(August 2004) Page 2


© Deborah P Kolodji

Deborah P Kolodji works in information technology to fund her poetry obsessions and to pay for her children’s college tuition. She is the editor and co-founder of Amaze: The Cinquain Journal (www.amaze-cinquain.com) and the owner and moderator of a yahoogroups e-mail discussion list for cinquain poetry called CinquainPoets. Her cinquains have appeared in Eclectica, Scrivener’s Pen, Wilmington Blues, St. Anthony Messenger Magazine, Autumn Pond, Short Stuff, Brevities, Hummingbird, and many other places. Three of her poems appear in the international poetry anthology by India's Cyberwit, New Pegasus.

Welcome Mats
©  Deborah P Kolodji

Letters and pineapples, friendly doorfront greetings - bickering voices inside, less welcome. Kitchen Cataclysm © Deborah P Kolodji
red-faced mad eruption a mini-Krakatau in the lull while the smoke clears, hurt debris The Move © Deborah P Kolodji
I seal the last carton with clear sutures of tape -- a testament to emptiness, this room. Papers now signed, our divorce a done deal; no more obnoxious fights about nothing at all. Eclectica, April/May 2004 Sunrise at Refugio © Deborah P Kolodji
Alone, a beachcomber stands on the rocky point, tide rushing in on both sides. Then - dolphins. Haiku Sun, December 2003 Mirror Lake (Yosemite National Park) © Deborah P Kolodji
Granite reflections pooled in last winter's snowmelt, ageless sound of water softly rushing. Deborah P. Kolodji Apollo's Lyre, Summer 2003 Trail of a Hundred Giants © Deborah P Kolodji
We walk in the shadows of giant sequoias. Dwarfed by ancient stillness, our feet whisper. Central California Poetry Journal, 2003

RICHARD VALLANCE

About Richard Vallance.

  Born in Guelph, Ontario, Canada, March 11th., 1945, Richard Vallance, H.B.A., M.L.S, is fluently bilingual in English and French, and reads Spanish and Italian, ancient Greek and Latin well.  He wrote his first major poem at the age of 18, in 1963.  For years, Richard wrote mainly in the field of Library and Information Science. At Chicago, in October, 1983, he won the $1,000 Data Courier Award for Excellence in Online Published Papers.

Poetry:

Richard has composed over 2,500 poems.  In 1998, he published his first full book of poetry, A Quilt of Sonnets: Forty Four Familiar Poems, Ottawa: Providence Road Press, © 1998. 56 pp. ISBN 1-896243-07-x.  In February, 2001, Richard founded his first poetry discussion group, Describe Adonis, for sonneteers. All of Richard's poetry groups have now been transferred to Smartgroups (UK), under the banner The New Pleiades = la nouvelle Pléiade.

Richard's world class poetry page is Poesie’s laissez-faire Faire Foire, which showcases over 40 poets worldwide.  PLFFF features sonnets, haiku, contemporary and historical poetry, and grants the monthly Prix laissez-faire Faire Foire Award . PLFFF is a member of Phenomenal Men of The Web: Arts & Humanities.

Richard is the Editor of 3 Canadian poetry E-Zines, accessible here, Poetry Journals.  Since September, 2001, Richard has been the poetry reviewer for Poetry Life and Times, which features the monthly Vallance Review. He is also regular contributor to the same E-Zine. Richard is also often featured with the U.S. Amerindian E-Zine, Autumn Leaves and in the US print poetry journal, The Neovictorian/Cochlea (Madison, Wisconsin).

CD-ROM Books:

1. 10 of Richard's poems were included in Millennium Dawn, Kedco Studios Press, Las Vegas, NV, © 2002 ISBN 1-878431-38-2.
2. Richard’s CD-ROM book, Canadian Spirit Voices, Kedco Studios, Las Vegas, NV © 2003, ISBN 1-878431-44-7, some 500 pp. long, contains over 130 of his poems, almost 300 haiku, 32 translations of poetry in ancient Greek, Latin, Italian, German and French into English poems by the author, a novella, DENIZEN, and the 100 + pp. essay, "The Historical Evolution of the Sonnet".
3. Richard is the co-author of Canadian Spirit Photos, Kedco Studios © 2004, ISBN 1-878431-48-X, along with Colette & Louis-Dominique Genest.  This book contains over 2,000 photos.
4. He is to co-editor, along with Tyler Joseph Wiseman of the USA, of The New Pleiades Anthology of Poetry = le Florilège de la nouvelle Pléiade, Kedco Studios, ISBN ISBN 1-878431-52-8 to be published in 2005.
5. He is co-editor with Sondra Ball of the USA, of The Human Face = le Visage humain, Kedco Studios, ISBN ISBN 1-878431-52-X, also to be published in 2005.

CONTACT:  Richard Vallance (Coolgoose.ca)

Do Little Birds go to Die?
© Richard Vallance 2004

Do Little Birds go to Die? Dein'ubinam parvuli aberrant aves? Où s'en vont tous les beaux pet'its oiseaux? Dove se ne vanno i piccoli uccelli? for Saint Francis of Assisi pro Sancto Francesco Assisi pour Saint François d'Assise per nostro San Francesco d'Assisi I Where Do all the little birds go to die? Not in daylight singing where they fly, though it seems by night alone where their own moon receives their lonely fall, when we are all asleep. II Dein'ubinam parvuli aberrant aves illae moriturae? Sub solis die specie cantantes volantes qualiscumque videmus, quae interea sub specie lunae errantis inde cadere volunt hostiae mortis, quando dormentes non videmus nullas. III Où s'en vont tous les beaux pet'its oiseaux mourir? Ils volent et chantent à nous réjouir le jour, alors que par hasard ils s'en iraient mourir la nuit où seule la lune, elle la solitaire, sait les recevoir dans ses bras, alors que nous, nous sommes tous endormis. IV Dove se ne vanno i piccoli uccelli a morire? Sì, da soli vogliono cantare e volare al mezzogiorno, sebbene possono cader'a mezzanotte quando la sola luna le riceve a morire e quand'il sonno culla l'umanità. © Richard Vallance 20 July = Quinctilis mensis = juillet = luglio 2004 * * * * * * * * * * * * * * * * * * * * * * * * * * Linear prose translations of the Latin, French and Italian stanzas: NOTE: even if you cannot fully understand the Latin, French and Italian stanzas,you can surely appreciate their illustrative beauty if you read them aloud. Richard II So where to do the little birds wander, those little ones, to die? In the light of daylight's sun we see them singing, flying every which way, they who meantime by the light of the wanderer moon they wish only thence to fall, victims of death, while we who are fast asleep see none of them. III Where do all the lovely little birds go off to die? They fly and sing to bring us such delight all day, although there is the chance they may go away to die by night when alone the moon, she so solitary, knows how to take them in her arms, while we are all asleep. IV Where do all the little birds go off to die? Yes, alone they wish to sing and fly towards the noon, although they alone may fall at midnight, when the moon alone receives them to die and when sleep cradles humanity. Translations © by Richard Vallance July 21 2004
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From here you may reach all our Yahoo Poetry Groups, our E-Zines and lots of poetry by many fine poets.

Jan Sand in New York

JAN SAND, poet and illustrator from New York (now residing in Helsinki), is a regular contributor to Poetry Life & Times and the newsgroup alt.arts.poetry.comments. A great deal of his work is about animals, or science fiction.

Recently Jan was published by Kedco Studios Artist Profile Press, on their latest CD ROM e-book, "A Way With Words (Poetry Real and Surreal), which also includes complete books by Dale Houstman, Sara L. Russell and Keith Gabriel Hendricks. Jan's illustrated book on the CD is called "Wild Figments And Odd Conjectures", which is also sold separately, in a limited-edition "single" CD.

To see an illustrated article about Jan's poems, visit the November '98 issue of Poetry Life & Times, and scroll down past the Editor's Letter. He also has his own poetry pages on Charlotte's Web at Artvilla.

CONTINUITY
© Jan Sand

The linear graffiti we impose Onto the smooth flow of what we term events, The habit we have to designate these from those Rather than reality which tumbles out from sense. Its flow is smooth with, perhaps, rare edges Granting stability and cognizance. But something is lost. We orphan with these wedges That pry apart minute from minute with intents To contain within our sparse mentality A few fragments of wholeness. In language, tense Services this same instinct for epheremerality. The snowflakes, beautiful and individual, exist Only as a transition state of water, liquid Without intrinsic shape. they can momentarily persist And then – join again anonymity, fleeing the solid. So do we all lose, at end, definition, Undergoing processes for a new edition. ON TOP © Jan Sand
This body wearies in its fight. On demand it picks up speed, Manages fifteen pushups, Twenty-five sit ups every morning. Digestion is a problem, But taste and smell still function well. It is too partial to ice cream And too much sugar in its tea. Nevertheless, I still sit here peering Out of the two holes on top Like a bird in a bird house And chirp. THE BUST OF LUST © Jan Sand
Now that I am wheezing One would think That special link That commands I seek Someone less antique For fondling and squeezing Would become obsolete. But still I sift the community For that special opportunity To touch and lick and please, To approach on trembling knees To make a relationship complete. My elder eye still goes to roam Noting, carefully, a behind Or, secondarily, a mind (To place the horse behind the cart) That would appeal to this old fart And set his blood to boil and foam. But I have not cash nor power Like Bill Gates or Caesar To find a doll and squeeze her, Ply her with sweets and gin, And brag about what I’ve been (Probably bore her for an hour.) So I gratify desires By petting dogs and scratching cats, Consuming food with too much fats, Watching explosions on TV Dreaming of what might be To calm the glowing inner fires. At base, now, I don’t mind. I’ve loved my girls and they’ve liked me. I enjoy being free From a spat and a slap. (These days I prefer a nap) I’ve had the fruit. Now I’ll enjoy the rind. THEOLOGIC FROLIC © Jan Sand
One wonders – How did Leda feel? Could that incident Be real? Attacked by a lascivious Overwhelming bird. Was she oblivious That this was Zeus On the loose? It seems absurd. Did he please? Could it be better With a Pekingese? Or, perhaps, With special effects Have sex With a tyrannosaurus rex? Maybe, in Freud’s way One could play With a snake On the make. So, what’s a girl to do? Avoid the zoo? Lately, other threats appear. As AI gets into gear One could be aware It might be wise to prepare For a sexy tryst With an overheated toaster One can’t resist. And then, what could be meaner Than being defiled By a vacuum cleaner? MICHELANGELO’S DAVID ON ALPHA CENTAURUS IV © Jan Sand
Discovered several hundred thousand years After life was found to be extinct On the third planet from a nearby star, The strange rock elicited curiosity, some fears. One biologist theorized that it had been A giant form of life, petrified. But samples Had revealed no organic matter, nothing To indicate this stone had felt biologic discipline. A geologist had surmised the surface had been worn By liquid water – an exotic fluid that, at one time, May have been abundant on that odd planet, A theory quite unique for such a place so forlorn. Gazed upon from a special angle (perhaps the thought is mad), This form could be imagined to have lived. A foot, or something like a foot could be at one end And opposite, could it be a head with eyes completely sad?
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