(December 2002) Page 2



JIM DUNLAP
(Rhyme Master)

Jim is in the Marquis, Who's Who In America and will be in the Marquis Who's Who In The World in it's next edition as well. He is also in the Directory of American Poets and Fiction Writers.

His list of publications include "Candelabrum", "Plainsongs" and the "Paris/ Atlantic"; and he is now (or has been) online at "Die Niderngasse", "Poetry Repair Shop", "Midnight Edition" and Poetry Life & Times". He is a resident poet, and an Alpha poet at the Poet's Porch, is usually on Poetry Down Under and has had about six hundred poems published to date. He has been in the Writer's Digest top 100 three times, although he doesn't usually enter their contests any more, as their entry fees have gone out of sight. However, he has decided to send a single poem this time. He is currently the newsletter editor for the Des Moines Area Writers' Network.

Jim's website, which included a lot of favorite poems by other writers, as well as his own work, is sadly now defunct, as Netscape discontinued their wonderful sites.netscape and now have a new site which is basically worthless for all practical purposes.

His work appears online at:
http://www.thepoetsporch.com
http://www.aceonline.com.au/~db/
http://www.valmagnuson.com/
on Describe_Adonis in the Yahoo groups,
poetryrepairs.com
and in a number of other places as well.

THE GLORY DAYS OF LONDON'S
WAXED 'SKELETON' UNDER GLASS
© Jim Dunlap

A very odd fate befell Jeremy Bentham, The founder of Britain's University College -- Skirting British propriety's edge, He enjoyed life's vagaries as it lent 'em. He suggested each person embalm his own body, And thus become his very own statue. Bentham had a quite strange world view; His ideas appeared often risque or naughty. Yet his fate would have likely surprised him When he sat to bequeath his mortal remains: A wax effigy, made with the greatest of pains, Kept college meetings from turning too grim -- Perched on a chair, in appearance emoting, They acknowledged him "present, not voting." WHERE BLOW THE WINDS OF WAR © Jim Dunlap
There's a shadow hanging ... dark across our futures. It may presage the twilight of our times. We can't close the wound with bandages or sutures, It's a lesion, open only in our minds. The Four Horsemen wait impatiently to ride And the darkness presses closer all around. Testosterone-crazed, the madmen hit their stride As corpses rapidly pile mound to mound. It's the age old story, come again -- Old men sit home and send the young to die. Most religions say don't kill, as that's a sin: But "We can win" becomes the battlecry. Wars come, fueled by demagogues and hate, Before each storm, though, comes the pause, The final chance to stop 'ere it's too late. If our cause is right -- what IS the cause? Survivors write the histories you see, And seldom give a thought to those now gone. We think no one's of more value than are we, Yet our boys may march to meet a fatal dawn.. A COLD DECEMBER MORNING © Jim Dunlap
I woke up Christmas morning And went to light the fire; It soon was blazing merrily -- Like a Druid's funeral pyre. But the smoke grew thick and choking In just a short, short while -- The chimney was completely blocked And I quickly lost my smile. I poked it with a broomstick And saw at just a glance That the blockage in the aperture Was a pair of bright red pants. There were presents underneath the tree And no cookies left, or milk; The pants were large and baggy And felt a lot like silk. I hope he had an extra pair For emergencies like this, Or an awful lot of children Might be really, really PISSED! A WOODLAND CHRISTMAS © Jim Dunlap
An icy frieze on drifts of snow Decorates a dreary day -- Tiny vortexes of wind Scamper over hills in play. Sullen, leaden clouds, engorged With moisture, hover -- Another downy blanket tucks The woodland under cover. An eldritch fairyland appears, With crenellated drifts -- And, slowly, through the cloudbanks, Some feeble sunlight sifts... Partridge, quail and rabbit stir And gambol here and there. Nature breathes a blessing On the bracing, wintry air. THE VILLAGER, December, 1996


RICHARD VALLANCE

Richard Vallance was born in Guelph, southern Ontario, Canada, on March 11th., 1945, and currently resides in Ottawa, the nations capital. A graduate of Sir Wilfred Laurier University, Waterloon, Ontario (H.B.A. 1968) and the University of Western Ontario, London, Ontario (M.L.S., 1975), Richard is a professional University librarian, now on disability pension. Richards career as a librarian reached its zenith in October, 1983, when he won the prestigious Data Courier Award for Excellence in Online Papers ($1,000 U.S.), in Chicago, Illinois.

However, progressively aggravated alcoholism eventually forced him to retire prematurely, in September, 1991. Fortunately, Richard ceased drinking altogether in 1992, and has been sober now for a decade. While he did write some poetry during his "wet years", alcoholism severely blunted his inspiration. Creativity only truly blossomed in 1995. Since that time, he has written over 1,500 poems, most of them Sonnets, though he also specializes in both Haiku and the stricter, more traditional Japanese Hokku verse form. He has also composed numerous so-called "free verse" poems, and has published one book of poetry:

A Quilt of Sonnets: Forty Four Familiar Poems. Ottawa: Providence Road Press, 1998. 56 pp. ISBN 1-896243-7-x. [National Library of Canada]

Richard has been published on numerous occasions on some of the worlds best known poetry E-Zines, including, Poetry Life and Times (UK) and Autumn Leaves (USA). He also maintains his own bilingual international E-Zine,

Poetry in Emotion la posie smouvoir

and will soon be the editor of a new international Sonnet E-Zine, Sonnetto Poesia.

Richard is the Poetry Reviewer for Poetry Life and Times. Anyone, who writes poetry for Poetry and Life and Times, is cordially invited to submit any poem of 20 lines or LESS for consideration for review to:

vallance2@yahoo.com

Richard also moderates numerous Poetry Discussion Groups, the most notable of which are: 1. Describe Adonis [Shakespeares Sonnet 53] 120 members. Yahoos largest Sonnet poetry group by far. Here are posted historical sonnets, commentaries on sonnet writing, and sonnets by members:

Describe_Adonis

2. Kawasaki Zen Haiku 90 members. Yahoos 3rd. Largest Haiku-Hokku poetry group, featuring links to historical Haiku Web Sites, examples of historical Haiku by such illustrious composers as Basho, Buson and Issa, and Haiku/Hokku posted by members, in any language they like:

Kawasaki_Zen_Haiku

3. Iliassia [Homers Iliad]. 61 members. Discussion group focussing on Homers Iliad, both in the original "Epic" Greek and in translation. Includes a repertoire archive of pictures, paintings, archaeological sites and cartographic information + maps:

iliassia

My Carousel Home Page is: Poesie's laissez-faire Foire

PUBLISHING HISTORY:

  • 1. A Quilt of Sonnets: Forty Four Familiar Poems. Ottawa: Providence Road Press, (c) 1998 56 pp. ISBN 1-896243-07-x
  • 2. "À la belle inconnue (Robert Schumann)", in: Arts and Literature Review. Lakehead University. Vol. 1 (3), 1972
  • 3. "Chanson d'Auverge", in: A Ray of Hope. (c) 2000. 257 pp. pg. 129 ISBN 1-58235-559-2
  • 4. "Pow Wow", in: An Hour at Sunrise. (c) 2000. 313 pp. pg. 167 ISBN 1-58253-539-8

    INTERNET:
    Autumn Leaves [May/June, 2001] - and several of his poems will soon appear in Kedco's Millennium Dawn Anthology

    March 2002 - Nominee for
    The Poets Hall of Fame






























































  •  A selection of Sonnets and Quinzaines in
    the true spirit of Christmas from Richard’s
    Forthcoming book, Canadian Spirit Voices
    © 2003 (Kedco Press)

    LUNE AUX ÉTOILES © Richard Vallance, December 27th., 1998


    pour mon bel ami de coeur, Louis-Dominique Genest Ayant laissé aux étrennes sa famille et sa mère, il est retourné au métropole. La nuit claire laissait les soupirs aléatoires des cheminées s’ensemençer aux étoiles qu’arrosait la lune moirée d’hiver. C’est qu’il visitait, égayé de le revoir, son grand ami! Toute une année avait recoulé au cours d’une nuit où, déjà à demi de l’aube, les touts petits premiers pas de lumière lui faisaient rêver encore une fois. Mais si rêver, pourquoi? Ou bien encore à qui? Le lendemain, il est revenu comme ça chez lui, lune aux étoiles, soleil à moi, son bel ami. © Richard Vallance, le 27 décembre, 1998 Translation into English linear prose: THE MOON IN THE STARS © Richard Vallance, December 27th., 1998
    For my dear heart’s Friend, Louis-Dominique Genest After he’d left them to the New Year’s Feast, his family And his mother, he returned to the metopolis. The clear night Seemed to send the hit-and-miss sighs issuing from chimneys Up to seed the stars which the lambent moon was sprinkling With its light. It’s just that he was so delighted visiting His good Friend! An entire year seemed to have Slipped by in the course of a single night when, before Dawn had even half appeared, its first tiny footsteps Caused him to dream yet again. But if to dream, why so? Or yet again, of whom? The very next day, he came back home, just like that, The moon in the stars, sun to me, his dear Friend. (by Richard Vallance, December 27th., 1998, as I eagerly awaited my boyfriend’s return from his family in Sherbrooke, Québec, though he would not return to Ottawa for five days yet to come. At any rate, I ended up phoning him that very night, and read him this sonnet on the phone!) Bien que les Étoiles de Saint-Exupéry © Richard Vallance, 1999 & 2002
    À Louis-Dominique Genest Bien que les belles étoiles de Saint-Exupéry jaillissent durant l’été des forêts noires, bien que la lune ne nous réfléchit qu'un visage souple, bien encore plus que celà, sait-il que tu serais aussi là-bas? Oui, que les étoiles les plus éloignées que les histoires d’enfants les plus intimes puissent nous raconter au cours d’un soir les romans de son coeur, plaisirs de sa douceur. Que le plus beau prince des planètes jeunes soit toujours proche, qu’il s’approche au monde, et qu’il nous émerveille! Quoi? La mer est moins profonde que ses yeux ardents, aux tréfonds à toi. English linear prose translation: Although the Lovely Stars of Saint-Exupéry © Richard Vallance, 1999 & 2002
    For Louis-Dominique Genest Although the lovely stars of Saint-Exupéry Leap all summer long out of black forests, Although the moon merely reflects on us Her supple visage, even still, still more than that, Does he know you might be there as well? Yes, may the stars the farthest away, May the most intimate children’s stories Tell us all in the course of a single evening, The novels of his heart, Pleasures of his gentleness. May the loveliest prince of young planets Be ever near, may he come near the world, May he amaze us all! What’s this? The sea is not as deep As his shining eyes, deep within your depths. Où Nulle Prière s'achève © Richard Vallance, juin, 2000
    dédié à la Nouvelle Acropole Loin des mille piliers et du grand Luxor, la main d'Isis déclare ce que les yeux déplorent. Ce qui m'écrase, c’est souple, pourtant elle trace un rêve trop délicieux d'extase amère où nulle prière jamais s'achève. Si ravagé, je puise l'espoir qui perle dans son iris noir, d'où tout éclat lunaire m'épuise. Or, devant les pyramides écroulées aux vents, je l'entends subir des sphinx, éclater son hymne, mais qui sait la poursuivre si elle est la rime? The same poem in its English version, by the author: Where No Prayer Ends © Richard Vallance, October 27th, 2002
    Dedicated to New Acropolis As far from a thousand pillars As far from Temple Grand Luxor, The hand of Grand Isis quivers At Vision, Hers, our eyes deplore. How subtly does she break my heart However soft her dreams enlace Me with such ecstasy I start To pray, while her I dare not face! If ravaged so, I draw my hope Pearling from her well deep iris Whose moonbeams leave me yearn to grope! Before the pyramids, ruins in the sands, I hear rise from the Sphinx a voice sublime, Hymn ringing hollow if she be its rhyme! Gloria in Excelsis © Richard Vallance, October 11th, 2002
    Antonio Vivaldi (1678-1741) Gloria in D Major. RV 589 Your sonnets scale the Classic landscape’s utter glow: by composition’s tones compassion’s brushstrokes signed with Graces few musicians even glean or know from measures lyrics best commend to measured lines. Will your octaves, tremolos welling as they play, play to Soul, so well attuned, pianissimo * to minor A, or will all our allegros gay conclude your spelled sestets, or well in key largo! Or will a Choral’s Advent on a DVD, though stereo “Alleluias!” may surround us, astound as wingèd will the sonnet’s clarity? “Gloria In Excelsis!”, Anthem, sings our Choir at God’s Love, to Whom plainsong sonnets must aspire! © by Richard Vallance, 2002, October 11th., 2002 * [tongue-in-cheek :) :)] with many thanks to Sara Russell, for her lovely Sonnet, "Pianissimo", which she so graciously allowed me to review (at her peril!) in the July, 2002 issue of Poetry Life and Times, here: When is a Sonnet a Song? Sara Russell: "Pianissimo" Oh, and by the way, you'll be (literally) hearing more about Sara's Sonnet in THIS month's Vallance Review!

    Jan Sand in New York

    JAN SAND, poet and illustrator from New York, is a regular contributor to Poetry Life & Times and the newsgroup alt.arts.poetry.comments. A great deal of his work is about animals, or science fiction.

    Recently Jan was published by Kedco Studios Artist Profile Press, on their latest CD ROM e-book, "A Way With Words (Poetry Real and Surreal), which also includes complete books by Dale Houstman, Sara L. Russell and Keith Gabriel Hendricks. Jan's illustrated book on the CD is called "Wild Figments And Odd Conjectures", which is also sold separately, in a limited-edition "single" CD.

    To see an illustrated article about Jan's poems, visit the November '98 issue of Poetry Life & Times, and scroll down past the Editor's Letter. He also has his own poetry pages on Charlotte's Web at Artvilla.

    DWINDLETIME
    © Jan Sand



    In dwindletime the crumblefolk go stumblefoot.
    The minuteswifts rain tumbledown to dribblegone.
    From hopelesscracks ooze mysteries of absolute
    Convoluting histories. Encephalon
    Sags toffee soft with mushysweat.
    The scramblefest from septicflesh is panicnailed.
    But twilightflight is moribund in dunregret.
    Sireneloam sings quietus with appetite.
    Fagendspurts buglecalls for finalshout
    And heralds windup fizz to Sunputout.


    LISTEN!
    © Jan Sand



    The crashing tree that hits the ground in silence
    As a puzzle to the lack of human presence
    Asks the question, “What is sound?”
    If the impact rings the atmosphere like a bell
    But not vibrate a membrane , tug a nerve
    Connected to an aural center, bound
    To consciousness, has it a voice?
    Or, if a mind, distracted by abstractions
    Stands within concussion’s presence - yet,
    Does not register the impact, fails to get
    The sense of the event, is it clear
    There is no sound when one does not hear?
    There are hurricanes of hurt
    That scream through smoking air
    Swirling around the world.
    Blizzards of agonies and pain
    Crash through. A howling wound-
    Yet, does it make a sound?
    People drink their morning coffee,
    Send their kids to school without fear,
    Shop for bread, play sports, go to bed.
    Is here no sound when one does not hear?
    Listen!


    BASICS
    © Jan Sand



    Inside a fishskin is a fish.
    Inside a birdskin is a bird.
    Inside the skin outside of me
    Is just where I happen to be.
    When I got bigger inside
    It gets bigger outside
    So where it sits
    It always fits.
    With two holes through to see
    And one to speak’
    And one to what’s left from food
    To get out of me.
    And one to pee.
    There’s then, the ears
    With funny curly flaps
    Which, when one hears a bell,
    Perhaps,
    Or a bang or sneeze
    Helps make sounds louder
    So when bees
    Or flies that buzz
    (Which both does) I can step aside
    From where one flied.
    There are, of course,
    The other two
    At the bottom of my nose
    So that when one blows,
    The stuff goes down
    And never up.
    A wise condition for the skin
    Since it can’t let the rain get in.


    HAPHAZARDS
    © Jan Sand



    Whose thoughts will shake the world again
    To roll the dice of circumstance?
    Whose words will crawl onto a page
    To march like ants across the Earth
    And gnaw stability to dust?
    Sometimes reason has a season,
    Sometimes passion takes the reins,
    Sometimes fear gets into gear
    To drive minds outside of brains.
    Suspicion’s snakes can charge the aches
    Of frights with poison’s bites.
    The bursting stars of ecstasy can blind
    All sense and sensibility, leave reason behind.
    Any dawn can crack the calm with seismic avalanche
    Any night can blanket thought with random hectic chance.
    Hold tight! Both blight and good fortune can descend
    To strike like bolts from outer space to govern any end.


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