bolt bang as it all went off, there were the conductors, the powerhouse hum, the volts, all that matters of the nuclear plant. AN ESSAY ON BEAUTY © Christopher Barnes
I open the windows on gorgeousness...raggedy bricks, a rash of paint, students... but it's ugly as sin at two. That's as we wince it embezzling face-tidying sleep skin deep under midnight. A hunk is what it is, a virtue. The back-end-of-a-bus as an idea, too difficult. Easier to do just like Jackie O and consent to live with the beast. CONSIDERING THE EAU-DE-NIL OF A GLACED WEIR I SPRAWL VOLTE-FACE ALONG THE RUCKS OF A USED UP PHASE. © Christopher Barnes
Cloudburst on gala day, sing-song drizzle on glass, a raindance on a boy's kagoule and a mercurial flurry shakes the garden. Mistiming quickness into toneless light twilight's in the wind - the enemy continuing, a quartz clock lost, this is the wake of icy time. SMUDGE © Christopher Barnes
"I often think that the night is more alive and richly coloured than the day." Vincent Van Gogh Starlight is a dye of red bugs, mandarins in the crock are forget-me-not blue and the buttercups whitewashed roses. I scowl at the bed's shadowing then, imprison my eyes for a purply tide unblocking to find a tinkered-with site. Vivette picks up the pieces of this night, a slur or red, blue and white with tipples and Brie, she lints pea-green from the window. An odd-stick woman who seems to tackle chores without meaning.


RICHARD VALLANCE

About Richard Vallance Born in Guelph, Ontario, Canada, March 11th., 1945, Richard is a member of AuthorsDen, under his family name, Richard Vallance Janke.  A graduate of Wilfred Laurier University (1968) and The University of Western Ontario (MLS), he is fluently bilingual in English and French, and reads Spanish and Italian, ancient Greek and Latin well.  He wrote his first poems at the ages of 17 and 18, in 1962-63.  For years, Richard wrote mainly in the field of Library and Information Science. At Chicago, in October, 1983, he won the $1,000 Data Courier Award for Excellence in Online Published Papers for an article in Online, Vol. 7, no. 5.

Poetry:

While he wrote some 200 poems before the age of 47, since then Richard has composed over 1,500 poems. His first published poem was, “Lasts the First Light”, in Arts and Literature Review (Canada, 1972). In 1998, he published his first full book of poetry, A Quilt of Sonnets: Forty Four Familiar Poems, Ottawa: Providence Road Press, © 1998. 56 pp. ISBN 1-896243-07-x.

In February, 2001, Richard founded his first poetry discussion group, Describe Adonis, for sonneteers. We have since grown to 10 poetry, art and digital photography groups, which you may find at our discussion forum: la nouvelle Pléiade = The New Pleiades ©. Richard's poetry page is Poesie’s laissez-faire Faire Foire, a clearing-house for poets from nations like Canada, the United States, the United Kingdom, Ireland, France and the Netherlands. PLFFF features sonnets and contemporary poems, updated quarterly, a links page to sites of other poets, and grants the monthly Prix laissez-faire Faire Foire Award . PLFFF is a member of Phenomenal Men of The Web: Arts & Humanities .

Richard is the Editor of 2 Canadian poetry E-Zines.  These are advertised monthly at the end of The Vallance Review in Poetry Life and Times.  In the Winter of 2003, a third E-Zine, Kawasaki Zen Haiku, will be a showcase for haikuists.

Since September, 2001, Richard has been the poetry reviewer for Poetry Life and Times, which features the monthly Vallance Review. He is also regular contributor to the same E-Zine.  Richard is also often featured with the U.S. Amerindian E-Zine, Autumn Leaves.

CD-ROM Books:
1. The New Millennium Dawn Anthology (Kedco Press):
10 of Richard's poems were included in Millennium Dawn: an Anthology of Award Winning Fantasy Stories, Poetry, Novels etc.,  Kedco Studios Press, Las Vegas, NV, © 2002  ISBN 1-878431-38-2.
2. Richard’s latest CD-ROM book, Canadian Spirit Voices, © 2003, ISBN: 1-878431-44-7, is in its final pre-publication stages, and will be published by Kedco in the Spring of 2003.  You may view a summary of the book here:  Pre-publication Notice. To contact the author, please e-mail: Richard Vallance (Yahoo) (for inquiries on our poetry discussion groups) – OR –  Richard Vallance (Activator Mail) for poetry-related inquiries or submissions to our Canadian E-Zines).
BAYEUX
© Richard Vallance, 1976  [Revised, 2002]

"Is this?”, you ask, “tapestry spun of Love?” “Anonymous lovers, see? Look, Bayeux." Who sang once of them? Am I, songster to redress such longings presaged from tes yeux? * If iris grows its own unfathomed blues, Whose nose knows those unmeasured scents one weaves Of rose? Perhaps your “Appellation” leaves Subtler scents in wine no one’s tongue construes. Perhaps. What suitor’s drunk of surer mead Than yours, subtle fruit, cooler than Anjou’s? May we, by chandeliers, to lips impart Its clarion bouquet, from which I read Aphrodite’s scores, while I on my reed Play on, my chorus our own Bayeux’s Art. ILLUSTRATION: Tapestry: "Lady with a Unicorn" (France: Middle Ages) Tapisserie : « Dame à la Licorne » ( France : le Moyen Age ) * "tes yeux" (French) = "your eyes" Previously published in, Canadian Spirit Voices. Las Vegas, Nevada: Kedco Studios, © 2003. ISBN 1-878 431-44-7. Chapter 1. The Eaglet Takes Wing. Poem 2 = rv1-2.htm How do I tell? © Richard Vallance, 1976 [Revised, 2002]
For Louis-Dominique, in the midst of winter 1999 How do I tell you now how I’d missed you all too well? There was a lesser of two discernible lights. The moon was waning so fallow over the flickering forest’s spell it cast phantoms in a lake’s little drops of tallow, stars of reminiscence shed on a summer’s ecstasy of tears. And we would run and wax over that same wild place on the same but snowed in path where our very own shadows, hint of covert migrations, cast as dopplers amidst the flax and golden aspens surfing before us before our summer’d set, settling its mantles of light in such gradual tones that sang such flautists long into night. This is winter’s house! Why must I recall your footsteps deftly vanish on a ledge cool of a fall? © Richard Vallance, 1999 Previously published in, Canadian Spirit Voices. Las Vegas, Nevada: Kedco Studios, © 2003. ISBN 1-878 431-44-7. Chapter 6. Psalms of Compassion. Poem 11 = rv6-11.htm
My Carousel Home is:

From here you may reach all our Yahoo Poetry Groups, our E-Zines and lots of poetry by many fine poets.

Jan Sand in New York

JAN SAND, poet and illustrator from New York, is a regular contributor to Poetry Life & Times and the newsgroup alt.arts.poetry.comments. A great deal of his work is about animals, or science fiction.

Recently Jan was published by Kedco Studios Artist Profile Press, on their latest CD ROM e-book, "A Way With Words (Poetry Real and Surreal), which also includes complete books by Dale Houstman, Sara L. Russell and Keith Gabriel Hendricks. Jan's illustrated book on the CD is called "Wild Figments And Odd Conjectures", which is also sold separately, in a limited-edition "single" CD.

To see an illustrated article about Jan's poems, visit the November '98 issue of Poetry Life & Times, and scroll down past the Editor's Letter. He also has his own poetry pages on Charlotte's Web at Artvilla.

FIRST SNOW
© Jan Sand

October lays its snows In a temporary way Like children in an attic Donning adult clothes in play, Trying on maturity For an hour or a day. But soon the snows are gone, The grass beneath still green, And Winter waits to grow a bit To get serious and mean. LIGHT © Jan Sand
So strange is light, so fugitive, So quick and evanescent. It has no form - it’s sometimes warm. It flees the incandescent. The stuff seems immaterial Like thoughts and laughs and smells. Its origin, sidereal, In huge atomic hells. But this phantom intruder Is the magic wand That penetrates and perpetrates The odd atomic bond. It shakes things up, throws the dice, Contrives wild creations. Invents dinosaurs and mice In prestidigitations That form, reform, initiates Strange innovations Making you and me, and propagates Bedbugs and carnations. IN THE STREAM © Jan Sand
Life is a gathering, A focus. We are a swirl, an eddy, A place of quiet construction To a plan. Sticks, leaves, even small pebbles Spin in our private circle. We can collect only What comes our way. When the whirlpool ceases to whirl The collection pauses, drops Into the static pattern of our circle. And then moves off. The stream takes the twigs Our leaves, our pebbles Downstream To other spinning scenarios. THE THOUGHT © Jan Sand
It is difficult To capture a thought. When the quiet night Seduces its approach. It annoys. Its mosquito hum Prompts a slap With rough words. Then revelation of the mistake Leaving only Beautiful wings. Broken. UNTRANCED © Jan Sand
On very rare occasion The spell shatters. Walking wood in autumn, The eyes have slipped the net, The ears hear secret sounds, Fragrances sail Chill autumn air - Faint wood smokes, Moist odors of grass, pungent earth. Browns, greens, whites, yellows, reds. Translucent lemon tinted leaves Splay their fingers against the Sun To dramatize vivid blue sky. Momentarily, I am awake.
Click here to return to rest of the December 2003 issue

Click here to return to main index