(April 2004) Page 2


SHARON KOZDEN

"I live in Allentown, Pennsylvania, where "I know how to work a Rolodex" at my day job. I am one course shy of being graduated from Cedar Crest College with a B.A. in English. Should Lady Fortuna swing upward her fortune wheel in my favor, I plan to pursue an M.A. degree in English from Lehigh University."

"So it is with the majority of men and women day by day and hour by hour in their daily lives and affairs. Without really wanting to, they pay calls and carry on conversations, sit out their hours at desks and on office chairs; and it is all compulsory, mechanical and against the grain, and indeed it is this never-ceasing machinery that prevents their being, like me, the critics of their own lives and recognizing the stupidity and shallowness, the hopeless tragedy and waste of the lives they lead, and the awful ambiguity grinning over it all.”

NO ISSUES HERE
© Sharon Kozden

Management has cordially invited its administrative staff to a luncheon. R.S.V.P. and no denim, please. There's much to be done in preparation, current wardrobe -- devoid as it is -- of essential hosiery and A-line skirts. This free lunch will set me back a grand! What else? Bandage brow piercing to conceal true grit. Polish I-know-my-place pumps, in which feet tap the rhythm of rage. Soak hands to later fold demurely in lap, appropriately lifeless. Eradicate lint from fabric that robes an angry belly. How best to present false self? Feign delight like Cinderella, unaccustomed to attentions. Squeal the excessive gratitude of an interloper, who skirts the department peripherally, a phantom of quiet amenability. Brook insufferably the imbalance of power between a robust, Alpha-male cackle and a secretary's apologetic hiccup. On second thought, decline the invitation. Back in the womb of cubicle, decompose in silent frustration. What does happen to a "dream deferred"? MUMMY © Sharon Kozden
I lie motionless in hospital, wrapped in white sheets and threadbare blanket. I'm cold. I've miscarried "Susan," intended sister, daughter. There is no color in 206A. There must be color. My slow eye finds a shock of green Jello, a faded yellow slipper. 206B snores. At once, there’s calm. Happily, so happily I float, hovering above the bed until a caterwauling below redirects me from my bright, blue sky, oceanic seducer. I hear doctors, see nurses. In the ruckus, someone calls my name. Vibrant color arrives. My body is leaden once more. Stiff sheets scratch and rustle. My husband stands before me, pale and shaken, bearing pink roses, tears staining his cheeks. INFRAREDHEAD © Sharon Kozden
Beyond a certain age, the notion of making friends seems quaint. Tea parties with doll babies and shimmer sleepovers are so training bra. People grow, change. Cripes, we’ve lives -- complicated ones with places to go, pills to see. We become socially selective, inhibited. How will this or that one enrich our experience? I’d befriend you in a heartbeat. I like the defiance of your stance -- warrior -- one who breathes dance and may comport her self as a prima ballerina into the "Glucosamine" years. I would understand your hair’s punk-red assertion: I’m uniquely unique. It’s not that we don’t fit in poetry class; we don’t fit on earth. Must-find-homeland before growing old and wrinkly.

RICHARD VALLANCE

About Richard Vallance Born in Guelph, Ontario, Canada, March 11th., 1945, Richard is a member of AuthorsDen, under his family name, Richard Vallance Janke.  A graduate of Wilfred Laurier University (1968) and The University of Western Ontario (MLS), he is fluently bilingual in English and French, and reads Spanish and Italian, ancient Greek and Latin well.  He wrote his first poems at the ages of 17 and 18, in 1962-63.  For years, Richard wrote mainly in the field of Library and Information Science. At Chicago, in October, 1983, he won the $1,000 Data Courier Award for Excellence in Online Published Papers for an article in Online, Vol. 7, no. 5.

Poetry:

While he wrote some 200 poems before the age of 47, since then Richard has composed over 1,500 poems. His first published poem was, “Lasts the First Light”, in Arts and Literature Review (Canada, 1972). In 1998, he published his first full book of poetry, A Quilt of Sonnets: Forty Four Familiar Poems, Ottawa: Providence Road Press, © 1998. 56 pp. ISBN 1-896243-07-x.

In February, 2001, Richard founded his first poetry discussion group, Describe Adonis, for sonneteers. We have since grown to 10 poetry, art and digital photography groups, which you may find at our discussion forum: la nouvelle Pléiade = The New Pleiades ©. Richard's poetry page is Poesie’s laissez-faire Faire Foire, a clearing-house for poets from nations like Canada, the United States, the United Kingdom, Ireland, France and the Netherlands. PLFFF features sonnets and contemporary poems, updated quarterly, a links page to sites of other poets, and grants the monthly Prix laissez-faire Faire Foire Award . PLFFF is a member of Phenomenal Men of The Web: Arts & Humanities .

Richard is the Editor of 2 Canadian poetry E-Zines.  These are advertised monthly at the end of The Vallance Review in Poetry Life and Times.  In the Winter of 2003, a third E-Zine, Kawasaki Zen Haiku, will be a showcase for haikuists.

Since September, 2001, Richard has been the poetry reviewer for Poetry Life and Times, which features the monthly Vallance Review. He is also regular contributor to the same E-Zine.  Richard is also often featured with the U.S. Amerindian E-Zine, Autumn Leaves.

CD-ROM Books:
1. The New Millennium Dawn Anthology (Kedco Press):
10 of Richard's poems were included in Millennium Dawn: an Anthology of Award Winning Fantasy Stories, Poetry, Novels etc.,  Kedco Studios Press, Las Vegas, NV, © 2002  ISBN 1-878431-38-2.
2. Richard’s latest CD-ROM book, Canadian Spirit Voices, © 2003, ISBN: 1-878431-44-7, is in its final pre-publication stages, and will be published by Kedco in the Spring of 2003.  You may view a summary of the book here:  Pre-publication Notice. To contact the author, please e-mail: Richard Vallance (Yahoo) (for inquiries on our poetry discussion groups) – OR –  Richard Vallance (Activator Mail) for poetry-related inquiries or submissions to our Canadian E-Zines).
Iliassia
© Richard Vallance, February 24 2004

being Homer's Iliad, Book I Entire, in Sonnets © by Richard Vallance 2003-2004 Proemium Fired, Muse, I sing for late Achilles, son of Peleus, whose wrath wrought suffering on ten thousand Argives! Gods! Blood had run to fling headlong their souls to Hades' ring of fire, and left them feasts for famished hounds of War or warm for ghoulish vultures, prey! Since that feckless day enmity abounds between Achilles, cast to deep dismay, and his grisly foe, Agamemnon, King and Commandant of the fleet Hellene fleet **, who'd refuse to bear his young underling, divine Achilles, lithe and fleet of feet. They duelled. Who'd dared them? Fair Leto's child, Zeus' son, Apollo, whose oaths both drove wild! II Iliad, Book I, verses 9-15 (interspersed) I Apollo, fling rage, unleash on this King plagues fired off now! Kill off his well-armed hosts! They'll die off like flies your venomed darts sting! If this King dares spit in your teeth, why boasts he he's spared you, old seer, Apollo's Priest? Why are you forced to sail, in fleet light ships, to King, to ransom Chrysa, unreleased, your lone child, cast in chains, knowing she slips from maidenhood, ungrieved, too noble slave? At Agamemnon wield Apollo's wreath! Be this a King, Zeus, The King, loathes to save from silver quills Apollo's fists unsheathe? Should his old hubris go stone deaf to heed Aecheans, dying, shouting "See she's freed!"? II Iliad, I: 16-25 Agamemnon, King of Hosts, dares flaunt Apollo's Priest! Now Menelaus is beseeched, most of all, and Agamemnon, hale Greek commandants, the Priest reprimands! "Here, on you I call, sons of Atreus, no Hellene supplants, nor dares, well greaved though they be, never one! Olympians! May Priam's Palace fall and Troy be destroyed, so long as I've won my daughter's release, ransomed for you all in gold, or fear Apollo's silver darts!" Fair Argives, brave hosts, hail with one assent. "For ransom rich as theirs the plague departs for good!" The King, enraged, forbids consent? He does? In deed he will, for his rebuke cuffs Chryseis' ears. Though who'll regret this fluke? © by Richard Vallance 2004 February 9 2004 Apollo TO BE CONTINUED as the MUSE inspires!!!
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From here you may reach all our Yahoo Poetry Groups, our E-Zines and lots of poetry by many fine poets.

Jan Sand in New York

JAN SAND, poet and illustrator from New York (now residing in Helsinki), is a regular contributor to Poetry Life & Times and the newsgroup alt.arts.poetry.comments. A great deal of his work is about animals, or science fiction.

Recently Jan was published by Kedco Studios Artist Profile Press, on their latest CD ROM e-book, "A Way With Words (Poetry Real and Surreal), which also includes complete books by Dale Houstman, Sara L. Russell and Keith Gabriel Hendricks. Jan's illustrated book on the CD is called "Wild Figments And Odd Conjectures", which is also sold separately, in a limited-edition "single" CD.

To see an illustrated article about Jan's poems, visit the November '98 issue of Poetry Life & Times, and scroll down past the Editor's Letter. He also has his own poetry pages on Charlotte's Web at Artvilla.

TOMATOES
© Jan Sand

My window sill proudly displays A grove of tomato plants That welcome Winter’s sunlight rays With eagerness, green elegance. These seedlings sprouted from a fruit Purchased at the grocery. Each seed launched in pursuit Of root and stem, leaf tracery. March light sees stems weak and thin, The tender leaves are tentative, Conforming to growth’s discipline. Fragile, representative. Still much snow sits out there Bleeding slowly into Spring, Icing up in night’s cold air. My plants await what time will bring. They dream of June with sultry days Where green displaces Winter’s white When skies glow blue, away from grays, And hungry leaves gobble light. The stems by then, knobbed and thick Will bear the still green rounded fruit, Orange tinged, too young to pick, Intense in skills to transmute. Transmute the message from the sun, Whisper it in water’s ear Command the soil it’s will be done, Speak to air, loud and clear. At last, at Fall, the pregnant globes Now package ingenuity Of evolution in red robes - Tomato perpetuity. EVANESCENT DREAM © Jan Sand
Sing a sing of whimsey Baked in a sigh Smiling slightly to itself Mumbling ”Oh my!” Thoughts like powdered butterflies Sail through mild depression Avoiding flakes of nervous shakes Which promulgate confession. If I hum or gently strum The strings of light psychosis, Subconscious things with hairy wings Can initiate a stressful itch Leading to thrombosis. So never praise those thoughtless days When sex and spiced salami Fulfilled all yeas and doubtful nays Through fate and fascination To dreams of honey, pots of money And excess of origami. AT END © Jan Sand
When, finally, death arrives, Long after the first mild apprehension In the doctor’s office, It has been endlessly considered. The path has not been chosen. How should the time be spent? Fear, sitting in the corner, combing its hair, Studying its fingernails, waiting patiently, Should be ignored. It ticks quietly like a clock and frequently, Slips out its tongue through needle teeth To wet its lips. A thoughtful, wistful smile Floats across its face like a cloud against the sun. I hope for no pain. My mother died in pain which developed her naked skull Like a photo in the developing bath. It took six months. Her eyes glowed like crystal balls radiating insanity. My father rested in a chrome grove blooming bottles, Plastic bags of blood and chemicals whose vinyl snakes Bit deep into his veins. They tied his hands to the bed To keep him from ripping out the tubes. He died alone, early one morning. My phone told me. My son had a body twisted, broken, vital organs Exhausted and gradually functionless. He slid in and out of coma Never sure when he was not dreaming. “Save me”, he asked at end. “Save me” Most people, famous and otherwise, are dead at my age. Marilyn Monroe is long gone, but there is still Fidel Castro, Jerry Lewis, And the queen of England. I am waiting, scared, curious, hoping, Like the Heinlein character, to take a few steps On the Lunar surface. But, at end, Will I care?
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